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Sharing the same forward-facing approach to techno music, it was about time that Roman DJ and producer Adiel lands her debut EP on Stroboscopic Artefacts. Just a few months on from the drop of the label’s anniversary compilation ‘X – Ten Years of Artefacts’, featuring the broadest array of talents including Rrose, Shifted, Efdemin, Denise Rabe, Chevel, Lucy and more, the timing couldn’t be better for both her and Lucy’s mind-expanding visions to unify.

Following on from an array of 12-inches on her own imprint, including a recent joint effort with Anthony Linell, ‘If Not Now When?’ is an ode to the all-enveloping strangeness of eternal nights that cuts a path of ecstatic light in the dark. Breaking the ice, the title-track plunges us in an effervescing pool of menacing reverbs, bloopy signals and rippling synth tides on a murky tip, while its faster and sharper twin ‘At The Bottom Of The Sea’ vigorously ups the ante to ensure optimal peak time firepower.

Flip sides and here’s ‘If Not Me Who’ diving even deeper into tape-echo’ed bizarro, swashing back and forth from blunt lo-freq frenzy to liquid-like levitation. ‘ESRR’ rounds off the package on a further freaky note, merging heavily processed vocals and swampy, octave-shifting keyboard movements to form a slice of wild, cross-pollinated electronics laid upon a much enticing techno swing. The very epitome of surgically executed dance music with a fascinatingly soulful, nearly shamanic edge to it.

Adiel - "If Not Now When?" [SA036]

Back in 2009, Italian DJ and producer Luca Mortellaro - better known simply as Lucy - established the Stroboscopic Artefacts label. And over the last 14 years, the imprint has nurtured a reputation for its line-blurring electronic abstraction and dancefloor experimentation, releasing influential material by artists like Speedy J, Kangding Ray, Donato Dozzy, Paula Temple, Rrose, Ben Klock, Wanton Witch, and of course Lucy themselves. Naturally following the label's ten year threshold, the pandemic pause and Mortellaro's subsequent artistic re-evaluation, OTHER FACTS emerges as a fresh entity, fully unplugged from Stroboscopic Artefacts' dancefloor mainframe, with its gaze pointed on widescreen cinematic sound design and audio-visual art.

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