Nicolas Jaar Set

Nicolas Jaar - Être

Nicolas Jaar - Colomb

Nicolas Jaar - Too Many Kids Finding Rain In The Dust

Nicolas Jaar - Keep Me There

olas Jaar has graduated-- at least from the trappings of any young electronic music producer (his graduation from Brown University is 18 months away). Four years after his debut on the Brooklyn label Wolf + Lamb, and the much lauded follow up 'Time for Us', whose glacial slow-jam take on house sent journalists scrambling for adjectives, the 20 year old New Yorker by way of Chile returns to Circus Company with Space is Only Noise, an uncompromising manifesto on traces of the past, love lost, and specters of the future. 

Having previously contributed to the catalog twice with his 'Marks and Angels' EP as well as the sublime 'Your Waltz' on the Snuggle and Slap compilation, we are delighted to present his first foray into the realm of the long player. 

Jaar has made it quite apparent over the course of his nascent catalog and increasingly sought after live sets that challenge is an intrinsic part of his creative discourse. Few are the producers of any age with the cohones to ride a sub-100-bpm tempo at peak time in the techno Mecca of Berlin, and fewer still are those who receive an ecstatic hands-in-the-air response for their precocious efforts. It is precisely this sense of risk which elevates Space is Only Noise beyond the realm of valiant first effort or crossover dance music oddity. Those looking to wade through the sea of Jaar’s potential influences will quickly find themselves in the deep waters of golden age Factory records, home spun digitalism of Mille Plateaux, Endtroducing era DJ Shadow and Eric Satie.

Jaar gently coaxes his listener into the experience from the opening sounds of rolling waves on 'Être', but quickly transitions into the sophisticated percussion and meandering melodies that characterise his sound. Jaar seeks, and often finds, beauty in melancholy on the first few tracks of the album. As the album begins to accelerate with 'Too Many Kids Finding Rain In The Dust', Jaar confronts us with the often forgotten reality that our sadness is not mutually exclusive from the dance floor.

Suddenly, on 'Keep Me There', Jaar’s voice appears over the delicious, rumbling melody. "We're in a really bad bed, right?" he remarks. "Mm-- it's not really a bed. It's like a balloon" responds a sultry female voice as they both crumble away in laughter. Though your hips stir to the relentless bassline and the sexiness of the voices, your heart is jolted out of its luxurious malaise when horns erupts seconds later. 

"How can you talk about a landscape without showing the sky and the earth?" a voice asks, translating from the French on 'Être'. So Jaar concludes, revisiting the same track to end the album. Complete landscapes such as these are only realised in contrast- the indulgent against the reserved, the sky against the earth; lightness and darkness. 

Space Is Only Noise is a tour de force with few modern equals, and a great sign of things to come from one of electronic music’s most exciting producers. 


Nicolas Jaar - Sunflower

RA Sessions- DARKSIDE - Paper trails

Fail Forever (Nicolas Jaar Remix)

Radiohead-Reckoner (Erhan Kesen,cœur  Edit)

Supported by Baikal, Nico Stojan, Sebo & Madmotormiquel, Art of Tones, Agents of Time and many more

⊙ Vinyl: http://bit.ly/2fayAb9
⊙ Beatport: http://btprt.dj/1rNjcfZ
⊙ Itunes: http://bit.ly/1yBel7w

Beatport

Jacob Groening - Hangover

MUSIC VIDEO : https://youtu.be/J0wfxFHFbJk

Lyrics : 

My heart is heavy,
I don't know where I'm leaving.
LIfe isn't easy,
My soul barely breathing.

If there's a line,
I think I've crossed it.
If there's a way back,
I think I've lost it.

------

Blending experimental electronics, ambient, and deep house with rich textures and blues influences, its eponymous single is a sonic journey.
Minimalist yet immersive vocals glide over downtempo rhythms, creating a deeply emotional experience. With a mesmerizing atmosphere and a rich, textured sound, this track is a must-listen for fans of atmospheric, genre-blurring soundscapes.

Music Produced & Composed by Sunrom
All rights reserved - 2025

The Line

RAAM - Ethnic Indian Relaxing Music

Delta Crew : buy / stream : https://bfan.link/delta-crew


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Get it here

Delta Crew

Here's a rework i did for my brother @VanHai few years ago for his first album called "Intimacy"... this out on vinyl for the first time as the opener for the Future sounds of jazz 13!
:)

Bandcamp

Van Hai "Dernier amour" Ripperton's No Love Lost Reshape

The Spell / A Golden Rush

A Golden Rush

David August - A Golden Rush w/ Nelia Kit

CS005 ∆ WOUH - Nicolas Jaar

cut from "Nicolas Jaar - Live At Sonar Lab (Barcelona) (2012-06-15)"

Nicolas﻿ Jaar - What's the Name

Other People is a record label started in New York City in 2013 by Nicolás Jaar. In its 10 years of existence, it has featured the sonic work of over 70 music releases, highlights include Terepa (2015), a "telepathic" collaboration helmed by Kohei Matsunaga (aka NHK’Koyxen) featuring Rashad Becker, Charlotte Collin, Lucrecia Dalt, Laurel Halo, Julia Holter, Grégoire Simon and Kohei himself, Caves (2021), a compilation of silences featuring Laraaji, Aho Ssan, Ana Quiroga and more, Weavings (2022), a collaborative live piece with Juliana Huxtable, Ellen Fullman, Wukir Suryadi and Rully Shabara of Senyawa, Angel Bat Dawid and others. The label has also put out the 1990 spoken word piece "Conspiracy of Women" (2015) by Lydia Lunch, as well as Tomaga & Pierre Bastien's collaborative album entitled Bandiera di Carta (2019) and Lucrecia Dalt's Esotro / Veta release (2014) with remixes by William Basinski and John Wall. It has also featured the likes of Magdalena Dàugosz, Barbara Zawadzka, Bernadetta Matuszczak, Krzysztof Knittel, Bogusław Shaeffer, Saint Abdullah, Eomac, Dienne, Charbel Haber, Okokon, Against All Logic, FKA Twigs, Darkside, Nicolás Jaar and others.  It has featured the visual work of Maziyar Pahlevan, Africanus Okokon, Zofia Kulik, Jena Myung, Charbel Haber, Abeera Kamran and Somnath Bhatt among others. The label’s current contract states that an artist on the label owns all their rights and decides the full percentage of the revenue they wish to make from their releases on the label, after recoupment. Any of the label’s profit gets given out to artists in forms of grants, workshop and educational initiatives. The label has collaborated in this form with more than three dozen exceptional organizations and individuals in the past three years. Although the label works not-for-profit, it is not a registered non-profit.

CS005 ∆ WOUH - Nicolas Jaar

OTHER PEOPLE

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