Name: ONE OG_bola de carne (original track) by ON3 OG
Duration: 1 min 53 s
Description: es un remix de un meme cubano,😂✌🏻

Wonderful incredible terrific powerful uplifting track

I don't understand what he's saying, but his voice contrasts well with the beautiful melody. [via https://sc.repostexchange.com]

es un remix de un meme cubano,😂✌🏻

ONE OG_bola de carne (original track)

Disposable Music and Collectible Razors is the second album by Labobros, realeased on the 20th December 2021. This is an experimental album in terms of sounds, music styles and languages.

So many collaborations from every part of the world like: Cesareo (Elio e le Storie Tese), Paolo Tofani (Area International Group), Mourad Musset (La Rue Ketanou), Jinian Wilde (David Cross Band), Peter Lacey, Jade Marie, Pasquale Nigro, Alfonso Sacchetti, Benigno Grillo, Roberto De Rosis, Natale Novellis, Serafino Zangaro, Vero Luz, Joe Figg, Gabriele Vignati.

Disposable Music and Collectible Razors

Disposable Music

Terminus

This Time, an EDM song produced and sung by AyJai. Follow my IG @austinjdip

This Time

Withstand your torment is about is trying to deal with things that are happening in your life or in the world . There’s things out there that you love and hate , but it’s mainly over the things you hate out there in the world and you can’t always get what you want . But it’s also knowing that you can’t go back in time and change your past so you have to live with things that’ll haunt your memories for a long time . Living with very big regrets,mistakes,opportunities ect and it’s fucked you over .

Withstand Your Torment Vocal Demo

Романтик коллекшн

Грязь

Collaboration with The Fall of Saigon, all Alice and Wonderland-y. song was originally his, then I added some guitars and wrote the lyrics.
Check out his page here www.soundcloud.com/ulv-orn-bjornsson

Constantly Chasing and Charming The Rabbit [with The Fall of Saigon]

Мертвий Москаль

M620

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - III. Dolente

A piece I wrote for my wife Laura.  Harp, piano and orchestra.  I hope you enjoy it.

Chas

ONE OG_bola de carne (original track)

ON3 OG

Recent comments

AJIBOLA AYOKUNNU ISHOLA

Widard Izier

Sequence Stranger

Related tracks