Y una corona es la bendita esperanza para aquellos que estan atravezando por una situacion, donde las palabras no pueden expresar, el dolor que llevamos por dentro. Un dia no muy lejano, Jesus secara todas nuestras lagrimas, Y Una Corona El nos dara.

Y Una Corona (Letra y Musica: Jose Ml. Mirabal)

"In the Blink of an Eye" is a mesmerizing journey through life's fleeting moments, born from a unique collaboration between human creativity and AI assistance.
It is a poignant reflection on life's fleeting nature, reminding us that our most precious moments often slip away just as we begin to grasp their significance. This indie folk ballad, born from a unique human-AI collaboration, captures the bittersweet realization that everything - from our first love to our deepest understanding - passes swiftly, often before we fully appreciate its value.
As the melody weaves through dawn's early light to the depth of starlit nights, listeners are invited to contemplate how quickly time escapes us. The song's haunting refrain echoes the sudden clarity that comes with recognizing life's transience, urging us to cherish each moment before it fades into memory.

In the blink of an eye

Sarandunga. JAH

Vals Capricho no 1 JAH

Vals Capricho #2 JAH

I gattacci sono un gruppo estensibile da strada che ha avuto una strana evoluzione...
Seguiteci!!!

Besame Mucho - Consuelo Velázquez

NOSTALGIA

Close to You

Mas Que Nada

Over the Rainbow

The Girl from Ipanema

Official Arpi Alto cover of the Carpenters’ We’ve Only Just Begun

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We've Only Just Begun

- Part Pianist, part composer, part poet, part IT technologies technician/programmer, 100% musician. -

Otoniel Rojas is a Dominican pianist and composer celebrated for his unique fusion of classical music with the rich rhythms of his homeland. Born in Santo Domingo, Dominican Republic, he was immersed in a vibrant musical environment from an early age. His father, an accomplished musician, served as the principal flutist and later as the piccolo player in the National Symphony Orchestra of the Dominican Republic, instilling in him a profound appreciation for music.

At just seven years old, Rojas began his formal music education at the National Conservatory of Music, initially focusing on the violin. Simultaneously, he nurtured a passion for the piano, teaching himself to play and developing exceptional sight-reading abilities. His prodigious talent quickly became evident as he accompanied his father in numerous public performances, church services, and television appearances across his native country.

Determined to refine his pianistic skills, Rojas pursued formal piano instruction, excelling in performance, counterpoint, music theory, and solfège at the conservatory. Despite his musical successes, he briefly explored an engineering career at the Universidad Autónoma de Santo Domingo (UASD). However, his unwavering dedication to music led him to resume his artistic journey.

Seeking broader horizons, Otoniel relocated to the United States to study at Brooklyn College of the City University of New York—a hub for international students and a springboard to esteemed institutions like Juilliard. Under the mentorship of acclaimed pianist Agustin Anievas, a celebrated American classical pianist known for his recordings of Chopin and Rachmaninoff. Under Anievas' tutelage, Rojas flourished, graduating with a Bachelor's degree in Piano Performance, earning the distinction of Cum Laude. His exceptional musicianship was recognized when he won the conservatory's piano competition, performing Beethoven's Piano Concerto No. 3 with the college orchestra.

Deeply involved in the college's musical community, Rojas participated in chamber music ensembles, served as a piano accompanist, and sang in both the specialized chamber choir and the conservatory choir. He expanded his compositional skills under the guidance of Robert Starer, an Austrian-born American composer known for his contributions to contemporary classical music. His collaboration with the university's ballet program led to his composition "A Passing of Time" being incorporated into the ballet's repertoire, which was performed internationally by the university ballet in Prague.

To further diversify his expertise, Rojas studied conducting with Karoly Kope, chamber music with Stoddard Lincoln and Marion Feldman—a distinguished cellist and professor at New York University—and delved into music history under H. Wiley Hitchcock, a leading authority on American music.

Upon returning to the Dominican Republic, Rojas continued to compose and perform. He was commissioned by the Sinfónica del Cibao to create "Mozartina," an orchestral piece that masterfully intertwines traditional merengue rhythms with themes from Mozart's "Jupiter" Symphony. The work features the tambora, a traditional Dominican percussion instrument, symbolizing a fusion of his classical training and cultural roots. "Mozartina" premiered with the Sinfónica del Cibao and was later performed in a revised version by the National Symphony Orchestra in Santo Domingo under the baton of Caonex Peguero, a prominent Dominican violinist/conductor/composer.

Today, Rojas continues to share his music with audiences worldwide. Through platforms like SoundCloud and published sheet music, he brings a unique blend of classical and Dominican musical traditions to listeners and performers alike. His journey reflects a lifelong dedication to music and a commitment to bridging cultures through his art.

In the blink of an eye

Otoniel Rojas

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