Delft

Poblenou

A late night sketch on the groovebox thing.

It was foolish to build it on the sand

Model:Cycles, 6 tracks, one pattern. Knobs and buttons. No clicks.

Sketch One

This was a dope little journey.

	1.	Jan Jelinek – Do Dekor
	2.	Youandewan – Have The Guts
	3.	Atomic Moog – Unlocked Groove
	4.	Efdemin – Drop Frame
	5.	Speedy J – Armstrong
	6.	Second Woman – Apart I
	7.	Forest Drive West – Ritual
	8.	Forest Drive West – Dualism
	9.	Anthony Fade / TRP – No Smoke
	10.	Luke Hess – Two Prophets
	11.	Pablo Bolivar – Reflect (Francisco Aguado Remix)
	12.	Joaquin Cornejo, Gotopo – Spatial Request (Original Mix)
	13.	Ben Sun, Jon Sable – Sable Sun (Original Mix)
	14.	Chaos In The CBD – Intimate Fantasy (Original Mix)
	15.	Wa Wu We – The Grip of the Frost Release Itself
	16.	Andrea (IT) – Dove Mai

Garraf Mix 02

Hazeus

That moment you first took a paintbrush and put color on paper. Like that.

brushstroke.wav

Mixing again. It’s cold. Again.

GARRAF MIX 03
Techno with some dubby seasoning. SoundCloud link up top. And remember… ditch your Spotify.

Tracks:
Sandwell District – Falling The Same Way
Verlake – Response
Angel Alanis – Dusty
d.lawrence – Sunburst
Joachim Spieth – Sensual
Sebastian Mullaert – Samunnati
Pedro Capelossi – Chasing Ghosts
Luke Hess – Hidden Dimension
Steve O’Sullivan – The Hidden Trail
Ness – Fades Away
Efdemin – Sirius
Planetary Assault System – Booster
Keith Carnal – Moving Molecules
D.Dan – Take It Easy
Aphex Twin – Heliosphan
Andrea  – Dove Mai

Garraf Mix 03

At the end of summer 2024, while recovering from an accident that almost took me out, I threw myself into making my own sounds with my one piece of hardware: the Model:Cycles, an FM synthesizer sequencer groovebox. I started from zero in terms of production chops, spending hours alone during some rough stretches. Anything to sit alongside the tinnitus and the existential dread. During those months, I occasionally posted a few pieces. I didn’t care about perfection. Any seasoned artist might cringe at how basic and simple the work was, and at the fact that I thought it was worth sharing. Thankfully, I don’t give a fuck. I just wanted to put out these “sonic sketches” as a snapshot of what I was feeling during this time and as a marker for what my square one looked like. Some of these sketches (jams really) are muddy and may clip at times. Part of the process I guess?

Eventually, I hit a point where I wanted to explore other moods and more complex forms of production. That felt like the end of an era. I made my own sound without copying anyone or taking any shortcuts. Just me jamming on a sequencer. With that in mind, and knowing full well that Spotify has become the fast food of music, I deleted all my early releases from the app and everywhere else. I’ve compiled my favorite sketches from the past 14 months into this EP. The end of a chapter, but something small and meaningful to me.

otrabanda

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