I really like the montage with my track and these voices: it's very powerful!

Superb and detailed work on the Syrian/Lebanese community of LaCrosse, Wisconsin has been undertaken by historian Richard Breaux. He is at work on a book, but a great deal of his work is posted and updated regularly on his Facebook page: www.facebook.com/SyrianLebanese-C…1821101001227865

Sinem - Yağmur ( IKIBIN Remix )

Klapto - Mister Game (Rune Cosmic edit)

Baris Bergiten & Semih Tuncer - #Asi Cat 006 (B2B)

E559 | Set between elite households and a Sufi lodge, Yakup Kadri Karaosmanoğlu's 1922 novel Nur Baba was a provocative take on competing notions of religion, morality, gender, and romance in the dynamic world of late Ottoman Istanbul. In this episode, we speak to Brett Wilson, author of the first-ever English translation of Karaosmanoğlu's controversial classic. We discuss Yakup Kadri's ethnographic approach to his subject, its mixed reception, and the insights it offers about modern Turkish culture. We also discuss the joys of translation, and its importance for students of Ottoman history today.

More at https://www.ottomanhistorypodcast.com/2024/01/nur-baba.html

M. Brett Wilson is Associate Professor of History at Central European University in Vienna and the Director of the Center of Eastern Mediterranean Studies. He is the author of Translating the Qur’an in an Age of Nationalism: Print Culture and Modern Islam in Turkey (Oxford University Press, 2014) and the editor and translator of Nur Baba: A Sufi Novel of Late Ottoman Istanbul (Routledge, 2023).

Brittany White is a doctoral student in the Department of History at the University of Virginia. Broadly, she is interested in the African Diaspora in former Ottoman territories.

CREDITS

Episode No. 559
Release Date: 25 January 2024
Sound production by Brittany White
Music: Chad Crouch; A.A. Aalto
Bibliography and images courtesy of Brett Wilson available at https://www.ottomanhistorypodcast.com/2024/01/nur-baba.html

Season 13

A Sufi Novel of Late Ottoman Istanbul | Brett Wilson

In 2020, Le Mystérieux Orchestre Électronique de Paris started recording some pieces of Furniture Music, for activities requiring concentration, or simply for relaxation.

The Orchestra uses generative music processes. Electronic tools are considered interpreters, who are bona fide part of the ensemble. Analog synths are used along composition software. One of the main dogmas is the exclusion of any percussive instrument. These purely electronic sounds are contrasted with field recordings gleaned in various places.

Somewhere between Ambient, New Age, perhaps Krautrock, the first album by Le Mystérieux Orchestre Électronique de Paris is made up of musical pieces which are often about ten minutes long, in order for the listener to curl up into its pads and repetitive melodies

Lénification des Affects Par le Zéphyr Distant

[GMN07] B1. Evanton - Silver Dawn

Tracklisting : 
Sex Judas feat Ricky - Amour Fou	
Sex Judas feat Ricky - The Black Pond	
Project Gemini - Extra Nuit	
Gustaf - End of the Year	
Gustaf - Close	
Drahla - Zig-zag	
The Waeve - Something Pretty	
Throbbing Gristle - Hamburger Lady (Carter Tutti Remix)	
Schnallo - Bravo Hit 808	
John Grant - It's A Bitch	
Delone - MIT	
Atelier - Miss You	
Garcy Noise & Luca Mauro - Oh Crazy Baby (LTJ Xperience Rmx)	
Zillas On Acid - Ceremonial Slab	
Ian Vale - Oh My	
Alavux - Zemunski Kej	
GRDN - Bocholt	
A Space Age Freakout - Song Of Siraba (Mindbender Remix)	
The Monitors - Control	
Trulz & Robin - Inside of Me - Robomatic Remix	
Jamie XX & Honey Dijon - Baddy On The Floor (Instrumental)	
Krabberz - Super Comb

If you enjoy what you hear please like and re-share it to your networks.

The Shizzle
Bay FM 99.9
Wednesday Nights 8-10pm (AEST)
www.bayfm.org

The Shizzle : 17 April 2024

☆★★ https://bit.ly/GRSCLM112 ★★☆

Alexander Bogdanov's debut on Mood Series with Less Is More marks a significant entry into the realm of dub techno. With seven tracks offering various expressions of minimal-styled dub techno, Bogdanov demonstrates a keen understanding of the genre's nuances while infusing his own crisp production style into each composition.

The album opens with 'LIM Dub o1,' setting the tone with its mid-tempo rhythm reminiscent of waves washing over a shoreline. The hypnotic quality of the track immediately draws listeners into Bogdanov's sonic landscape, establishing a sense of immersion that persists throughout the release. Moving forward, 'LIM Dub o2' introduces a slightly techier vibe while maintaining the traditional dub techno elements. The intermittent chords, layered with delays and echoes of varying lengths, create a dynamic texture that keeps the listener engaged. 'Bubbling bassline' aptly describes 'LIM Dub o3,' where Bogdanov showcases his knack for crafting minimalistic yet impactful grooves. As the album progresses, it delves deeper into the darker realms of dub techno with 'LIM Dub o4.' Here, swirling chords evoke a sense of foreboding, adding a layer of tension to the overall atmosphere of the record. 'LIM Dub o5' offers a shift in tempo, introducing a more up-tempo version where altered chord patterns inject a fresh dynamic into the mix. 'LIM Dub o6,' explores heavier beats and deeper bass notes, further enriching the sonic palette of the album. The liquid-like quality of the chords adds depth to the track, creating a sense of immersion that is both hypnotic and captivating. Closing out the album is 'LIM Dub o7,' perhaps the most introspective moment on the record. Here, the chords take on a melodic quality, imbuing the track with a sense of serenity and tranquility. It's a fitting conclusion to an album that embodies the ethos of "less is more."

Overall, Less Is More is a masterclass in minimalist dub techno, showcasing Alexander Bogdanov's talent as a producer and his ability to craft beautiful dub techno. The album is sure to resonate with fans of the genre and help establish Bogdanov as a rising talent in the electronic music scene. 

-
w&p - Alexander Bogdanov
mastering - grad_u
artwork - Rima Prusakova
write-up - Tim Humphrey

-

☆★★ https://bit.ly/GRSCLM112 ★★☆

Less Is More

Alexander Bogdanov - LIM Dub o2

Get it here

Here'z a tape I'm sure a lot of Orlando peep'z will enjoy!! DJ Ice & I go way back. We first met on September of 1989' @ Club Decades where he did an off night on a Tuesday & called it thee Acid House. I still have my t-shirt with the smiley face on the chest and each sleeve & the words Acid House across the chest.
Our friendship grew from there with our passion of thee 303 sounds. I would have to say ICE'z style was more European as for KCP was str8 up Chicago & Detroit with a dash of NYC Underground House (A Lot of Todd Terry Records).
I actually have a copy of that September 1989' tape somewhere. I'll dig it up & posted here soon.
The last time I saw ICE was when when he was a guest @ the club I was resident at, The Voodoo Lounge in Ft. Lauderdale, FL.
It was crazy that night & I don't think he recognized me. I played my last record & he jumped on with some of his signature break-beat sound.
Other than that, enjoy these ICE beatz... a lil bit b4 he became full fledge break beat head. He gave me this @ the Fern Park Station Club.

Manny Cuevas
aka
DJ M-Traxxx
aka
Thee House & Techno Muzik Historian

Psalms 150=Thee Truth

Manny'z Tapez

DJ ICE MIX - Orlando, FL. 1992' (Manny'z Tapez)

released on end record 7.7.2010
on beatport
http://www.beatport.com/track/flying-bugz-original-mix/1453677

Flying Bugz

E390 | In the years after the world war that ravaged the Ottoman Empire, Hassan left his native village in modern-day Lebanon to join his parents and siblings in the growing Midwest town of Sioux Falls, South Dakota. To do so, he had to sidestep the stringent immigration quotas newly implemented by the US. But years later, when the authorities learned that he entered and was living in the US illegally, he was threatened with deportation. Through Hassan's story, we'll learn about the experience of Arab migration to the United States and get to know the Syrian-American community that despite numbering in the hundreds of thousands by the 1920s, found itself repeatedly compelled to prove its worthiness to be included in a society where nativism was on the rise and being entitled to full citizenship often meant being considered white.

More at http://www.ottomanhistorypodcast.com/p/doa.html

For images, full credits, and more, visit the Syrian in Sioux Falls page at https://www.ottomanhistorypodcast.com/2018/11/syrian-in-sioux-falls.html

Syrian in Sioux Falls

Ottoman History Podcast

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