Copy of Nihawand (Taqasim)

Michel Pépé - La Biche d'Amour

The Anatomy of An Aesthete

Judi

کتاب گزینه ی اشعار نیما یوشیج با مقدمه و انتخاب یداله جلالی پندری، چند رباعی، شماره ی ۲۰

Spanish flamenco style, dance version compo.

Starts slowly, and builds into a dancing mayhem distortion, for my followers to dance and enjoy.
My style, copy compo goes into overdrive, fun and still my passion for classical Spanish guitar, always there.

Malaguena Flamenco ( The alternative copy track)

https://www.oud.gr
This track is from the album Oud - Strings of My Soul and is available, here https://www.oud.gr/discography_oud.html

Nihawand (Taqasim)

If I (Sabil take)

Furāt (Euphrates)
Composed and arranged by Nizar Rohana

Nizar Rohana (Oud)
Matyas Szandai (double bass)
Wassim Halal (percussion)

From the album Furāt (Euphrates), released on Friday 15 April 2016

All tracks in the album were composed and arranged by Rohana, except for “Samā‘ī Muḥayyar” composed by Tanburi Cemil Bey. Bishara Khell provided invaluable artistic supervision throughout the development of the work, which was 

Recorded in August 2015 at Music Unit Studios in Paris.
Recorded and mixed by Cyril Harrison.
Mastered by Harris Newman (Grey Market Mastering). 

Furāt (Euphrates) was released worldwide  via Loplop Records, on CD, streaming and digital download. 

This production was made possible with the support of the Arab Fund for Arts and Culture (AFAC).


فُرات
 تأليف وتوزيع نزار روحانا

 نزار روحانا- عود
ماتياس تزانداي- كونترا باص
وسيم حلّال- إيقاع

جميع مقطوعات الألبوم هي من تأليف وتوزيع روحانا، باستثناء سماعي مُحيّر من تأليف جميل بيك الطنبوري. أشرف فنياً على الألبوم الموسيقي بشارة الخل، وتم تسجيله في آب ٢٠١٥ باستوديوهات «ميوزك يونيت» في باريس. تمت عمليتي التسجيل والميكساج على يد سيريل هاريسون، أاعد الماسترينغ هاريس نيومان في ستوديوهات جري ماركت ماسترينغ.

صدر الألبوم عبر شركة الأسطوانات الهولندية لوبلوب، ومتوفر حاليا على سي دي  وألبوم رقمي للإستماع و التحميل في جميع أنحاء العالم. 

تم إنتاج هذا العمل بدعم من الصندوق العربي للثقافة والفنون آفاق.


Furat (Euphrates)  فُرات

Rahat Al Arwah

Ahmad Al-Khatib - Sada (Echo) صدى

Tigran Mansuryan - Siro Meghedi | Տիգրան Մանսուրյան - Սիրո Մեղեդի

07 You Created The Night, I Made The Lamp

من فيلم "تانجو الأمل" لمحمد سويد ١٩٩٨

Please, Don't Ask.

www.oud.gr
My name is Nikos Dimitriadis and I come from the beautiful city of Thessaloniki, which is located in northern Greece. I am a musician and my musical instrument is the Oud. I introduced myself to music in 1980 when I started learning the Guitar. At the same time, I started learning Greek music, and especially old traditional and folk Greek and Rebetika songs. After a few years, I started making public appearances, singing and playing guitar at many places in Greece and abroad. In 1994, with the guidance of my teacher, Mr. Vassilis Cassouras (Greece), I started learning the Oud. My turn and guidance to the instrument of the Oud was my father's origin and influence which comes from the area of Black sea (Turkey) from city Ordu, as he plays the traditional Pontiac lyre "Kemence". I started to explore the traditional music roots of the Oud from Arabia, Turkey, and Persia, trying to find out the differences between them and their relationship to Byzantine music. My main studies were focused on Oud solo, which to me is the most important. I studied theoretically and practically many methods of playing the Oud and the most important soloists from Arabia, Turkey and Persia. My musical activities relating to this instrument are focused on Oud solo. I believe that it is the most appropriate way to define the soul of this instrument and the musical style of the East. I aim to seek a dialogue between other Oud musicians because I believe that through the music dialogue a musician can reach the maximum limit of his performance. One of my favourite Oud themes is extemporisation (Taqasim) through which the musician can express himself clearly, letting the audience understand his inner psychological world and personality. Taqasim always plays the major part in Oud playing. A secondary major role is the melody-tune, which reveals the strength of this instrument. Everyone can see the huge strength of this musical instrument. I have co-operated with folk music groups and I had a very interesting co-operation with the first chorarch of Byzantine music - Mr. Theodoros Vassilikos.

I am composing music for solo Oud and I believe that I approach the style of the East and a part of Greece. I perform in many places in Greece and other countries, making a programme of the music I compose.I play solo Oud or I am accompanied by one to five percussionists. My dream is the creation of a group, that includes an Oud and ten percussion instruments, and I hope that it will become reality one day. 

Nihawand (Taqasim)

oud - عود

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