La Consolation

River Man(Nick Drake)

Igor Stravinsky: 3 movements from Petrushka - 2 Chez Petrouchka

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Official Website: http://www.archiechen.com
Youtube DIPF https://www.youtube.com/c/PianofestivalIe
Youtube Archie https://www.youtube.com/c/ArchieChenPianist
Festival Website: http://www.pianofestival.ie
Teaching Website: http://www.pianoacademy.ie

Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
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An NFT of this track will be available from the artist soon!

Franz Liszt Consolation no. 3 in D flat Major, S. 172

Voz: Russo Passapusso / Backing Vocals: Russo Passapusso, Fael Primeiro, Anelis Assumpção, Curumin / Guitarra: Lucas Martins / Teclados: Marcelo Jenec i/ Violões: Lucas Martins, Curumin / Baixo: Zé Nigro / Bateria: Curumin / Percussão: Mauricio Alves / Programação: Curumin

Flor De Plástico

Clay Nordhill - Guitar
Sam Kurzontkowski - Bass
Jim Nordhill - Drums

The Cure (Keith Jarrett)

Natural Green

A collection of music from some recent scoring projects

What Had They Done

iTunes: https://itunes.apple.com/album/id798577261
Extracts taken from « Poulenc - Franck - Prokofiev - Martinu » – Out on 2014-01-20
Extraits issus de « Poulenc - Franck - Prokofiev - Martinu » – Sortie le 2014-01-20

Production: Le Chant de Linos


Sonate pour violon et piano, FWV 8: III. Recitativo-Fantasia (Ben moderato) [Transcription pour flûte et piano]

''Va pensiero'' from the Opera "Nabucco" - Giuseppe Fortunino Francesco Verdi. Chorus and Orchestra of the Accademia Nacionale di Santa Cecilia.

Va’ pensiero sull’ali dorate
Attraversa le montagne e vola
Sugli oceani.
Raggiungi la terra, trova il luogo
Dove vanno tutti i bambini
Ogni notte dopo aver sentito questa ninnananna.
Lì troverai i loro eroi vivi
Che proteggono la loro innocenza
Benedicili tutti perchè il loro animo semplice
è tanto puro e meraviglioso.

Va’ pensiero sull’ali dorate
Fai continuare questo sogno bellissimo
Per tutta la notte.

Presta loro le tue ali dorate
Tutte le paure voleranno via
Prendili per mano
Aiutali a trovare una strada facile
Riportali alla luce, riportali alla luce
Alla quale appartenevano un tempo
Dove possono restare
Bambini per tutto il tempo che vogliono.

Va’ pensiero sull’ali dorate
Attraversa le montagne e vola
Sugli oceani.
Raggiungi la terra, trova il luogo
Dove vanno tutti i bambini
Ogni notte dopo aver sentito questa ninnananna.
Ogni notte dopo aver sentito questa ninna nanna

Traducción al castellano:

¡Vuela pensamiento, con alas doradas,
pósate en las praderas y en las cimas
donde exhala su suave fragancia
el aire dulce de la tierra natal!
¡Saluda a las orillas del Jordán
y a las destruidas torres de Sión!
¡Oh, mi patria, tan bella y abandonada!
¡Oh recuerdo tan grato y fatal!
Arpa de oro de los fatídicos vates,
¿por qué cuelgas silenciosa del sauce?
Revive en nuestros pechos el recuerdo,
¡háblanos del tiempo que fue!
Canta un aire de crudo lamento
al destino de Jerusalén
o que te inspire el Señor una melodía
que infunda virtud al padecimiento.
que infunda virtud al padecimiento.
que infunda virtud al padecimiento.
virtud al padecimiento.

Va pensiero / Nabucco. Guiussepe Verdi

Grab your coat and get your hat
Leave your worries on the doorstep
Life can be so sweet
On the sunny side of the street

Can't you hear the pitter-pat
And that happy tune is your step
Life can be complete
On the sunny side of the street

I used to walk in the shade with my blues on parade
But I'm not afraid...this rover's crossed over

If I never had a cent
I'd be rich as Rockefeller
Gold dust at my feet
On the sunny side of the street

Now if I never made one cent
I'll still be rich as Rockefeller
There will be gold dust at my feet
On the sunny
On the sunny, sunny side of the street

On The Sunny Side of The Street ~ Jo Stafford & The Pied Pipers

Charlie Feathers - "That Certain Female"

Ngamba Island is a Chimpanzee Sanctuary, located in Lake Victoria. Founded in 1998, today it is home to 48 orphaned rescued chimpanzees providing welfare and a safe haven to them in a near wild environment.

During a visit to the sanctuary to see how the conservation work is done, I recorded the chimps as they were being fed.

Photo courtesy of Dee Marshall (http://www.beneaththeskies.com/)

Chimpanzee Sanctuary - Ngamba Island, Uganda

In April of 2008, we at Sub Pop Records had the good fortune to release the US version of Antidotes, the debut album by Oxford, UK quintet Foals. Antidotes was a special album. Two years on from that impressive introduction, a choice has been made–-rather than contort Antidotes’ lithesome guitars into ever more elaborate patterns, Total Life Forever is the sound of a band settling into and surveying the decay of old protocols. With this new album, Foals strip their sound back and turn themselves inside out searching for that invisible human thing. The result is an album as persuasive emotionally as Antidotes  was physically. Whereas that album constantly reinforced its own presence by filling the air with yelping and polyrhythm, tracks on Total Life Forever such as disarming opener “Blue Blood,” “2 Trees” and the astonishing “Black Gold” are happier to leave gaps for the listener to explore in mind’s ear and eye. Written primarily in the basement of their Oxford HQ (“The House of Supreme Mathematics”) and recorded in Gothenburg with former Clor man Luke Smith, Total Life Forever finds Foals singing rather than shouting, emotional as well as functional. The band’s soul-search reveals new antidotes found in infinite, internal spaces rather than carved violently upon the air–-Total Life Forever feels more the work of artists than artisans. It’s a triumph that they’ve managed to remain a band of progress and propulsion while investigating that vast, dark space lurking inside themselves-–that gap between ribs where “nature, or god or whatever you wanna call it, will come in.”

Released: June 15, 2010 


   1. Blue Blood
   2. Miami
   3. Total Life Forever
   4. Black Gold
   5. Spanish Sahara
   6. This Orient
   7. Fugue
   8. After Glow
   9. Alabaster
  10. 2 Trees
  11. What Remains



Total Life Forever

Spanish Sahara

Foals - Spanish Sahara

CHRISTOPH WILLIBALD GLUCK, Iphigénie en Aulide, "Adieu"

Elektro Hafız-Elektrik Bağlama,Sample,vokal,beat..


Gırtlaktan

More traditional Cambodian music, this time recorded in the grounds of a temple in Angkor. A group of Buddhist monks were playing instruments as I walked by. 

Buddhist Temple Music - Angkor, Cambodia

La Corale Quadriclavio di Bologna, accompagnata dall'Orchestra Città di Ferrara, esegue il "Et in terra pax hominibus" dal "Gloria", RV.589, di Antonio Vivaldi nella Sala Bolognini della basilica di San Domenico a Bologna, martedì 18 dicembre 2012. DIrettore Lorenzo Bizzarri.

"Et in terra pax hominibus" dal "Gloria", RV.589, di Antonio Vivaldi - Corale Quadriclavio

Ludwig van Beethoven - Piano Concerto No. 5 in E Flat Major, 'Emperor' - Adagio un poco mosso

Arvo Pärt - Spiegel Im Spiegel (Mirror in Mirror)

My official remix for @Disclosuremusic "You & Me"

Get this in VINYL: http://smarturl.it/SpaceCadetBundle

Download The Flume Deluxe Edition on iTunes here:
http://smarturl.it/flume_deluxe

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La Consolation

Margotd