This is the beginning of a relatively free or unguided collective improvisation, with the sounding of a digital timer setting up the sonic space.  Both trained and untrained musicians contributed here.

6.12.15

Besanji teaches us a Somali song, interspersed with some deep listening-inspired improvisation.

Besanji's Story

We believe that improvisation is fundamentally inclusive. We use a
process-focused approach that grounds all participants in the shifting 
moment - in this moment hierarchies are dismantled, and every 
participant is potentially empowered as a leader.  Inclusivity means that 
we are all equally responsible for the collective – improvisation enables 
exactly this.  

Improvisation informs music across all cultures, and unlike other musical 
elements knows no cultural boundaries.  Available to all, we use it to 
open spaces of expression for people of diverse abilities and need and 
from diverse backgrounds.  In the resulting collective, we find unity 
whilst celebrating our diversity.

As facilitators, we ground our process in deep listening – silence also 
knows no hierarchies, and really listening to each other is one of the 
most fundamental ways that we can understand and connect.  We guide 
each group through various exercises that open ears, bodies and minds, 
moving gradually into collective improvisation.  In these experimental 
community events, we are all equal stakeholders.

This approach also functions as a model for engaged and empowered 
communities.  Improvisation may not save the world, but it teaches us 
profound lessons about the many different ways there are of being in it.

Our Community Sounds...