Listening to this shows me how my brain reacts to the sounds. Interesting.

Loving the complexity of the soundscapes 👌🏽👌🏽

I love the creative and unique sounds here! it flows together so well

early project with Zyantos, his track is so lovely....

If I Cry

If I Cry (Collab Zyantos)

When You Wake In The Morning

@juswel: Original Bed composition, bass, drums and guitars
@elephantpr: Vocals, lyrics and Backing vocals
@gotchi Orchestration and Horn Section
Concept, production and Mix by conover
© 2018 Conover/Labarca/Welin
Mastered at Abbey Road Studio by Alex Gordon
www.abbeyroad.com/engineer/alex-gordon
Play ☑ like ☑ repσst ↺ ☑ share with yσur frieиds ☑

Hazy mornings with you
Everything’s gone downhill

We’ll cruise through the stars
Just making up together
This beautiful collision

I know you know I’d do anything
Cause you care and I do
You and I so beautifully collide
This beautiful collision
This beautiful collision

Just a last time then I’ll disappear
All of our tainted years

We’ll cruise through the stars
Just making up together
This beautiful collision

I know you know I’d do anything
You care and I do
You and I so beautifully collide
This beautiful collision
This beautiful collision
This beautiful collision
This beautiful collision

Mastered at Abbey Road Studio by Alex Gordon
www.abbeyroad.com/engineer/alex-gordon

The Conover

Beautiful Collision Conover/Labarca/Welin/Gotchi

From the bandcamp EP “UNFOLD” (https://martinhoogeboom.bandcamp.com/album/unfold) with
Jukka-Pekka Kervinen: guitar/trumpet/electronics
Ulrich Langenbach: cello/viola/guitar/tapes
Martin Hoogeboom: objects/treatments/electronics

Mixed by Martin Hoogeboom
Mastered by Rupert Clervaux

Jukka-Pekka Kervinen: https://soundcloud.com/jpkervinen
Ulrich Langenbach: https://soundcloud.com/ulrichlangenbach
Martin Hoogeboom: www.martinhoogeboom.com
Rupert Clervaux: www.rupertclervaux.com

A Martin Hoogeboom Project (DS1388/2023)

UNFOLD

UNFOLD I (Jukka-Pekka Kervinen/Ulrich Langenbach/Martin Hoogeboom)

This piece explores the concept of algorithmic improvisation, asking the question: "Why do we want our computers to improvise?" It was generated using a Python algorithm that constructs a sequence of 3-note cells. These cells can mutate over time but also return to previous states. The sequence is initiated by a single random seed and a parameter that controls the probability of variation. The timbre parameters of the instruments, on the other hand, are constantly changing, also triggered by a single random seed.
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More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at https://disquiet.com/0651/

The cover image for this project uses a photo by Ioan Sameli, thanks to a CC BY-SA 2.0 license; it’s been cropped and text has been added to it.

11. Eritque Arcus Geminus

ouranoise

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