can someone post the lyrics of this song pleeeease

stumbled upon

Komyut (Demo)

Track 02
It'll Be Alright EP (2013)

Produced by Ean Aguila and Ourselves the Elves
Lyrics and melody by Christelle Delvo
Christelle Delvo on vocals
Ean Aguila on bass

Not Me Not You

Track 03
It'll Be Alright EP (2013)

Produced by Ean Aguila and Ourselves the Elves
Lyrics and melody by Alyana Cabral
Ean Aguila on bass

Outer Speys

Track 04
It'll Be Alright EP (2013)

Produced by Ean Aguila and Ourselves the Elves
Lyrics and melody by Alyana Cabral
Christelle Delvo on bass and back-up vocals

I Wouldn't Mind

Roll Martinez - vocals, guitars, keys, programming
Kaka Quisumbing - percussion
Katherine Sheehan - vocals

Recorded at East 1st Studios - Circa 2011

Sea Of Trees

will i still love you in the spring?
cause my heart's got lots to give
or will you let it wilt away?
color my world, then leave it grey

will your picture stop my heart again
so bad i light a cigarette
then i summon my ancestors
who shame me for how down bad i am

will you be aching for my presence
the way you crane your neck for a kiss
from the summer sun to your skin

sorry for all this talk of seasons
i just fear for a future where you wont be familiar with my name

will you still like me in the spring?
does your heart have room to spare?
if/when you thirst for tenderness
know that my spring's for you to rest in
dive in

will you feel so unreal to me
i reach out for your hand
when you hold it back
feels like i'm finally running my fingers thru some grass

and it won't feel like the first time
ever again, but i'm fine with that
just as long as you want me for the next

cause you can bet that i'll still want you
but if my spring of love's a bit too big
for you to swim in

you can tell me, like we practiced
better to quit while we're ahead

but if i still love you in the spring
when my heart's got more to give
please don't let it wilt away
please don't let it wilt away

lovespring - Japanese Surplus

di na namamansin c idol😱

you were my whole fucking world
for one second
granted, i didn’t let you know
not directly

but you couldn’t read the signs
you had so many chances
i had so many chances
but we never crossed the line
yeah and now i regret it
oh i so regret it

and how can you act like
i’m nobody?
still think about you sometimes
so save me the shame and think about me too

kinda sad, i still search for you in pictures
feels like i'll point u out in crowds for forever

and we're not competing
but if we were
i'd be an olympian
you'd be caught dead slacking off

maybe you could try catching up
but it’s not like u want to
pathetic, i still want you to

c’mon man, spare me a thought
you know that i still exist, right?
love to know if i still cross your mind

you had so many chances
i had so many chances
is it delusion
if you said you loved me too?

you know i still that exist right?
love to know if i’m still on your mind
even though, i'd do nothing
knowing the insanity was mutual would satisfy

and how can you act like
i’m nobody? 
still think about you sometimes

would it be so insane?
no way it was just me
so save me the shame

 and think about me... too

save me the shame - Japanese Surplus

“may multo ka mang dinadala
sa iyong mga bulsa
wala akong pakialam,
ako’y kakalabit sa bawat sulok nila
sasamahan kita sa pagbuhat
ng bigat sa ‘yong balikat

hindi ako takot na mahalin ka”

pang ilang buhay ko na ba ito?
‘di ko na mabilang 
ang mga taong dumaan
at piniling hindi ako tignan

ngunit ika’y sakin lumapit
dahan-dahang hinaplos
ang tela kong kupas
at nagiwan ng bulong: 

“may multo ka mang dinadala
sa iyong mga bulsa
wala akong pakialam,
ako’y kakalabit sa bawat sulok nila 
sasamahan kita sa pagbuhat
ng bigat sa ‘yong balikat

hindi ako takot na mahalin ka”

ilan na ba ang pinatay nito?
(nakaka sindak na pag-ibig)
walang kapalit na presyo
madugo’ng aking pinagdaanan
(sa ilalim ng manggas)
may libo-libong galos

at sa lalim ng gabi
may hiling na may makatabi
na hindi tatakbo, ‘di magtatago
‘di pipikit sa kaluluwa na dala ko

at sa isang iglap ika’y dumating
dala ang iyong kasilakan
iyong panata, “di pakikinggan ang
mga husga mula sa kanino man”

“may multo ka mang dinadala
sa iyong mga bulsa
wala akong pakialam,
ako’y kakalabit sa bawat sulok nila 
sasamahan kita sa pagbuhat
ng bigat sa ‘yong balikat

hindi ako takot na mahalin ka”

~

cover art by @/heavenlyfebruary love u faye my babe
co-written with jo <3

multo sa bulsa - Japanese Surplus

Composed by Iego Tan
Produced by Emmanuel Aguila @eanaguila of Eelectric Eel Studios @eelectric-eel-studio
Art by Ches Gatpayat http://chesgatpayat.tumblr.com

Waltz Of Four Left Feet

It could be said that Up Dharma Down’s “Indak” had the distinct pleasure of humanizing misguided affection or infidelity the same way the late Bodgie Dasig ached his heart on the drunken karaoke staple “Sana Dalawa Ang Puso Ko”, evoking resigned melancholy that isn’t driven by guilt, but by the inability to let go of both persons of interest. It’s a hauntingly beautiful ballad that anchors us towards moments of reverence and isolation, flowering into something fragile and bleak, yet hopeful in its insistence to find the answers in a slow dance, in the hush-hush glimpses shared in the most intimate of spaces.

Peryodiko’s “Tayo Lang Ang May Alam” was written by Vin Dancel as a response to Up Dharma Down’s “Indak.” While both bands have shown mastery in tackling the woes of broken hearts, Peryodiko’s portrait of a relationship undergoing terminal decay, feels more like a slow-motion punch to the chest. “Tayo Lang Ang May Alam” is in fact, light in execution and relaxed in feel; but its pain, like Dassig’s “Dalawa Ang Puso Ko” and Dharma”s “Indak” is the type that is too strong to be easily washed away. When Dancel sings, “Tayo lang ang may alam / nandoon sa pagitan ng paalam at pahiram”, you can feel the world crumbling into pieces as the Peryodiko ringleader tries to mask his feelings in smoke; in denial that he might have been taken for a ride. It hurts hearing it from Dancel, especially from someone whose vocal affectations come from a very sincere place. Add this to your #laslas playlist and join the pity party. Listen:  


Peryodiko - Tayo Lang Ang May Alam

You can view the "Unstable" music video here: http://bit.ly/1ISis1v

Where the Light Settles is a short feature that uses movement, music, and the language of film to tell a story about people learning to come to terms with a difficult truth.

Where the Light Settles is a Ballet Philippines and Sindikato presentation of an Alter the Native and Smashed Pumpkin Projects film directed by AJ Orlina, featuring Denise Parungao and Timothy Cabrera of Ballet Philippines.

-

Autotelic's self-titled debut album is now available for only P250! For more info, kindly visit the following links:

Like us on Facebook: facebook.com/autotelicmusic
Follow us on Twitter: twitter.com/autotelicmusic
Subscribe on Youtube: youtube.com/autotelicmusic
Send us an email: autotelicmusicph@gmail.com
Listen to the rest of our songs: ndfy.me/Autotelic
Purchase our tracks online: autotelicmusic.bandcamp.com
Purchase our official merchandise: shirt.ly/autotelic

For gigs and bookings, you may contact Carleen at +63917-769-0605.

-

Unstable

How long will you keep it inside
You run away and find a place to hide
You can always hide under the sheets
Lay it down, it's all we need

We are unstable
But we are inseparable
We are unstable
But we are, we are

How long will you keep me outside
You don't even know what's on my mind
I could be yours, you could be mine
Together we'll find our time

Let's work it out
We're gonna work it out

-

from the self-titled album, released 27 September 2014  
Written by Josh Villena. 
Arranged and produced by Autotelic.

Engineered by Aaron Gonzales, Dru Ubaldo, and Daniel Garcia. 
Recorded and mixed at Pointbee Multimedia. 
Mastered by Nicholas Lazaro at La Balls Studio.

Unstable

BUY GEOGRAPHY LESSONS NOW ON:

iTunes: https://itunes.apple.com/ph/album/geography-lessons-ep/id1050472810
Spotify: https://play.spotify.com/album/0OSZwZGyLCT5Pysf4vkg33
Bandcamp: http://ourselvestheelves.bandcamp.com/album/geography-lessons

For physical copies of the EP/DVD, email us at:
ourselvestheelves@gmail.com

Longing For

Here's a track from our debut album, CELL-O-PHANE, which we're launching on April 16, 2016 at Mow's! Pre-order the PHYSICAL album now for P400 and get a free sticker, an instant free download of "Different Shades of Blue," and free admission to the Album Launch: https://www.facebook.com/events/1669477039998444/. Email us at thebuildingsph@gmail.com to place pre-orders.

Buy the DIGITAL album on our Bandcamp: https://thebuildingsph.bandcamp.com/album/cell-o-phane

Watch out for updates and new songs by following us on Twitter (twitter.com/thebuildingsph) and Facebook (www.facebook.com/thebuildingsph).

Recorded and Produced by The Buildings in association with Idioterne, Inc.

You’re not the only one I’ve been absent from

And you go on about how what I figured out was wrong
Because it wasn’t part of your plan all along

Why do you make me feel so bad
If you want me to come back

All I know I wouldn’t ask of you what you wouldn’t do for me

So many streets and only one of me
We're drowning in a big city and there's only one of me

Manila's a Trap

~tis the season~

on days of rain and of thunder
i make some room on the bed
so i can prepare for companionship
once it's no longer just all in my head

on days of sun and of salt
i sit in the shade and look enviously
at those unafraid of the water
as if they were so different from me

take me to the moon and back, somebody please
i want to know how it feels

on days of work and of thanklessness
how nice it must be to hear,
"hello, how are you, what's wrong
would you like to talk it over a beer?"

it may be so that i'm just a fool
with my lofty fantasies
but it was never for lack of trying 
that love has never come to me

take me to the moon and back, somebody please
i want to know how it feels

(note: i now realize the mixing is quite loud.. i am sorry)

lovelessness

Ilang Ylang-Ylang? is a pop collaboration and a way for Mariah Reodica and Jazz Nicolas to fulfill their dreams of being in a Manila Sound band in the 70's. 

Click here for the official music video: https://www.youtube.com/watch?v=L00eGClsXPw

Facebook: https://www.facebook.com/pg/Ilang-Ylang-Ylang

Arranged, composed, and performed by Mariah Reodica & Jazz Nicolas
Recorded at Watusi Studios, Manila (2015-2016)

Hey baby baby, it's been so long
For a second, I thought you had gone
But I always had something on my mind
If I asked you, would you say that you tried?

It's too soon to say that I'm sure
And you're not easily swayed by words anyway

Don't you know? 
I can't keep waiting without knowing what's the deal
So it goes,
And people keep talking without saying what they feel

Just let me know when it's real

Hey baby baby, when you called
I assumed that you knew it all
Thought I spelled it out as clear as day
For me to get to you, what should I say?

Maybe my intentions seem blurred,
And you're not easily swayed by words anymore

(Stop overthinking)
Just let me know when it's real
(You can't change the feeling)
Just let me know when it's real

And my heart's got to decide
I can't keep it inside
And you can't change my mind no more

And people keep on talking without ever saying whatever they truly feel

Let Me Know When It's Real - Ilang Ylang-Ylang?

"Pakinggan ang sarili mong duwende" - Kidlat Tahimik

BUY GEOGRAPHY LESSONS NOW ON:

iTunes: https://itunes.apple.com/ph/album/geography-lessons-ep/id1050472810
Spotify: https://play.spotify.com/album/0OSZwZGyLCT5Pysf4vkg33
Bandcamp: http://ourselvestheelves.bandcamp.com/album/geography-lessons

For physical copies of the EP/DVD, email us at:
ourselvestheelves@gmail.com

Aly Cabral - vocals & guitar
Aki Medina - guitar & vocals
Paula Castillo - bass
Ponch Salvador - drums


Outer Speys

Ourselves the Elves

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