electronic distillate

Spirit Exit

The Landscape Listens

Ecstatic Computation

Pinnacles of You

Swirls of You

INFO => self-titledmag.com/2018/05/11/ne247-meyers-negative-artist-mix/

NE247: Meyers - 'Negative Artist' Mix

Recorded for Greta Eacott’s ’10bpm Dance Club’ night which took place at Christianshavn Beboerus, Copenhagen in November 2017.

Factory Yard

Celebrating the 50th anniversary of Wendy Carlos' Switched-On Bach with some recreations on the Arturia Modular V. Patches available on Arturia's presets site.

Invention No. 14 (Switched-On Bach tribute / demo)

Shiny Zero is an annual report compiling works from collaborators and allied facilities. It is both a reflection of our current state and an indicator for prospective projects. 

To ensure maximum accessibility, Shiny Zero will be available free of charge.

Broshuda - Hundertfuesser Ringt Maus Nieder

The Canon from 'Kvarteto' by Adrián Demoč, the first movement of his 'Kvarteto' (2017), played by Apartment House - Anton Lukoszevieze, cello, Mira Benjamin, violin, Heather Roche, clarinet & Philip Thomas, piano.  From a portrait CD of Adrián Demoč's music to be released on Another Timbre late in 2019.

Adrián Demoč - Canon from 'Kvarteto'

IOKOI — TALES OF ANOTHER FELT SENSE OF SELF
Cat #: OUS032
Release date: March 26, 2021
Distributed by Kudos: https://kudosdistribution.co.uk
Label Bandcamp: https://ousooo.bandcamp.com

«To get physical through all the senses and to embrace the other is needed now more than ever. This is the feeling I wanted to translate into sound: raw, intimate, transitional, cleansing and moving. Breathing, embracing and releasing life in all of its facets - imperfect, impermanent, incomplete.» — IOKOI

Sound artist, vocalist & composer Mara Miccichè aka IOKOI presents her most intimate work to date. Following her ‘hypercyberreal’ album «Liquefy», her new multidisciplinary work «Tales of Another Felt Sense of Self» is the result of a three-year collaborative journey inward, reflecting the numerous connections, contradictions, and reflections between the «self», the «same» & the «other».

Combining avant-pop & spoken word with field recordings & mercurial electronic textures, IOKOI researches the very essence of our being in relation to others. She is in search of who and what we are, as we face increasing disembodiment in the digital age. «Tales of Another Felt Sense of Self» demands a re-embodiment of all senses by exploring our routines of listening, seeing, sensing, understanding, and feeling, both in terms of the personal & the collective.

While the EP is being released in digital formats, IOKOI offers three additional layers of reflection: «Tales of Another Felt Sense of Self» is also a multisensory work in collaboration with videographer Michele Foti (IT), olfactory artist Klara Ravat (ES/DE) and visual artist Sarah Parsons (CH).

Michele Foti’s video clips are published online, and a limited-edition booklet & room scent package is available through the -OUS Bandcamp page. 

CREDITS
releases March 26, 2021

All tracks written and produced by Mara Miccichè
Mixed and mastered by VFBM
Cover images by Michele Foti
Graphic design by Sarah Parsons

This is OUS032
www.ous.ooo

Tales of Another Felt Sense of Self

Bloody Life

order on Bandcamp

10.- Country Lane (Wendy Carlos)

A contemplative aural journey across the stillness and massive scale of the landscapes of northern Iceland, as captured in Peter Hutton’s painterly film ‘Skagafjörður’. 

Numbered edition of 90 copies with download coupon. 
Inlay offset printed in silver.

Andrew Chalk & Timo Van Luijk – Skagafjörður

Jackson-Pratt track 1 - Wandering Eye from oxen068 "Deep In The Night, I'm Lost in Love"


Jackson-Pratt
“Deep In The Night, I’m Lost In Love”
CD Full-Length

On “Deep In The Night, I’m Lost In Love” Jackson-Pratt swaggers through a skillful display of pummeling chaos across four tracks, each of which engage in an essentially different compositional approach but live in a designed cohesive whole.

The twists occur on tracks three and four “Third Marriage” and “Love Deluxxe”. As they reveal Seany pushing stylistic boundaries with a gleeful, manic plunge that expertly triumph while also taking stylistic chances which succeed so well it arguably calls out more seasoned noise artists, exceeding the very baseline of what we love about harsh noise.

That’s largely what Jackson Pratt is achieving here
on what is likely as his best work to date.

Mastered by Jonathan Borges

For Canada and Europe distro please contact Scream & Writhe, White Centipede Noise and Tordon Ljud.

Jackson-Pratt track 1 - Wandering Eye from oxen068 "Deep In The Night, I'm Lost in Love"

First track of my new record 'Titania Moon' on Ultra Eczema !
https://ultraeczema.bandcamp.com/album/titania-moon?fbclid=IwAR1_8jUkSTF6u2G1KM1_wjE4iK1XOQOUPzDrIjndulPsEXIfmlmDK_l-tSQ

Melting Ice Giant

[@noish] is a sound artist, bio-hacker, and researcher based in Barcelona. In their work, they explore the fields of more-than-human composition, hybrid music and bio sonic systems, through the construction of bio-machines that translate the interaction between biological agents and musical algorithms into musical form.

This is a session of sonic explorations based on randomness, unorthodox musical scales, and yamaha dx7 synthesizer presets.

"Exploraciones sonoras a través de aleatoriedad, escalas musicales no ortodoxas y presets del sintetizador yamaha dx7.
Gracias a Ege Gonul por el emulador en supercollider del yamaha dx7 por http://egegonul.com".
 
more noish: noconventions.mobi/noish

♥ 19 - Noish - Dxxx7

☀☀☀☀

Food, sex, glory to God; in which order? Do you first eat, and then pray to thank Them? Or perhaps coupling takes the top spot for you.

Each of these three fundamentals is about service. What is your way of serving others while you’re in this world? And will we keep doing it ever after? In heaven—if we’ll make it there—will W serve us their mass of resonating frequencies and clipping digital ornaments?

A new release by W is here to go alongside our feasts, orgies, and other acts of devotion. Yes, it’s suited for all kinds of services. You must try it on fried fish, living bodies, or celestial ones.

From right to left and back again from left to right; W spins the middle frequencies into a ritual that helps us to forget ourselves. For a while, heaven and earth exist on the horizon, instead of the vertical.

The sonic horizon reminds us of the beauty of the plain from which nothing arises to compete with God. What's more, the panning offers an exercise in humility: everything is around you, but you’re not the center.

The distorting of those sweet basslines tells you that what you’re hearing is growth and rot, crop and compost, both at the same instance. The distortion invites you to go medieval—think Ars moriendi, the art of dying. Learn from these sounds by reflecting on how they’re ready—but not willing—to leave this plane at any moment.

The sounds that make up Maanpinna follow neither a linear understanding of time, nor a hierarchical understanding of bodies, but an instantaneous one of both. You could call it quantum music, but then why would you do so when you can call it a service?

Of the three acts of services mentioned, sex and God demand the most trust. Can you trust these sounds? You could learn to do so by listening to them on repeat. No: forget the idea of being able to know music, forget beginnings and ends; try living with these sounds forever, always unearthing new aspects.

Commit to the sounds, because why else would they trust you? Touch the wobbly melodies and feel them touching you like nothing has ever done before.

Apart from the sea of sine waves, Maanpinna sometimes gives you bursts, pops, and washes of filtered white noise. They are gestures of good faith made by the music itself towards you. If you didn't trust the sounds before, perhaps now you will.

Those bursts are not pure noise, but cut down to a serving size by W. The modified noise tells you what the dead always tell the living: ‘What I am, you will become.’ The art, in life and audio, is in learning to lose. It’s a lesson that reverberates deep in the bare soundscape of Maanpinna.

It is music made from very few elements. And while reduction has always formed the basis for aural worship, on the hands of W, sounds are never reduced to the level of blasphemy: there's always the noise and the distortion.

- Kaino Wennerstrand

Produced by Eero Pulkkinen (@susiovet).
Mastering by Jaakko Viitalähde.
Artwork by Carmine Laurenza.
AFN005 - A Flooded Need, 2021.

Maanpinna

W - Enten

𝘍𝘞𝘋 𝘭𝘰𝘰𝘬𝘪𝘯𝘨 𝘭𝘢𝘣𝘦𝘭 𝘧𝘰𝘳 𝘦𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭 𝘮𝘶𝘴𝘪𝘤. 𝘦𝘭𝘦𝘤𝘵𝘳𝘰𝘯𝘪𝘤𝘢, 𝘭𝘦𝘧𝘵𝘧𝘪𝘦𝘭𝘥, 𝘢𝘮𝘣𝘪𝘦𝘯𝘵, 𝘴𝘺𝘯𝘵𝘩𝘴, 𝘮𝘰𝘥𝘶𝘭𝘢𝘳, 𝘣𝘦𝘢𝘵𝘴. 𝘷𝘪𝘯𝘺𝘭, 𝘵𝘢𝘱𝘦𝘴 + 𝘥𝘪𝘨𝘪𝘵𝘢𝘭. 𝘧𝘰𝘳 𝘵𝘩𝘦 🖤 𝘰𝘧 𝘵𝘩𝘦 𝘢𝘳𝘵𝘴.
 To date, -OUS has released music by @noemibuchi (Zurich, CH) @SPIMEIM (Turin, IT), @Feldermelder (Fribourg, CH), @jsartorius (Bern, CH), @Bit-Tuner (Zurich, CH), @Furtherset (Bologna, IT), @jan-nemecek (Belgrade, SR), NHK yx Koyxen (Berlin/Osaka, JP), @senkingmusic (Cologne, DE), Hirsch&Eigner (Cologne, DE /Vienna, AT), @IOKOI (Zurich/Milano, IT), @simongrab (Zurich, CH) and @Tresque (Geneva, CH).

-OUS was founded in 2015 by @ink_ous, @mprfctmprmnntncmplt, Feldermelder and JJ. The label is run out of Switzerland. All releases are distributed through Kudos and are als available via http://ousooo.bandcamp.com

Distributed by Kudos: https://ous.kudosrecords.co.uk/

http://www.ous.ooo

anita.moduliert is a keyboardist and a music composer who creates sonic habitats by exploring and sounding out various producing technologies. 

While she studies Cultural Anthropology and Social Science, she seeks to understand societal phenomena such as digitisation and its alien aspects of the human experience but also its promising ways of becoming entangled with others. As she has a keen interest in contemporary auditive culture using music theory to combine analog and digital producing techniques, she likes to melt these knowledges into sonic journeys open to explore.

synthesizer-based sounds.
technospherical aesthetics.
future moods.

Bloody Life

-OUS

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