i love the sound design here, like Krell meets haunted Furbies! your stuff is so much fun to listen to, must be fun to make

Da un poco de miedo, provoca sensaciones,👍👍👍👍👍🍀🍀🍀

Daily Drops

The Earth Love

Speechless Waves

Please use headphones for much better listening experience!
Btw, that´s me in that photo.
I was a rather weird kid, listened to Spike Jones, Benny Goodman, fifties rock´n´ roll and my father´s jazz record collection (O.  Peterson, Bird, C. Brown, W. Montgomery etc.)
 Later I discovered Psychedelia, New wave/Punk, Japanese noise (especially C.C.C.C.), 60-70s rock classics, Debussy&Messiaen, Dub reggae, Prog (Gabriel era Genesis, Van der Graaf Generator....), vintage Beninese stuff (Orchestre Poly Rythmo de Cotonou, Gnonnas Pedro  and so on), UK Freakbeat, out-there Jazz, Bowie/Floyd bootlegs, J. Zorn, early 90s Indie, F. Zappa, antique French Pop (Dutronc, Laforet...), U. Srinivas plus labels like Delerium Records, Shimmy Disc, Japan Overseas (Osaka), RecRec music and God knows what.
Additionally, I should mention that my all time favorite Finnish album is Sperm "Shh! Heinäsirkat". Check it out!
Various literary and "cinematic" influences have molded my music.  The more predictable stuff like Surrealism, Dada, Situationism, Beats (mainly W. Burroughs) of course, but I have also been influenced by the old-school Finnish Radio Drama, Beninese "traditions", the ramblings/books by P .Levenda, Megalithic Structures&Art, the humor of H.S. Thompson, 70s-80s Eastern European Animation, Yakuza films and by the cult movies re-released by Blue Underground, Something Weird Videos, Mondo Macabro, Arrow Films and so forth. Pretty far-out stuff that could destroy your mind permanently?
 And nope, my photo is not from the 50s or from the 60´s (It was taken around 358 BC, hahaha).
Enjoy this more or less bizarre music.
Happy trails to you!

Bluzius Gryphon III and his fabulous farewell machine

"Les Barricades Mystérieuses" from François Couperin"s "Second Livre de Pièces de Clavecin", in an electro-pop remix, with a smooth gentle beat.

Les Barricades Mystérieuses

Sweet Bean Jam

This is a track I put together real quick for a music podcast called The Cosmic Bos MMC (Monthly Music Challenge) They have a song of the month challenge where you compose and submit a song each month and they play it on the podcast with the goal of releasing an album at the end of the year.  This was for Feb and the theme for the show was #happy.  It's short and sweet and the first non-collab in a while. Popped a string around 1:25


Lyrix: 
Happy 

You know I aspire to happiness 
It’s the one key thing that matters … to me in life 

It’s a happy ending to our story 
Yeahhhh

happy ending

Happy Ending

Piano/instrumental composition, and piano: Debra Buesking @debra_buesking
Melody composition for the voice, photo and voice: Oddrun Eikli
Studiowork: Arne Hiorth
Poem: Robert Frost (1874-1963)

Stopping by Woods on a Snowy Evening

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Robert Lee Frost (født 26. mars 1874 i San Francisco i California, død 29. januar 1963 i Boston i Massachusetts) var en amerikansk poet. Han ble tildelt Pulitzerprisen fire ganger, henholdsvis i 1924, 1931, 1937 og 1943.

Stopping by Woods on a Snowy Evening. Debra Buesking and Oddrun Eikli.

UnBoxed March 2024

[ d o w n l o a d a b l e ]

Spaced Out Alien Encounter

Original composition, acoustic & electric guitars, bass, drum programming by Neno J.

Good Old Days

Distorted Love

Music: Composed, written, mixed, mastered, by: Prod. Riddiman

www.youtube.com/@ProdRiddiman

Vocals/Lyrics: Written, performed, mixed and mastered by: The Mysterious Decibel

Lyrics:

Do the monsters from the dark dimension tell campfire stories too?
Do the monsters from the realm of unknown make the antagonist out of you?

Sick and Disgusting
Perverted and untrusting
A planet just crusting with parasitical bustings from the wombs of the wicked
We are so addicted
To the madness afflicted
All the way from restricted

Do you even know what crafts a monster that walks on many toes?
Does it go any further than the realms outside the veins of your blood flow?

Do the monsters from the dark dimension tell campfire stories too?
Do the monsters from the realm of unknown make the antagonist out of you?

Who are all the Monsters in all the pages?
We are all the monsters! Let's burn the sages!
Who are all the monsters in all the pages?
We are all the monsters let's burn the sages!

Who are all the monsters?
Who are all the monsters?
Who are all the monsters?
We are all the monsters!

You can't cleanse me
I can't cleanse you
So let's sail the sinful seas
In a little Brittle black canoe

Prod. Riddiman x The Mysterious Decibel - Who Are All The Monsters?

Recorded in Modesto, Ca.   Featuring Godin Nylon Guitar solo. Soprano Saxophone solo. Vibraphone solo. Acoustic Standup Bass. Godin Nylon Guitar Rhythm (left) Godin Nylon Guitar Rhythm (Left) Drum Full Trap set kit. Percussion go go Bells, Chajchas, 22" Zildjan Ride & Crash Cymbals. Tambourine, bongos.

Cannery Row

Rainbow

Twin Peaks Cover Remastered

Eulipotyophla

(apologies for being away from SC for a while, looking forward to catching up with all your latest creations...)

Well, I finally finished the full version cover of one of my all time fave songs, In Your Eyes, by Peter Gabriel (previously uploaded only up to the first verse). This is a straight up cover that's as faithful to the original as I could get. It's definitely the most time and meticulous effort I've spent on a song trying to do it justice. All instruments are played by me on keyboard, as well as the live talking drum and spotty singing, and then some backing synth pads and the vital backing vocals by @remnant60 (https://soundcloud.com/remnant60). Bill was also instrumental in giving feedback and offering suggestions, and providing the mastering duties. I'm very grateful for his help, and since we both agree PG's original song is a masterpiece, we have a bit of a surprise remix version coming up that highlights all the layers of sounds that go into this song. Can't wait to share it with you!

Song written by Peter Gabriel

(image is a mash-up of my face on the album cover, done in Photoshop)

Here’s a funny ‘cluck’ version by acarboni:
https://on.soundcloud.com/RVCa1PY1HgvriWsE7
--------------------------------------------------------
here's some pictures I took:
https://500px.com/p/MrMark?view=photos

In Your Eyes  (cover)

Artist Picture. Shyntwirl
Art Cover Editor. Shyntwirl
Programmer. Shyntwirl
Produccer. Shyntwirl
Bird Sounds. Shyntwirl
Keyboard Programmer. Shyntwirl
Synthesizer. Shyntwirl
Rain Sounds. Shyntwirl
Cricket Sounds. Shyntwirl

Sample 1. Yma Sumac - Chuncho (Fragment)

Sample 2. Björk - Tabula Rasa (Flute Fragment)

Sample 3. Jean C. Roché - Gran Sabana (Birds Of Venezuela) [Fragment]

Voices. Shyntwirl & Yma Sumac
Tribute to the birds of today as those of millions of years ago.

Shyntwirl - Blessed Birds (PROD Shyntwirl) / [Reuploaded]

Heavy Punk Rock 'n' Roll band from Athens, GR - debut album "Rock and Roll Kills" OUT NOW: https://shockthealgorithm.bandcamp.com/album/rock-and-roll-kills

Spaced Out Alien Encounter

Out of the Box

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