GENRE
Electronic (88%*)
House (48%*)
With elements of House
MOOD
Energetic (100%*)
Exciting (73%*)
The track is of high quality, and in C minor with a tempo of 126 BPM (small variance).

Roll the Dice

Roll the Dice 🎲 - Free Download

Future Race

It is a variation of ‘Minor Swing’ in the intro. One of my fave guitarists. So I kept the rhythm of the lead but changed the notes after the first few notes. In an accurate homage, I played it with 2 fingers.. Also changed the rhythm of the rhythm guitar a bit. I played a minor bebop scale in there. Did some superimposition with the lead on the 3rd and 5th degrees. Then the opening synth melody is taken from ‘Spitting off the edge of the world.’ I also noticed they change to bells midway through the verse so that’s what I did too. Borrowed chord at the end of the last phrase. Secondary dominant to transition to the chorus.Then for the 2nd verse an added real bass. Lastly there is counterpoint for the strings related to the vocals at the last chorus. Still needs more practice but that is something new I’ve tried. I think the electrofunk tune will be a lot better. But, all in all, out of all the mixed songs so far this year, if this is worst song in terms of melody/phrasing, then it’s a good year. It is the more creative one out of the 3 new ones.
I began the song on piano and improvised “I came I saw I conquered’ so I figured I might as well write about Caesar. Prefer Alexander or Genghis and also much prefer Caesar in Planet of the Apes. Apart from the first line of the verse, the rest of the lyrics are written. Chorus is improvised. I learnt that Veni Vidi Vici doesn’t mean I came… It means a swift victory.

My love grows colder by the day, rolling through the night, and it’s certain (Variation of  Dido’s melody in Stan)
From Egypt to modern day France our swords and shields lay the path for one last dance (Caesar’s conquered territory)
I may weep at the grave of Alexander, I may rest my head in Cleopatra (Frank Ocean ‘Cleopatra’ melody reference)
I am the knight of the Bronze Age, my golden phalanx coin’ right atcha.

First we rise. Then we fall. Through it all, wish I could bridge the divide.
I came I saw I conquered, and all your nations devoured.
My tongue is filled with wrath, and I’ll lay your cities down in a bloodbath.
Now you know who I am, what I say, what I do and I hope you’ll understand when all of this is through.
I am the conquerer. I am the conquerer. 

April might be the cruelest month, but beware the ides of March (TS Elliott reference which is found in The Gorge and so is spitting etc.) In the dark.
Upon this Republic, I bestow my weary faith
Augustus my child, you are worthy of praise
We’ll join hands, and take the senate down. (Not historically accurate but whatever)
RIP Mr. Rorie. We were learning about counterculture and ‘blowing in the wind’ Was in the textbook.
“I hate Bob Dylan”
“How can you hate Dylan?”
“His voice sucks.”
“This is coming from a guy who listens to a guy who sounds like a cat.”
*does a good Axl impression*
Then I went to uni and my Indian friend played Isis and One More Cup of Coffee.
“Who is this?”
“It’s Dylan.”
“I’ve changed my mind. Dylan is great”

Rorie on 300.
“It’s a good movie but it’s not the greatest film of all time. “
This was when the whole school was doing their “THIS IS SPARTA” impressions.  Not even Dark Knight Rises had that influence on the entire school. 



Veni Vidi Vici

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Beatport

Vibe Like This

'GeT\UP' is a straight-up party banger! With elements of house, disco, funk, and breakbeat, the track is driven by a relentless, pounding beat, and bouncy bassline. Catchy vocal hooks, synth riffs, stabs, and funky guitar samples are seamlessly curated in a way that will make you want to GeT UP and DaNCE!

GeT\UP

teddy beat

LNRDRFT - Falling Star

This is my reimagination of a old tune of mine, i like it ok. I hear a lot of my musical influencers in this high energy live sounding  track.

SUBC - Raw Power

Concrete Algorithm - Underground Tech House Instrumental DJ

Synthetic Shuffle Café

“Broken Sirens” is a sonic journey through the deeper, darker edges of the electronic underground. Blending the pulsing energy of Techno with the atmospheric warmth of Deep House, the album creates a hypnotic landscape where emotion and rhythm collide. Ethereal vocal house elements echo like distant calls—fragile, haunting, and irresistible—while powerful bass house grooves push each track forward with grit and momentum.

Driven by shattered melodies and echoing harmonies, Broken Sirens tells a story of beauty found within distortion. It’s an exploration of contrast: heavy yet delicate, raw yet melodic, futuristic yet deeply human. Perfect for late-night dancefloors, introspective moments, or anyone searching for soundscapes that feel both familiar and otherworldly.

Follow DJ GKØRE: [instagram.com/djgkore] [tiktok.com/@hardtechno2025] [mixcloud.com/DJGKØRE] [link.deezer.com/s/31tU3DGynZrbXcmXWWwrr] [mixcloud.com/DJGKØRE/subscribe] [open.spotify.com/artist/5uDSznqyJ…XgSrm_4O7mgZcNng]

Neon Bloom Cut

Hailing from the industrial heart of the UK, Out Only is a house music producer whose electrifying beats and smooth rhythms have made waves far beyond his hometown. 

Growing up in a city known for its rich musical legacy, from garage, bassline and house to heavy metal & grime, Out Only's journey into the world of electronic music was anything but conventional. His story is a testament to the power of persistence, passion, and the thrill of innovation. 

From an early age, Out Only found himself captivated by the pulse of dance music, often sneaking into local clubs and warehouse parties where underground house and techno reigned supreme. The sounds that filled these gritty, neon-lit spaces became the backdrop of his youth, and the beats lodged deep in his psyche.

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Each track is a journey, rolling bass, crisp percussion, and hypnotic synths designed for club and festival settings alike. Inspired by the rich history of UK dance culture and forward-thinking electronic production, Out delivers polished, high-energy records that fit seamlessly into peak-time sets, late-night radio rotations, and curated streaming experiences.

Out's music is built for impact, whether it’s lighting up underground raves, driving energy in tech house playlists, or bringing deep, emotive textures to chilled house mixes. With sonic textures that bridge classic influences and modern dance aesthetics, these tracks are an essential addition to any editorial list featuring the best in house and beyond.

For tastemakers looking for fresh, cutting-edge electronic music with undeniable groove and versatility, Out delivers exactly that. Let’s push the sound forward.

Out Only, a rising force in the underground electronic scene, crafting infectious grooves that move dancefloors and captivate listeners. With a signature sound rooted in house, tech house, and deep house, layered with unmistakable UK Garage influences, Out's productions are a fusion of rhythmic precision, deep basslines, and soulful energy.

Vibe Like This

OUT ONLY