reposts 7

Repostexchange 17

Shooting star / A new us records music played by song by song on shuffle. Playlist.

Mss Savana Devern  Elliot Wright And Ezekiel Lynn  Elliot Wright <3 family baby song

Alt.rock, alt.pop 2 (best of)

✨Playlist for evade✨

xtayalive (prod. 9lives) by jnhygs

pop punk/rock

co produced, mixed, mastered and cover art by @a7-recording-studio

www.a7recordingstudio.com

a7recordingstudio@gmail.com

YOU'RE TOO SLOW

DOUBLE TROUBLE

DOOR TO DUSK

YOU'RE TOO SLOW (Bonus)

jnhygs - JERK! (prod. 9lives) (slowed + reverb) (bad bitch wanna fuck)

WET DREAMS (w/ Nimstarr)

WET DREAMS (Sped up) - Odetari,Nimstarr

Hey everyone, I'm so excited to share with you my latest track, "I Hate Love." This song is really special to me because it dives deep into the rollercoaster ride of emotions that come with love. You know that feeling when you're in the middle of winter, but it feels like summertime? That's what this song is all about – the highs and lows, the contradictions, and the chaos that love can bring into our lives.

When I was writing this song, I wanted to capture that feeling of being caught in a hurricane of emotions, yet still chasing butterflies of hope and desire. It's like wanting something so badly, but also feeling afraid of what it might do to you. And sometimes, love can feel like a beautiful, intoxicating rush, while other times, it can leave you feeling completely out of control.

But amidst all the confusion and uncertainty, there's also this undeniable need for love, this craving deep within us that we can't seem to shake. It's like a constant battle between wanting it and pushing it away at the same time.

So, I hope when you listen to "I Hate Love," you'll be able to connect with those feelings, to see yourself in the lyrics, and maybe even find some comfort in knowing that you're not alone in this crazy journey called love. Thanks for listening, and I hope you enjoy the song!

Tasha - I Hate Love

JERK!

New track with mixed styles in 110 bpm enjoy :)!

Nameless

Shooting Star / A New Us

Arnold Palmer

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LIMBO

Bianca (Instrumental)

Blue (Instrumental)

Saponaria - Fleursonseaux
All rights reserved - © Copyright

Saponaria

Kingdom

Official Song Description: Adelheide's Wisdom – "The Day When Metal Died (Act III: The Historical Marker)"

What does it sound like when 250,000 fans mourn their hero in unison?

Adelheide's Wisdom delivers a preview of their forthcoming epic, "The Day When Metal Died," with the release of the monumental third act, "The Historical Marker." This track is not just a song; it's a visceral, immersive experience designed to place the listener directly into the heart of a massive, passionate stadium crowd.

Driven by the raw, majestic energy of classic 80s heavy metal, the song combines galloping rhythms and soaring twin-guitar harmonies with a soundscape that captures the electric atmosphere of a legendary live concert. In this powerful chapter of the requiem, the private grief of the earlier acts transforms into a collective, defiant roar.

"The Historical Marker" is the moment the fans raise their voices, the moment a tribute becomes a timeless anthem. It's a sonic monument where the roar of the audience becomes an instrument in itself, creating a powerful, shared ritual of remembrance.

This is Act III of a larger story, a Glimpse into the epic scale of the full requiem to come.

---

Lineup for "The Day When Metal Died"

Band: Adelheide's Wisdom

Instruments:
•	Adelheide Vogt: Lead & Rhythm Guitars, Akustikgitarre
•	André Moreau: Lead & Rhythm Guitars
•	Rosemarie Kowalski: Lead & Rhythm Guitars (Twin-Guitar Harmonies)
•	Bruno Moretti: Bass Guitar
•	Ian McCullough: Drums
•	Elfriede Ragnarsdóttir: Kirchenorgel & Orchestrale Arrangements
________________________________________

Vocals ("Starring"):

•	André Moreau als "The Voice of the Inner Void" (Lead Vocals in Act I)
•	Bruno Moretti als "The Voice of the First Cry" (Lead Vocals in Act II)
•	Ian McCullough als "The Voice of the Historical Marker" (Lead Vocals in Act III)
•	Adelheide Vogt als "The Voice of the Anthem" (Lead Vocals in Act IV)
•	The Full Band (Gang Vocals / Choir in Act IV)

The Day When Metal Died - Act III The Historical Marker

THIS song is to THANK everybody for ROCKING with me. I ALSO want to thank SOMEGUYFROMLOUISVILLE for being the FIRST person to REACT to my MUSIC on YOUTUBE! MY song "WHY YOU STEALING ME? was picked up by SOUNDCLOUD to be featured on their official PLAYLIST. I NEVER had that done before and it makes me SO fucking emotional. So I wanted to RELEASE a extra TREAT to THANK you guys! THIS song is inspired by the one and only "BRANDY". The FULL MOON album is a VOCAL masterpiece and I wanted to CREATE my own ILLUSION of my FULL MOON. THIS is dedicated to EVERYBODY who grabbed HEADPHONES to ROCK with my MUSIC. SEE ya'll on the next ERA! BURN the FLAG... OUT! XO!

FULL MOON SUITE | #BURNTHEFLAGMIXTAPE | (PROMO SINGLE)

Dark Mind

Better Off Lost - Vera

Good Damn

MiSS YoUR TOucH

Mistakes (feat. Mazze)

Captivity is not about heartbreak — it’s a chilling descent into real psychological imprisonment. Identity is stripped away, reality rewritten, and freedom itself begins to feel dangerous.

Drawing on captivity trauma theory, Stockholm Syndrome, and behavioral conditioning, Exzenya transforms her voice and production into a cinematic portrait of control and isolation. The track opens with a haunting reinterpretation of the folk refrain “Down in the valley…” delivered in a rare, resonant low vocal, paired with hollow wind that feels like a broken transmission through an old radio. From there, the song builds into a dark, minor-key arrangement where vocals climb into plaintive highs, mirroring the push and pull of despair and yearning.

Captivity isn’t just a song — it’s a haunting story set to music. Opening with the ghostly echo of “Down in the valley” and a chilling wind, Exzenya pulls listeners into a dark world of isolation and control. Her deep, resonant lows and emotional highs make every line feel like a cry from the inside of a locked room. Cinematic, eerie, and unforgettable — this is storytelling that feels like a film score trapped inside a pop song.

FFO: Billie Eilish, Halsey, Aurora, Lorde
Tone: Dark, haunting, emotional, surrendering

Captivity

Cotton-Eye Joe

Lyrics:

Fall!
The healing will come, this pages will turn
Just fall!
She wanted the peace, he wanted the world
Move on!
It's not just a phase, it's never enough

Can't you see it coming up again?

In circles of the everlasting hope
In hindsight of that obvious we know
Behind the words of epilogue
The endless prose of pointless and forlorn attempts to finally let it
 
Go!
Beyond just a dream - the sobering storm
Just go!
This heedless attempts of crippled control
Will fall.
It's not just a phase, it's never enough

Can't you see it coming up again?

In circles of the everlasting hope
In hindsight of that obvious we know
Behind the words of epilogue
The endless prose of pointless and forlorn attempts to finally let it

Sounds of craven thoughts instilling guilt feed all-exacerbating rhythm
Deaf to all its faults the intuition tunes the voices to the rise
Lost between the lines of tales retold inside that self inflicted prison
Lest we fall back in this slumber of the acting as dictated by the role

Can't you see it coming up again?

In circles of the everlasting hope
In hindsight of that obvious we know
Behind the words of epilogue
The endless prose of pointless and forlorn attempts to finally let it
Go

Faded

20 
DISTRICT 2.0 JULY 11TH
Contact me by Email: Outcastmusicds@gmail.com
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