outer space kicking out the jams as always

A selection of tracks we've found in the last 7 days. More here: addvoid.wordpress.com

Found Friday 22/03/13

Buy/stream: https://kompakt.fm/releases/pop_ambient_2023

A contemporary product of relentless capitalism has been a trend called slowness for several years now. In order to counteract the perceived fast pace of the times in which we live with a little deceleration, sustainability and relaxation, phenomena such as Slow Food, Slow Travel, Slow Fashion or even Slow Cruising, the tourist sailing of the world's oceans with somewhat smaller cruise ships "away from the mainstream", have been introduced into the world. 

That slowness is more than the opposite of speed, that elements, things, sounds that move as if in slow motion unfold a special power, precision, aesthetics and beauty, doesn’t need to be explained twice to ambient musicians. The 23rd edition of the Pop Ambient compilation, compiled as always by Wolfgang Voigt, is no exception, but instead provides the proof. Already with the first tracks of Leandro Fresco/Thore Pfeiffer, Gen Pop (Burger, Pfeiffer, Würden), Morgen Wurde feat. Tetsuroh Konishi and Max Würden up to Triola's gloomy and melancholic "Kupferblüte", the feeling of a slowness and calmness not experienced before, of an exceedingly lively standstill, creeps over us. A mental state that resembles dreams, in which we follow strange events as if paralyzed, yet awake and sensory. 

The Cologne-based Sono Kollektiv, an association of experimental artists Annie Bloch, Stefanie Grawe, Joel Jaffe, Alex Linster, Luis Weiß, Moritz Riesenbeck, Lukas Schäfer, Emily Wittbrodt and Max Würden, is represented for the first time with two contributions on Pop Ambient. The two works, the fragile "Bolzano Sessions IV" and the rather light-flooded "Bolzano Sessions V" (only available on CD and in the digital version) nestle perfectly into the musical whole of this year's compilation, not only in terms of their majestic leisureliness. 

In Jens-Uwe Beyer's "Nero", melancholic guitar chords reduced to the bare minimum are carried away by the wind like leaves, the reverberation holding the last note so long that it almost comes to a stop in the ear. If you like it synesthetic, look at the once again ravishing cover artwork by Veronika Unland right at this moment. Colors and shapes in which there is both everything and nothing to discover. Both feel equally right. 

The final third of Pop Ambient 2023 begins with Reich & Würden's herbaceous "Receiver," a track so dignified and carried by pads reminiscent of the sound of bagpipes that it would have perfectly punctuated her majesty the Queen's 8-hour funeral ceremony - a wonderful example, by the way, of the spiritual confluence of deceleration and precision that eventually turns into trance. 

The slowness is joined by togetherness at the end: Pop Ambient veteran Joachim Spieth cooperates with American sound artist zakè on his literally weightless "Air", Thore Pfeiffer co-produced the wonderful "Instinct" with Scottish brother duo Andy and Mike Truscott aka Kinbrae. California duo Patrick Hills and Morgan Fox aka Blank Gloss close out the vinyl version with the yearning "Down At The Heel," while that honor falls to debutant Ümit Han on the Pop Ambient CD. "Sieg über das Ungute" (victory over the unpleasant) in all its beauty brings us painfully back to reality.

Pop Ambient 2023

Joachim Spieth / zakè - Air

Terry Riley - Persian Surgery Dervishes Performance 2, Part 1

Download: https://www.xlr8r.com/mp3/2018/03/space-afrika-bly/

@space-afrika

[via XLR8R] - Somewhere Decent To Live

Download

Download: Space Afrika - bly

Felicia Atkinson / Jefre Cantu-Ledesma - AND THE FLOWERS HAVE TIME FOR ME(excerpt)

Buy/stream: https://KompaktRecords.lnk.to/PopAmbient2020SD

20 years of Pop Ambient. Already? One didn’t notice. It’s an anniversary which comes quietly. An anniversary with quiet tones. In the spirit of the special restraint of pop-elegance, it has no reason to drawn attention to itself with a big „Tam-Tam“. Or better: „Bum-Bum“. The bass drum stays outside. Nevertheless, in fast-paced, overstimulated times of moving forward, it’s a joyful occasion to look back. What strikes most by putting or listening to 20 years of pop ambient in a row is the central theme that holds together the dense aesthetic concept like the pearls of a necklace. Floral beauty for digital naturalists. Music like flowers, that don’t wilt. Timeless. Ageless.
But with all of the conceptual unity and resolution, Pop Ambient would not be Kompakt without the break, the friction, the expansion of musical boundaries in between tradition and innovation, in between conspiracy and the openness of the discourse. Aestheticism, escapism, acting in the spirit of „nevertheless“. Swans drifting by, clouds pass over, everything is floating and: „Boredom is a stylistic device“ (Andy Warhol).

Pop Ambient Music is medicine against illnesses, that you don’t even suffer from. It’s giving everything, demanding nothing. Musical lotus leafs, off which the virtual wastewater of our time is rolling like the reality is dripping off the matrix. 

In this sense, we’re happy about the pop-ambient anniversary greetings from new and old companions like Thore Pfeiffer, Max Würden, Yui Onodera, Jörg Burger, Thomas Fehlmann, Morgen Wurde, Leandro Fresco aswell as contributions from T.Raumschmiere, Andrew Thomas and, after a long break, from friends from early days like Joachim Spieth, Markus Guentner und Klimek.

Pop Ambient 2020 is released digital, as CD and of course as a chic double vinyl. Also included in the package: The whole distinctive cover-series as an art book of 44 pages. And for all of the old and young fans and collectors there is the Pop Ambient 2001 in a overhauled original version out on vinyl for the very first time.

  Breath in. Breath out. Thank you.  

Wolfgang Voigt, September 2019.

Buy/stream

Joachim Spieth - Meteor

„Amygdala“ is Koze’s Sgt. Pepper. It’s an unreal 78-minute walk through Koze’s mind, complete with moods, intensities, sounds and scenes as yet unheard of. It feels more like a double album, urging you to turn over and change the records time and time again. "Amygdala" amazes by its sheer musicality, deepness, and its  ethereal sound design; it’s a kaleidoscope of a great variety of soundscapes where you keep discovering new nuances even after listening to it a thousand times. Nobody else could unite artists like Caribou and Dirk von Lotzow, Hildegard Knef and Mathew Dear, Ada and Milosh in such an organic way and on one and the same record as Koze did. There’s never been anything like it.

He weaves new garments around the a capella parts of his guests, garments that only he can tailor, and that’s how the album, for all the diversity of its artists, sounds consistently homogeneous and in the true style of Kosi Kos. It’s all about “the courage to dare”, about letting voices resonate undisguised in all their authentic peculiarity.  About creating  truthfulness.

How much can you cut out, when does the flame die down? On the other hand, under which circumstances could it even burn for ever?

The album, which in large parts has been composed in a Spanish fishing village, starts off with Balinese gamelan sounds from which a relaxed discoid bass peels off, caressed by mystic backwards basslines, balafon resonances and slide guitar chords. You can hear the ceaseless chirping, twittering and cheeping from all the treetops of Koze's exotic jungle.

DJ Koze feat. Caribou - Track ID Anyone?

from Julian Lynch's upcoming "Lines" LP (2013, Underwater Peoples)

Out 3.26.13

Pre-Order Here: underwaterpeoples.com/2013/01/23/pre…nes-lpuplp021/


Julian Lynch - Gloves

Une Collection des Chaînons I: Music for Sprial (2020 Remastered Edition)

Mensis

Recorded and Mixed 2010

John Elliott: Synthesizers
Andrew Veres: Drums

Scanlon II

Sakura

Azukiiro No Kaori

Kodomotachi

From the upcoming album Innocence Is Kinky, out April 19th 2013 on Rune Grammofon.

I Called

Demdike Stare return to the lab with two extended new productions, inaugurating a series of untamed releases brought together under the Testpressing banner. 'Collision' was recorded in late 2012 and is pretty much unlike anything you'll have heard from Demdike before, an intense high-frequency re-arrangement of Jungle and Noise, like a more brutal variant of the Demdike-affiliated HATE project, fed through a bank of analogue boxes and pedals, left to spin uncontrollably for 10 minutes before fading to black. 'Misappropriation' on the flip feeds off a different noise altogether, perched precariously between the mangled percussion you'd most commonly associate with Muslimgauze and the metallic clank of industry, a proper sunstroke riddim: angry and unforgiving.

Misappropriation

Order 'Domicile' at: https://ghostly.com/products/domicile
Or at the retailer of your choice: https://ghostly.ffm.to/helios-domicile

Scanlon II

Outer Space

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