This Is Beethoven

Beethoven Moonlight Sonata Op 27 # 2 Mov 3 Played by Valentina Lisitsa

An arrangement of Prokofiev's Dance of the Knights in EWQLSO

Prokofiev - Dance of the Knights EWQL Orchestration

"Fidelio Op. 72 - Overture" by Ludwig van Beethoven

First Loves
Tim Fain, violin
Robert Koenig, piano

First Loves is a collection of quintessential violin masterpieces which first inspired me to be a violinist. Includes showpieces by Rachmaninoff, Sarasate, Wieniawski, and more, plus “Swan Remix,” my own arrangement of themes from Tchaikovsky's Swan Lake.
As a kid, I was surrounded by classical, pop, rock, jazz, film and contemporary concert music – finding a balance of old and new music is still very important to me. Many of the works on First Loves are the ones that drew me in as a child – Rachmaninoff, Sarasate, and Wieniawski, arrangements by Heifetz, and Kreisler – and remain profoundly relevant today. I’ve also included “Swan Remix,” my own arrangement of themes from Tchaikovsky’s Swan Lake, which I made after my work on-camera and on the soundtrack of the film Black Swan. Each track is dedicated to someone who inspired me or made it possible for me to be the person and the artist that I am today. My hope is that First Loves will inspire others, young and old, to fall in love with the violin as I did.

First Loves

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Praeludium And Allegro - Fritz Kreisler

Ballet/Classical/Dance/Symphony Orchestra



SAINT-SAËNS: Aquarium from "Carnival of The Animals"

SAINT-SAËNS: Dance Macabre (Waltz)

There have been speculations for long enough about tempo indications and metronome figures as regards Beethoven; after intensively studying sources, analysing scores and structural tempi, the Dutchman Harke de Roos casts a new light on the tempo relations. Accordingly, Beethoven's deliberate codification of the figures after 1817 due to his well-known aversion towards the metronome that was just being developed at the time should be taken with a pinch of salt. After all, the maestro wrote to its inventor: 'It is a silly plaything, you have to sense the tempos'. Hence, in accordance with de Roos, tempi are used in this performance of the 2nd Symphony in D major op. 34 in its 'original condition' by the Vienna Symphony Orchestra that extend from a third to half the time of usual performance practice today.

Symphony No. 2 In D Major, Op. 36 - III. Scherzo from Van Beethoven Code

Ilya Ioff - Violin
Alexey Massarsky - Cello
Igor Uryash - Piano

Belgrade Philharmonic Orchestra
Conductor: Uroš Lajovic

Sponsored by:
Officina della Musica
Castello di San Polo in Rosso
I - 53013 Gaiole in Chianti (SI)

Recorded 2005
Production: Katrin Canessa, Officina della Musica
Recording engineer, editing, mastering: Christian Schmitt 

Georges Bizet - Carmen - Orchestra Suit No.1 - Les Toréadors - (I. act) - Allegro giocoso

Antonin Dvorak~ Symphony No. 9 in E minor op. 95 "From the New World" 

Antonin Dvorak ~ Symphony No. 9, 4th movement - Allegro Con Fuoco

Album release: September 2016

LUDWIG VAN BEETHOVEN
String Quartet, op.130 l Grosse Fuge, op.133
Quintet for Piano and Winds, op.16
Edding Quartet
Northernlight
Maude Gratton

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BEETHOVEN // String Quartet No.13 in B-Flat Major, Op.130: II. Presto

Best of Wiener Philharmoniker

I. Allegro con brio

Masquerade Waltz - Aram Khachaturian

The 'Waltz of the Flowers' from Tchaikovsky's esteemed ballet 'The Nutcracker', appears towards the end of the second act. Attention can be drawn to the melodious cadenza of the harp, then to the horns that eventually make way into the riveting melody of the strings.

BEETHOVEN // String Quartet No.13 in B-Flat Major, Op.130: II. Presto

Outhere Music

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