So beautiful. The tunes, the voices wirhout words. Desert blues my love

This guy is awesome! I forgot that you are publishing his amazing music! Do you know Amy Sacko! She is sensational!!!!!

So great to hear Ali Farka here!! Sad he is no longer on the planet! Thanks for posting this and other selections from your artists!!

Mamoutou Bembele - Djeliya (feat. Amkoullel)

Get the album here: http://glitterbeat.com/glitterbeat_store/

Aminata Wassidjé Traoré is a rising voice in Mali. Tamala is her debut album, recorded in Bamako and released in 2009. Born in Diré, near the fabled city of Timbuktu, Aminata was raised within northern Mali’s rich cultural brew. From an ethnic Songhai family, Aminata started singing as a young child. Her music, like the environment that surrounded her growing up, incorporates various cultures and traditions. On Tamala, an album she self-produced with the help of the artist Mamadou Kelly and arranger Baba Simaga, she sings in Songhai and Tamasheq.

While northern Mali still suffers the repercussions of religious and ethnic warfare, Tamala sends a message of reconciliation and inclusion. Aminata believes people can work together for a solution, and sees the vast potential of Mali’s diverse north. Moving to the Southern capital of Bamako not only enabled her to develop as a musician, backing up well known artists like Baba Salah, Khaira Arby and Afel Bocoum, it also enhanced her vision of a diverse and connected Mali.

Tamala is considered a neo-traditional album in the context of the Malian music scene: it is rooted in northern folk musical traditions, but arranged in a contemporary way and mixes drum programming and synthesizers with the banjo-like n'goni and the sokou, a one-string violin. Hints of Hip Hop and electronic dance music sit side by side with the pentatonic sounds of the interior Niger delta.

Afropop Worldwide wrote this about Tamala:
“And then there’s the music—in a word, sublime…solos burst forth with forthright clarity and consistent eloquence. Western sounds and production techniques have been appropriated here, but the melodic phrasing, rhythms and modalities in the music are 100% local.”

In 2013, Aminata began a collaboration with Glitterbeat Records when she appeared on the album Troubles by the Austrailian/American group Dirtmusic. The Guardian (UK) noted in their enthusiastic review of the album that »La Paix, an impassioned cry against the terrorist invasion of Mali, is voiced thrillingly by Aminata Traore.”

Glitterbeat Records is releasing Tamala in a limited vinyl version of 1,000. It will be pressed on 180g vinyl with a gatefold sleeve. The album is coming out in cooperation with Studio Mali, a Bamako based label.

www.facebook.com/Wassidje

www.glitterbeat.com
www.facebook.com/Glitterbeat
www.youtube.com/user/glitterbeattv


Aminata Wassidjé Traoré - Tamala

Diadie - Afel Bocoum

Cheikh Lo - Degg Gui

Keeping an ear to the ground for today’s Malian sounds, these tunes were specially recorded for this release and feature inspirational new artists yet to be heard outside their homeland.

For more visit www.worldmusic.net/lostinmali

Nainy Koné: Ne Sabou

Born out of an impromptu studio session in New York, Touristes brings together Malian singer and guitarist Vieux Farka Touré with American vocalist Julia Easterlin. 'A B'ashiye' is one of the album's most powerful illustrations of Touré's reputation as the 'Hendrix of the Sahara' and Easterlin makes no qualms in letting it take centre stage. 

Read more: http://www.stampthewax.com/2015/10/29/premiere-vieux-farka-toure-julia-easterlin-a-bashiye-its-alright/
Listen on Youtube: http://bit.ly/a-bashiye
Buy: http://www.touristesmusic.com/sounds/

Follow:
@sixdegreesrecords

Vieux Farka Touré & Julia Easterlin - A'Bashiye (It's Alright) (STW Premiere)

Ballaké Sissoko & Vincent Ségal - N'kapalema

BASSEKOU KOUYATE & Ngoni ba – Segu Blue (release date: March 2007)

“First there was African tribal music which evolved into slave songs which became the blues which gave birth to the funk. Bassekou and his band tell the whole of this journey in one chapter. The most delicious mix of the finest musical ingredients make a stew that warms the heart and shakes the hips. Trust me, it tastes good!”
Fatboy Slim (Mali, 2006)
“… a fantastic example of how music can lift your mind and soul at the same time … the perfect proof of how inspirational African music can be, how it can touch so many people on so many levels.”
Damon Albarn (after hearing Bassekou & Ngoni ba in Mali, 2006)
“The album Segu Blue is a MUST for anyone seeking new musical adventures.”
Dee Dee Bridgewater
“… a genius, a living proof that the blues comes from the region of Segu.”
Taj Mahal
“I was inspired watching music being performed in it’s truest form”
Scratch – The Roots
“There’s a delicious sound to this record, whose warm, cohesive textures l

Bassekou Kouyate - Jonkoloni

Mali Denhou

Buy on iTunes Store

Boubacar Traoré - Mali Denhou

Bassekou Kouyate & Ngoni ba return with a new single, new album and live dates

Mali's ngoni ace returns. After his celebrated debut album Segu Blue and the Grammy nominated follow up I speak fula, hundreds of concerts all over the globe, an appearance headlining the AfroCubism project and, just a few months ago, stunning appearances at the latest Africa Express events performing with Sir Paul McCartney, Damon Albarn and many others, Bassekou Kouyate is back with his new album.

Jama ko means 'a big gathering of people'.  It is the first song to be released from the forthcoming album of the same title. It is a call for unity, peace and tolerance in a time of crisis: no matter who you are, let us come together and enjoy life, and celebrate the true spirit of Mali.

“Jama ko, c’est pour tout le monde”, says Bassekou Kouyate, the celebrated ngoni player, explaining the title of his third album, “There are over 90% Muslims in Mali, but our form of Islam here has nothing to do with a radical form of Sharia: that is not our culture. We have been singing praise songs for the Prophet for hundreds of years. If the Islamists stop people music making they will rip the heart out of Mali.”

The recording of Jama ko took place in March 2012 in Mali's capital Bamako. It was recorded with an entirely new line-up including Bassekou's two sons Madou and Moustafa Kouyate, ngoni ace Abou Sissoko and a number of other young talented musicians from Bamako. It became political by accident. In the afternoon of the first day in the studio the military overthrew the president Amadou Toumani Toure (ATT).  It was a shock for Bassekou as the former president was a great supporter of his music. Somewhere between power cuts, fuel shortages and the uncertainty of daily curfews the recording went on. Meanwhile the situation in the north of Mali was getting worse and worse by the day. In the studio a musical answer started taking shape: Instead of keeping quiet Bassekou plugged in his wah wah pedal, cranked up his amp and let loose: Ne me fatigue pas: don't wear me out. You can hear the heartbeat of Malian music pulsing in this music.

Kasse Mady Diabate is featured on the Latin-flavoured Sinaly singing about Sinaly Diarra, a Bamana king famous for resisting forced Islamisation in the 19th century. Kele Magni is a duet between Amy Sacko and Khaira Arby from Timbuktu, calling for peace in Mali. Zoumana Tereta praises the cotton farmers of Mali in Mali Koori with a voice that takes you back into the time of the great Bambara warriors. Jama ko also features an incredible duet between Bassekou and Taj Mahal (vocals / electric guitar) and ends with the touching song Moustafa by Bassekou’s son Moustafa dedicated to his parents thanking them for all they have done for him.

Howard Bilerman (Arcade Fire, Hotel 2 Tango) recorded the album in Mali and ended up mixing and co-producing most of it back home in Montreal. Andrew Barr (Barr Brothers) and Max Weissenfeldt (Poets of Rhythm) added drums. Mocky Salole (Feist, Jamie Lidell) contributed to the production and played organ and drums.

Jama ko digital single out now 19 November 2012
Jama ko album out in the UK on 28 January 2013
Live in the UK: 26 January 2013 - Barbican, London + 27 January - Glasgow Royal Concert Hall as part of Celtic Connections (Sahara Soul triple bill with Tamikrest and Sidi Touré)


Watch preview video:
http://youtu.be/lfU4rxQL4Dw


Jama Ko
SoundCloud: http://soundcloud.com/outhererecords/bassekou-kouyate-ngoni-ba-jama
YouTube: http://youtu.be/lfU4rxQL4Dw

Bassekou Kouyate online:
Facebook: http://www.facebook.com/bassekoukouyate
Twitter: @Bassekou http://twitter.com/Bassekou
MySpace: http://www.myspace.com/bassekoukouyate

Out Here Records online:
http://www.outhere.de
http://www.outhere.de/jamako

Bassekou Kouyate & Ngoni Ba - Jama ko (Single - Song for Peace)

Get the album here: http://glitterbeat.com/glitterbeat_store/

Recorded at Studio Mali in Bamako, in the autumn of 2012, Samba is joined by
his regular band members Djimé Sissoko (n’goni ) and Madou Sanogo (congas,
djembe) and guests such as the legendary, master of the soku (a one-stringed
violin) Zoumana Tereta and the fast-rising Malian neo-traditional singer Aminata
Wassidje Traore. Additionally, Hugo Race (The Bad Seeds, Dirtmusic, Fatalists)
contributes an array of subtle atmospherics on guitar and keyboards.

Samba Toure - Be Ki Don

It is now nearly 18 years of exploring urban Africa. Countless trips to the buzzing megacities of Africa from Lagos, to Accra, Nairobi, Dakar or Jozi. But we also visited remote places such as Asmara the capital of Eritrea or Lusaka in Zambia. Back then we soon realized that the unknown side of Africa was not its exotic traditions, but the booming urban scenes on the continent. Now in 2022 with styles like Afrobeats, Gqom, Afrohouse or Trap Africa is finally starting to reach the international markets.

Back then we asked ourselves: How come not a single kwaitostar from South Africa had an album out internationally. How come the international music market ignored the most popular music styles Africa was dancing to: Kwaito, Bongoflava, Hiplife, Afrohouse, Coupe Decaller … you name it. There was work to do. Work that took us to meet Jo’burgs kwaito cats, dive into the Bongoflava world of Dar es Salaam, meet people like a young 2face, D'Banj, Pee Square and others in Lagos or check out the Hiplife scene in Accra. We celebrated Urban Africa with concerts and tourprojects featuring the likes of Mzekezeke, Bongomuffin, D’Banj, Pee Froiss, Daara J, African China & many many others. Putting out compilations that introduced urban scenes such as Bongo Flava, Afrohouse, Senerap & Naija hiphop to an audience outside of Europe. The new urban music world was growing in Africa – but the rest of the world was just waking up to this new sound. We ended up sitting in a stretch limo end of the 90ies driving down Champs d’Elysee with Magic System. They had just dropped their major hit premier Gaou. In London to the Stratford Rex had 2Face take the stage playing his first show outside of Nigeria. 

Then the journey of Outhere records took a new direction in 2006. It all happend in a Pizza restaurant in Bamako. Bassekou Kouyate gave a relaxed early evening gig together with the likes of Kassemady, Lassana Diabate and other stars of Malian music – together with Westafrican music scholar Lucy Duran it was decided on the spot to record the international debutalbum of Bamako‘s king of the ngoni. The result was ‚Segu Blue‘ an album that became one of the world music successes of 2007. With three albums under his belt Bassekou Kouyate and his band have played everywhere from Mexico to Japan, to New York Central Park, Carnegie hall or London's Royal festival hall. The band has collected numerous awards, a Grammy nomination and has appeared 2 times on BBC‘s Jools Holland.

Today Outhere records works with artists from all over Africa celebrating all kinds of styles. There is the young and inclredible Mokoomba from Zimbabwe, who have fused the different local musicgenres of their country into a new urban style. It's an infectious blend of zamrock, congolese rumba guitars mixed with the raw spirituality of rural Zim traditions. From Accra, Ghana comes our other incredible liveact: Santrofi, named after a colourful bird. This collective is made up of some of the greatest young musicians from Ghana blending raw guitarband Highlife with contemporary afrobeats and trap styles. Never miss any of their shows.  

here's a list of artists we've worked with:
Abass Abass / A.B. Crentsil / AK Yeboah / Afande Sele / African China / Afrikanboy / Afroganic / Alif / Awadi / AY / Azadus / Baay Sooley / Bantu / Bassekou Kouyate / Batman Samini / Bebe Cool / Bongo Maffin / Brown Dash / B.O.P. / C.B.V. / Carlou D /  Da Brains / Da Fugitivz / Danfo Drivers / Daniel Haaksmann / Daz Nundaz / Dede Mabiaku / Djoloff /Dully Sykes / Dread Maxim / D’banj / Dur Dur Band Int. / East African Bashment Crew / Faze / Gidigidi MajiMaji / Godessa / Gokh-Bi System / H2O / JJC & 419 Squad / Juma Nature / Kassemady Diabate / King Ayisoba / Kontihene / KwabenaKwabena / Kwaku-T / K’Naan / K-Sal / Lady JayDee / Leo Muntu / Les Escrocs / Lobi Traore / Lord Ekomy Ndong / Madera Limpia / Mafikizolo / Magic System / Mandoza / Mapaputsi / Modenine / Mokoomba / Mr. Ebbo / Mwana FA / Mzekezeke / Necessary Noize /  Ofori Amponsah / Oskido / Pee Froiss / Peter Miles / Pidgen Allstars / Positive Black Soul / Professor Jay / Rebellion the Recaller / Reggie Rockstone / Revolution / Rokia Traoré / Santrofi / Sbu / Schlachthof Bronx /  Sheriff Ghale Tata Pound / Teba Shumba / Terry Bonchaka / Tiken Jah Fakoly / Tumi / Tumi and the Volume /  V.I.P / WA BMG 44 / Weird MC / X Plastaz / Xuman / Zola / Zoumana Tereta / Zubz / 340ml / 994 Crew /

Bassekou Kouyate - Jonkoloni

OuthereRecords

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