i love how you tie in so many old favorites, beautiful connections

livwutang at Outra Cena, This Side, 20/01/2024

This is a re-recording of my SR set. Unfortunately, the audio recording had stopped due to a power cut earlier in the evening.

Thanks for having me Sustain Release! I'll never forget this <3

DJ Plead - Sustain Release, Year 9

My set in full from New Year's Nonstop 2024. Image credit to Amar Patel. Mastering detail by @milesmercer.

Dedicated to the people of Palestine
& all Nowadays staff.

🇵🇸💙

Live @ Nowadays // New Year's Nonstop - Jan 1 2024

Recording of DJ Python's set at Dekmantel Selectors 2023.

TASCAM DR-40X

DJ Python at Dekmantel Selectors 2023

For Earth Dog 30 - NYC / SF based Eugenia Puglisi ( @eugeniadj ) creates an immersive musical experience with drummy undertones, organic, earthy, and hypnotic sounds with a side of raw pulsing basslines. 

One of the driving forces behind one of NYC’s sickest underground parties - Recess, Eugenia is truly a head and this mix is a testament to that. 

I love this one - you will too. Headphones in — enjoy da ride :)

Earth Dog 031: Eugenia

9th June 2023, the incredible @kiernanlaveaux live at Mansions, NYC. A 2 hour snippet of a 6 hour set. <3

Artwork by her partner Malzof with a photo from this Mansions set

"The shape design is from Wind Chorus by Pauline Oliveros - which I also have the design of on some custom slipmats that are also visible in the photo ;)"

<3

ani/live Forty: Kiernan Laveaux @ Mansions

Nowadays Live and Direct returns after a long hiatus with a 5-hour recording from Carlos Souffront (@csouffront), recorded from 10 am - 3 pm at our Halloween Nonstop party on October 29, 2022. Carlos returns to Nowadays for another Nonstop set this weekend, playing from 3 pm to 6 pm Sunday afternoon.

A regular at Interdimensional Transmissions' No Way Back parties in Detroit and beyond, Carlos Souffront brings a brilliant sense of creative alchemy to the decks, combining years of experience and digging with a sensibility like no other. Abstract rhythms meld together into inexplicable chaos magic. Dark, shadowy selves emerge, ready to be explored with a sense of mischief and playfulness, carried through by an acid bassline or cheeky vocal.

For this extended Halloween set during the real witching hours, Carlos summoned all of the party gremlins, goblins, and ghouls to the Nowadays dancefloor for the ultimate seance.

Nonstop: 3/9-3/10

Nowadays Live and Direct 016: Carlos Souffront

https://www.instagram.com/ronlikehell
https://www.instagram.com/ccl_url

The Space Between Spaces with Ron Like Hell and CCL @ The Lot Radio 03-19-2024

Recorded for @Refugeworldwide. Inspired by how water interacts with solid structures. 

Image by CCL

𝙡𝙞𝙦𝙪𝙞𝙙𝙩𝙞𝙢𝙚 w CCL #11 Rock Pools @refugeworldwide

Interview: https://truantsblog.com/2024/truancy-volume-325-dj-wawa/ 

Soundcloud: @djwawabk

Access the download and full tracklist (Confirmed added) on our Patreon. However if you need anything leave us a nice comment and either us or DJ Wawa will get back to you! Your support helps cover all our costs, allows us to now pay our guests and allows Truants to continue running as a non-profit and ad-free platform.

http://truantsblog.com

Truancy Volume 325: DJ Wawa

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

livwutang at Outra Cena, This Side, 20/01/2024

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