Great classic rock song by The Hollies. It reached No. 2 on the Billboard Hot 100 in September 1972. The song is different from most other Hollies songs in that there are no three-part vocal harmonies, and the song features lead guitar and lead vocal work by Allan Clarke. The song was written initially in the country/rockabilly style then adapted over recording more to the swamp rock style of Creedence Clearwater Revival, in terms of the vocal, rhythm, and melodic style. Clarke imitated John Fogerty's vocal style, which was based on the Creedence song "Green River". According to Clarke, the song was written "in about five minutes". My take, Fender Telecaster, mixture of Mixcraft Heavy Metal Drum kit and MT Drum kit, JP-90 Bass.  Enjoy!

Long Cool Women In A Black Dress

Jesus Left Chicago is a cut from Tres Hombres the third studio album by the American rock band ZZ Top. It was released by London Records in July 1973 and was the band's first collaboration with engineer Terry Manning. It was the band's commercial breakthrough; in the US, the album entered the top ten while the single "La Grange" reached number 41 on the Billboard Hot 100.

Jesus Left Chicago

Keeping up the practice a little dity for the sound... Keyboard, Fender Strat, JP-90 Bass, Mixcraft accesories

Boulevard Blues

A little bluesy tune. Shades of my youth.

Boogie Shuffle In The Attic

Long Haired Country Boy, is a song written and performed by the Charlie Daniels Band and released on their 1974 album Fire on the Mountain. It was first released as a single in April, 1975 and was re-released as a single in January, 1980. Covered by many artists as kind of a cult classic.

Long Haired Country Boy

Walkin Blues is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions. Robert Johnson's version has been adapted and recorded by many artists, Eric Clapton, Joe Bonnamasso, Paul Butterfield Blues Band and even the Grateful Dead. Here's my version modeled form the Grateful Dead version.

Walkin Blues

"You Can Leave Your Hat On" is a song written by Randy Newman and appearing on his 1972 album Sail Away. Joe Cocker recorded "You Can Leave Your Hat On" for his 1986 album Cocker. Released as a single, Cocker's version peaked at No. 35 on Billboard Hot Mainstream Rock Tracks, and it was featured in the 1986 Adrian Lyne film 9½ Weeks during the striptease scene.
Etta James covered the song in a 1974 single, published by Chess Records and produced by Gabriel Mekler.
Tom Jones covered the song for the soundtrack of the 1997 British film The Full Monty and is included in the subsequent 2013 play of the same name.
American country music singer Ty Herndon covered the song on his 1999 album, Steam.

You Can Leave Your Hat On

Booker T. & the M.G.'s, released in 1968 on Stax Records. The album was the first Stax LP issued after the label severed its ties with former distributor Atlantic Records in 1968. Hammond B3 emulator, Fender Stratocaster, JP-90 Bass, Drum, Marimba, and Piano VST's. My take, enjoy the sunshine.

Soul Limbo

When I lived in Myrtle Beach, South Carolina in the 70's we called this "shag" music.  Dance on the boardwalk with a 60's style swing.  Classic oldies, my tribute to the Everly Brothers.  Fender Strat, JP-90 bass, Pianissimo vst piano, VB3 organ, warm tube vocals.  

Listen To The Rhythm Of The Falling Rain

My Old School is a song from Steely Dan's 1973 album Countdown to Ecstasy. It reached number 63 on the Billboard Hot 100. My take.

My Old School

Never Been Any Reason is the debut single by Head East from their debut album Flat as a Pancake. Released in 1975. I couldn't do the vocals justice so this is an instrumental.

Never Been Any Reason

Foreplay/Long Time is a song by American rock band Boston, written by founder, leader, and multi-instrumentalist Tom Scholz. It appears on the band's 1976 self-titled debut album, and as their second single, on Epic Records in 1976. The song combines an instrumental introduction entitled, Foreplay, with the main song Long Time, generally played as one on the radio and listed as one track on the album. Long Time peaked at No. 22 on the Billboard Hot 100 the week ending March 5, 1977. It reached the Top 10 in Canada, peaking at No. 9. The standalone Foreplay was released as the B-side of Boston's next single Peace of Mind, which was released in April.
I couldn't do the vocals justice, so I went instrumental. Mixcraft 9 Pro Studio, Fender Stratocaster and Gibson Les Paul, Fener JP-90 Bass, VST instruments for Organ (HaNonB70) and Drums (Mixcraft Heavy Metal Kit).

Boston - Foreplay - Long Time (Instrumental)

Alabama has a new album out, this is one of their earlier hits.  Super group.  Played bass, banjo and rhythm guitar on this one.  New mic on the vocal a Samson Q8, nice tone through the Behringer Tube Preamp.  

Play Me Some Mountain Music

This song was very controversial in the day due to the lyrics.  Hoyt Axton wrote this but it never achieved much recognition till the Steppenwolf version.  My version.  PRS SE guitar, Fender JP-90 bass, Mixcraft vsti drums and keys.

The Pusher (Steppenwolf) Cover

Great nostalgic tune from the past by Bread.  My instrumental version.  Mixcraft Pro Studio 7 instruments, JP-90 bass, PRS SE Custom guitar.

I Want To Make It With You

"Midnight Special" is a traditional folk song thought to have originated among prisoners in the American South. The song refers to the passenger train Midnight Special and its "ever-loving light" (sometimes "ever-living light"). Recorded by Lead Belly, Big Bill Broonzy, Sonny Terry & Brownie McGhee, Odetta, Les Paul, The Kingston Trio , Pete Seeger, Peter, Paul and Mary, The Beatles, Burl Ives, Big Joe Turner, Bobby Darin, Cisco Houston, Jimmy Smith, Mungo Jerry, Van Morrison, Little Richard, Buckwheat Zydeco, Otis Rush, The Spencer Davis Group, Lonnie Donegan, Eric Clapton, Long John Baldry, The Kentucky Headhunters, Willie Watson, Mischief Brew, and Creedence Clearwater Revival,  My take.

The Midnight Special

Midnight Rider is a song by the American rock band the Allman Brothers Band. It was the second single from their second studio album, Idlewild South (1970). Recorded by many artists, my take.  Fender Strat, JP-90 Bass, Mixcraft instruments, MT Power Drums.

Midnight Rider

"Season of the Witch" is a song by Scottish singer-songwriter Donovan released in September 1966 on his third American album, Sunshine Superman. Several artists have recorded their own renditions, including Julie Driscoll with Brian Auger and the Trinity (1967, Open); Al Kooper with Steve Stills (1968, Super Session); Vanilla Fudge (1968, Renaissance); Dr. John with the Blues Brothers Band (1998, Blues Brothers 2000); Joan Jett and the Blackhearts (2004; Naked) and Lana Del Rey (2019, Scary Stories to Tell in the Dark soundtrack). My take.

Season Of The Witch

“La Grange” is the first single from ZZ Top’s 1973 Tres Hombres album.  A 1992 lawsuit alleged that the one-chord song’s signature riff had been stolen from one of the versions of bluesman John Lee Hooker’s “Boogie Chillun'”. The courts found that Besman had failed to properly copyright the song in a timely manner, so the early versions of the song were considered part of the public domain, which meant Z.Z. Top was not liable to Besman or La Cienega Music Co. So here's my take.

La Grange

Gregg Allman was 21 years old when the song was first recorded. Its writing dates back to late March 1969, when The Allman Brothers Band was first formed. My take with a lot of liberty on the guitar parts. Mixcraft 9 Pro Studio

Whipping Post

Boulevard Band is Tom Heinzinger, Guitarist and Home Recording Enthusiast.  I utilize midi and live recording to create cover songs and original tunes.

Boulevard Band

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