Beautiful!  Great textures and juxtapositions.

Is this part of the narrative or interference? I'm now getting collage effects - what's going on? 

This brought my computer to life...trying it's ability to form sounds, to become aware of itself against otherness and begin the inherently imperfect act of communicating with whatever is out there...in this vast space of silence.

May I ask what that pluck-type sound is made with, which software?

FabFlameSixtyEight

https://andrewpekler.bandcamp.com/album/klangturm-sounds-for-the-bell-tower-of-the-immanuelkirche-hamburg-veddel

"Klangturm" was commissioned by the Immanuelkirche church in Hamburg-Veddel. The church had recently replaced its bells with a loudspeaker and automated playback system and had asked a number of artists to compose music to be played hourly as well as shorter sounds to be played 15, 30 and 45 minutes past the hour. 

Thinking about what sounds have bell-like properties (but aren't bells) and taking into consideration the technical limitations of the bell tower's loudspeaker (mono, limited bass and high frequency), I decided to work with a limited pallet of just electric guitar and a few effects pedals (reverb, tremolo, pitch shifter, envelope). 

Each piece at the full hour is "previewed" by short fragments of its component parts at the preceding 15, 30 and 45 minute mark. Some, but not all, of the pieces include a time-telling element; a melody with the same number of notes as the hour. 

These pieces were played back from the bell tower of the church from 8 AM to 8 PM every day (except Mondays) during July 2021.

8:00 PM (excerpt from "Klangturm")

Kate NV - d d don't
Learn more: https://smarturl.it/kate-nv

Follow Kate NV:
TWITTER: https://twitter.com/​​kattique
INSTAGRAM: https://www.instagram.com/katenvy​​
YOUTUBE: https://www.youtube.com/c/KateNVNV

Follow RVNG Intl:
TWITTER: https://twitter.com/rvngintl​​
INSTAGRAM: https://www.instagram.com/rvngintl​​
YOUTUBE: https://www.youtube.com/user/RVNGintl​

d d don't

Kate NV - d d don't

Midori Hirano / @midorihirano

Sonmi451 - Seven Signals In The Sky
Claire Rousay - preston ave
Grey Frequency - Telekinetic
Gesellschaft Zur Emanzipation Des Samples - GonnaDieWithMyHammerInMyHand
FRKTL - Fire Upon The Deep
HÜMA UTKU - Truth From The Deepest Source
james K - I Can Not Remember
SABIWA - Enigma
Svetlana Maraš - Opening
Natalie Beridze - Be Airborn
MARTINA BERTONI - Distant Tropics

Midori Hirano ~ Correspondence Nº32

Satomimagae - Dango (Colloid Version)
Learn more: https://smarturl.it/rvngnl89

Follow Satomimagae
TWITTER: https://twitter.com/satomimagae

Follow RVNG Intl
TWITTER: https://twitter.com/rvngintl​​
INSTAGRAM: https://www.instagram.com/rvngintl​​
YOUTUBE: https://www.youtube.com/user/RVNGintl​

Lyrics

うなばらまであと少し 
うなばらまであと少しだけ　
行こう (着こう)
落ちて (うなばらまで)
転がり落ちて (弾むステップ)
落ちていくステップ (弾むステップ)
いびつなステップで (落ちていくステップ)
行こう

転がり落ちて
いびつなステップで
転がり落ちて
いびつなステップで
うなばらまであと少しだけ (行こう)


Almost there to the ocean
Almost there to the ocean
Let’s go (Let's be there)

Falling (Toward the ocean)
Rolling down (Bouncy steps)
Steps of falling (Bouncy steps)
With the awkward steps (Steps of falling)
Let’s go

Rolling down
With the awkward steps
Rolling down
With the awkward steps
Almost there to the ocean (Let’s go)

Colloid

Dango (Colloid Version)

Satomimagae - Dango (Colloid Version)

Francesco Cavaliere and Tomoko Sauvage embody a tactile audio visual display, radiating the colour green into sounds and painting meditative music. By transforming collected objects into invented instruments and scenography, each motif becomes a dedication to a specific situation, an anecdote or a symbol, sometimes real and other times absurd, that the artists have encountered through their travels and conversations: the Chinese myth about a man wearing a green hat, the naming convention of Japanese traffic lights, or even the imaginary chants of frolicking twin dolphins. This inspired the duo’s personal research on experimenting with raw and synthesized idiophones, stage landscape design, spontaneous field recording and organized improvisation.

For their installation and performance, Cavaliere and Sauvage assemble a green cabinet of curiosities - an instrumentarium combining water, glass, clay, bamboo xylophones, metallophones and synthesizers. Tomoko describes in an interview: “When you are actually surrounded by green musical instruments, it has a calming effect as if you were looking at a forest or mountain.” Surrounding themselves with amulets and fluorescent fluids, the duo transcend into a musical imagination that connects scores, choreography and sculpture. Motions like crisscrossing the stage, feeling the presence of a perfectly plump leaf as it strikes a glass bowl, minerals slipping through fingers, all resonate to the soothing sounds of splashing water. There’s an intuitive yet methodical nature to this conceptual approach to composition reminiscent of the fluxus art movement. The pair’s initial motif was to play Henning Christiansen’s Green Music, whose score turned out to be nonexistent. By then, their green dream was already flourishing in their mind, retracing the path of so-called environmental music from Walter Tilgner and Knud Viktor to the likes of Kankyo-Ongaku and Hiroshi Yoshimura.

Since there is a strong visual element to their work, witnessing this captivating site specific performance may be imperative in understanding the range and influence of the colour green and the impact on the sounds they create together. On ‘Viridescens’, the first release by Cavaliere and Sauvage, we are invited to experience these recordings in a more musical context. Acting like an intermediary, the duo transport us to their special planet, enlivened by animal voices, wind, and aquatic creatures dancing across a luminous aurora.

Tracks A1, B1 and B2 were recorded by
Pratik Dasgupta at the Empty Gallery, Hong Kong in 2017.
Track A3 was initially composed for the installation work
≒ AO presented as part of the festival Infra, Tokyo in 2017.
Special thanks to the Empty Gallery, Hong Kong;
Q-O2, Brussels; Yuri Landman (electric xylophones)

Composed and arranged by
Francesco Cavaliere and Tomoko Sauvage
Mastered and cut by Noel Summerville
Artwork by Benjamin Kilchhofer

Viridescens

Francesco Cavaliere & Tomoko Sauvage - Viridescens (Preview)

noumenalloom.bandcamp.com/album/driftw…ound-objects - cassette + digital preorder

Entire album created using a Casio CZ-1 Phase Distortion Synthesizer (+ Electric Bass on Tracks 1 + 3). Although the album was recorded more than five years ago now, these tracks feel very beyond time to us. The record sits nicely alongside works from electronic music pioneers like Isao Tomita, Wendy Carlos, Vangelis and others. Music for Interiors.

Written and Recorded by Rob Collier in Fall of 2016
Mastered by Howie Gano at Louisville Recording Arts
Titles by Madison Stubblefield
Design and Layout by Alison Kleiman

Driftwood (and Other Found Objects)

The Shimmer of the Lamps Above

Rob Collier - The Shimmer Of The Lamps Above

Abu Ama on badlcukwind, all the way from Germany played a mix of his new and upcoming releases other gems of his
	

Tracklist

1. ABU AMA - ARABXO TRPY (ACCENTAPES006)
2. ABU AMA - GREEN SILK CARPET (ACCENTAPES006)
3. ABU AMA - Masaree (Mahorka)
4. ABU AMA - MARRAKESH (BABYLON CONTROL)
5. ABU AMA - Gypsys in Dub /version (album ISHARA into ABYSS,Hexx9 NY)	
6. ABU AMA - Iinjal (version)
7. ABU AMA - DEEWEE DUB
8. ABU AMA - HOW DO YOU FEEL (new unreleased)
9. ABU AMA – EEZAA (album Nasarii )
10. ABU AMA - Untitled BedouinDrone (upcoming release in summer 2k22 on a viny album)


https://soundcloud.com/ama-54
https://abuama.bandcamp.com/

Ma3azef Radio - Badlcukwind w Abu Ama {Feb 2022}

https://www.nts.live/shows/ZULI/episodes/ZULI-15th-february-2022

Zuli w/ Chromasy - 150222

A2 Rave Industries - Nenuphores2b Clip

Tocca il futuro invites Christian Stadsgaard aka Vanity Productions to present his new album 'The Last Picture Show' out on @poshisolation.

Out on cd and digital on his Posh Isolation label
https://vanityproductions-poshisolation.bandcamp.com/album/the-last-picture-show

Follow Vanity Productions
https://www.instagram.com/stadsgaard/
https://poshisolation.bandcamp.com/
https://poshisolation.net/

Follow Tocca il Futuro
www.toccailfuturo.bandcamp.com
www.instagram.com/toccailfuturo/
www.facebook.com/toccailfuturo/

Art by Pallido Fango
https://www.instagram.com/pallido_fango/

More info and tracklist
https://lyl.live/episode/tocca-il-futuro-6

TRACKLIST

Tocca il Futuro w/ Vanity Productions - LYL Radio - 21th April 2022

Bad Place For A Good Time

iTunes

Kae Tempest - 'Bad Place For A Good Time'

Melanie De Biasio's acclaimed new album 'No Deal' will be released as 'No Deal Remixed' on February 23rd.

Gilles Peterson called upon some of the most exciting names across the jazz, electronic and indie worlds to rework Melanie De Biasio’s acclaimed new album No Deal, including EELS, The Cinematic Orchestra, Hex, and Seven Davis Junior.

Pre-order from iTunes: http://geni.us/nodealrmxitunes

Gilles Peterson Presents : Melanie De Biasio – No Deal Remixed

With Love / Sweet Darling Pain (Gilles Peterson & Simbad Remix)

Pre-order links below:

iTunes: smarturl.it/projectionsit
Ninjashop: smarturl.it/projections
Amazon: smarturl.it/projectionslp

Projections

Work Song

Brownswood are delighted to announce that we have signed Cuban singer Daymé Arocena.
Daymé was part of the Havana Cultura Mix project, which saw Gilles Peterson mentoring selected producers from around the world to make a record in Cuba with local musicians. She auditioned, prompting all producers to decide they wanted to work with her... In the end, she sung on three tracks on the album, including the massive "U Knew Before”. Seeing huge potential in her, Gilles invited her to London to perform at the album launch event, where she enchanted the packed out audience, and it was decided she should record a solo project for Brownswood Recordings / Havana Cultura. The announcement brought out a loud, rich, infectious laugh instantly recognizable as Dayme’s deep and chocolaty voice. “My first record, here,” she squeals. “It’s a crazy dream.”

Credits: 
Vocals & Campana - Daymé Arocena 
Produced by Simbad 
Thumb Pianos, Bass Cajon, Djembe,  Shakers, Small Percussions, 
CP 70 & B3 Organ - Simbad  


itunes

Daymé Arocena - Madres

For too long, Eska has been the greatest singer you've never heard of. She's performed with a staggering array of talent from Grace Jones to Cinematic Orchestra, Bobby McFerrin to Matthew Herbert - the latter also being the producer of her new, self-titled album along with Dave Okumu and Eska herself. Reflecting her history of flying way above any genre boundaries, the album skims effortlessly through classical, folk, Latin rhythms, Rotary Connection style cosmic soul, experimental soundscapes and, in this song, rugged and rootsy reggae... all capped off with THAT voice.  

Eska "Heroes & Villains" - Boiler Room Debuts

Oval - Sophioko EP - 01 - I

Trailblazing glitch masterpieces (1990s), delicate, hyperreal, futuristic post-rock vignettes (after 2010) and now abstract club bangers with a twist - Oval continues to be a celebration of innovation, skill & sensibility. 

With an undeniable instinct for the pleasantly irritating, the drastic & the dreamy, M. Popp keeps on pushing the envelope. No one out there plays the computer quite like him.

Oval - Sophioko EP - 01 - I

Oval

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