This week, Gavia and Morgan take a critical look at Oscar darling "Promising Young Woman," the debut film from Emerald Fennell that stars Carey Mulligan and Bo Burnham. Topics include the film's dubious approach to rape revenge narratives, its generally lackluster screenplay, its hollow aesthetic, and more. (TW for discussions of rape and sexual violence)

Overinvested Podcast

Ep. 209: Promising Young Woman

This week, Gavia and Morgan discuss Mike White's buzzy summer hit "The White Lotus," starring Jennifer Coolidge, Murray Bartlett, Steve Zahn, and many more as the guests and staff at a luxury resort in Hawaii. Topics include the show's rushed production due to COVID, its treatment of class and colonialism, its extraordinary cast, and much more.

Ep. 226: The White Lotus

This week, Gavia and Morgan discuss the classic Star Trek film "Star Trek IV: The Voyage Home," a.k.a., The One With the Whales. After rescuing Spock in the previous film, the crew is now faced with the task of saving the world — which they can only do with the help of humpback whales, which takes them back in time to 1980s San Francisco. Topics include this movie's refreshingly chill vibes, Save the Whales, 1980s time travel films, and much more.

Overinvested

Ep. 254: Star Trek IV: The Voyage Home

This week, Gavia and Morgan dive into the internet television sensation-du-jour, "Our Flag Means Death." This pirate comedy stars Rhys Darby as the "Gentleman Pirate" Stede Bonnet, a somewhat hapless newcomer to the scene who's living out his midlife crisis through piracy, and Taika Waititi as Blackbeard, the fearsome rogue who's tired of all that marauding... and gets a new lease on life when he meets Stede. Topics include the show's glorious central love story, its refreshingly unremarked-upon queer supporting cast, a stunningly good central performance by Waititi, and how it succeeds and fails in engaging with history.

Ep. 255: Our Flag Means Death

This week, Gavia and Morgan finally review "The Batman," the latest film to reinvent the Dark Knight. Directed by Matt Reeves, the film stars Robert Pattinson as an isolated, emo Bruce Wayne, Zoë Kravitz as Catwoman, and a full cast of character actors in the ensemble. Topics include Pattinson's performance, what this film brings to the Batman canon, gratuitous violence, and more.

Ep. 257: The Batman

This week, Gavia and Morgan discuss Cheryl Dunye's nineties lesbian classic "The Watermelon Woman." A fictional film that incorporates elements of documentary, it stars Dunye as a character named Cheryl who, like the real Dunye, embarks on a project investigating Black women in Old Hollywood films. Topics include the movie's engagement with Old Hollywood, its depiction of a lesbian community, Dunye's approach to political filmmaking, and more.

Ep. 258: The Watermelon Woman

This week, Gavia and Morgan discuss the summer's biggest blockbuster: Tom Cruise's long-anticipated reprisal of his iconic role as Maverick in "Top Gun: Maverick." They break down how the sequel compares to the original, analyze how the practical stunts and effects contribute to the action, and salute the heroics of Cruise, certifiable maniac and Hollywood icon.

Ep. 261: Top Gun: Maverick

This week, Gavia and Morgan discuss the classic musical "The Court Jester," starring Danny Kaye as a hapless circus performer forced to go undercover as a court jester as part of an elaborate seditious scheme. The film also stars a young Angela Lansbury, Basil Rathbone, and Glynis Johns. Topics include the film's connection to other medieval satires, the influence of vaudeville on Hollywood performance, Danny Kaye's motor-mouth, and much more.

The Court Jester

This week, Morgan and Gavia discuss "Persuasion" — no, not the recent Netflix adaptation, but ITV's 2007 version, starring Sally Hawkins as Anne Elliot and Rupert Penry-Jones as her estranged lover Wentworth. Topics include the film's relationship to Jane Austen's novel, its interpretation of Regency-era dress and hair, Sally Hawkins' tremendous performance, and more.

Ep. 264: Persuasion (2007)

This week, Gavia and Morgan sing the praises of "Andor," the new Star Wars television show masterminded by Tony Gilroy and starring Diego Luna as future rebel martyr Cassian Andor. Topics include the show's stark tonal and stylistic divergence from other Star Wars shows on Disney+, its complex ideas about empire and rebellion, a superlative cast led by Luna, and much more.

Ep. 271: Andor

Gavia is joined by guest-host Claire Biddles to discuss Luca Guadagnino’s beautiful romantic horror movie Bones and All (2022), about a pair of young cannibal drifters played by Taylor Russell and Timothee Chalamet.

Among other topics, we covered the film's brilliant casting choices, its well-observed depiction of rural 1980s America, and Guadagnino's use of quasi-vampiric cannibalism as an allegory for outsider identity.

Ep. 280: Bones and All

Claire and Gavia dig into the blockbuster event of the year, discussing Dune: Part Two's astonishing production design and incredible all-star cast, along with thornier topics like Dune's messy political worldbuilding and director Denis Villeneuve's adaptational changes to the original novel.

Ep. 295: Dune: Part Two

Claire and Gavia review the much-hyped queer thriller Love Lies Bleeding, starring Kristen Stewart and Katy O'Brien. Plus, a multi-genre selection of highlights from this year's Glasgow Film Festival, including indie hits La Chimera and The Beast, and some excellent upcoming horror movies.

Ep. 296: Love Lies Bleeding and highlights from the 2024 Glasgow Film Festival

Claire and Gavia discuss the sweatiest film phenomenon of 2024: Luca Guadagnino's tennis drama Challengers, starring Zendaya, Mike Faist and Josh O'Connor as three athletes embroiled in a love triangle. Among other topics, we cover the star power of the lead actors, the film's already-iconic music, and Guadagnino's distinctive way of depicting sexuality and relationships.

Ep. 298: Challengers

Steffan and Gavia review George Miller's ambitious and divisive Mad Max prequel Furiosa, starring Anya Taylor-Joy and Chris Hemsworth. Among other topics, this episode delves into the film's rich mythological worldbuilding, the Mad Max franchise's unique cinematic legacy, and George Miller's rare talent for action and visual storytelling.

Ep. 300: Furiosa

Opening with some spoiler-free thoughts on the show's brilliant lead performances and clever approach to adaptation, Claire and Gavia discuss season 2 of AMC's gothic drama Interview with the Vampire. Among other topics, this episode digs into IWTV's use of unreliable narrators, its thoughtful depiction of abuse and trauma, and its bold attitude to vampiric romance - along with glowing praise for the season's final episodes.

Ep. 302: AMC's Interview with the Vampire

Steffan and Gavia review the much-hyped horror movie Longlegs, starring Maika Monroe as an FBI agent investigating a serial killer (Nicolas Cage) who targets suburban families. Among other topics, this episode explores the film's unsettling atmosphere, its connection to Silence of the Lambs, its overlap with the Satanic Panic, and its dubious approach to dated serial killer tropes.

Ep. 303: Longlegs

Steffan and Gavia review M. Night Shyamalan's wildly entertaining yet divisive escape thriller Trap, starring Josh Hartnett as a lovable dad who takes his teen daughter (Ariel Donoghue) to a pop concert that turns into an elaborate manhunt for a serial killer.

Ep. 304: Trap (2024)

Claire and Gavia review Zoe Kravitz's disappointingly flawed directorial debut, Blink Twice. Naomi Ackie stars as a waitress who gets invited on vacation by a controversial billionaire (Channing Tatum), joining a group of guests on his private island. Drawing comparisons to Promising Young Woman, this psychological thriller belongs to a recent trend of post-MeToo films tackling abusive power structures and sexual assault.

Ep. 305: Blink Twice (2024)

Claire and Gavia review The Substance, Coralie Fargeat's divisive new horror movie starring Demi Moore as a celebrity who takes a black market anti-aging drug with alarming Jekyll-and-Hyde results. Among other topics, we discuss the film's flawed feminist messaging, overlong runtime, and puzzlingly incoherent depiction of sexism in Hollywood.

Ep. 307: The Substance

Claire and Gavia discuss Gus Van Sant’s iconic queer drama My Own Private Idaho (1991), loosely based on Shakespeare’s Henriad plays. River Phoenix stars as a hustler in Portland, Oregon, who sets off on a journey across America and then the world in search of his long-lost mother, accompanied by best friend and fellow hustler Keanu Reeves.

Ep. 308: My Own Private Idaho

Steffan and Gavia review the 2014 crime thriller The World of Kanako, directed by acclaimed Japanese filmmaker Tetsuya Nakashima. Kōji Yakusho stars as a disgraced former cop, whose daughter Kanako goes missing. When his ex-wife asks him to find out what happened, he discovers that Kanako has been living a disturbing double life.

A Patreon-supported episode requested by Overinvested subscriber Lockwood! 


Ep. 309: The World of Kanako

Claire and Gavia discuss the uniquely influential 1989 romcom When Harry Met Sally, written by Nora Ephron and directed by Rob Reiner. Kickstarting Meg Ryan's career as a romantic comedy icon, it follows the lives of two New Yorkers who become friends over a series of chance encounters.

Ep. 310: When Harry Met Sally

Steffan and Gavia delve into their mixed feelings toward Robert Eggers’ acclaimed new Nosferatu remake. Among other topics, this episode covers Dracula’s impact on the gothic horror genre, Eggers’ very specific style of historical storytelling, and the complicated relationship between Nosferatu’s Count Orlok (Bill Skarsgård) and Ellen Hutter (Lily-Rose Depp). 

Ep. 311: Robert Eggers' Nosferatu

Claire and Gavia reveal their respective top 10 films of 2024, covering everything from A-list Oscar contenders to hidden gems and low-budget horror. This year's countdown includes new releases from 11 different countries (!), celebrating a truly exciting year in cinema.

Ep. 312: The Best Movies of 2024

Steffan and Gavia discuss Brady Corbet’s acclaimed historical epic The Brutalist, which stars Adrien Brody as a Hungarian-Jewish architect who emigrates to America after surviving the Holocaust. Among other topics, this episode explores the film’s ambitious technical artistry, its morally complicated historical narrative, and its role as a successor to "American Dream" dramas like The Godfather and There Will Be Blood. 


Ep. 313: The Brutalist

Ahead of the 2025 Oscars, Claire and Gavia discuss three of this year's Best Picture nominees: The critically acclaimed romantic dramedy Anora, the blockbuster musical Wicked, and the uniquely controversial Emilia Pérez, a film whose 13 Oscar nominations arrived alongside a wave of wholly justified backlash. 

Ep. 314: Anora, Wicked and Emilia Pérez


Steffan and Gavia review Mickey 17, the new sci-fi comedy from filmmaker Bong Joon Ho (Parasite). Robert Pattinson stars as a man who signs up for a years-long space voyage, agreeing to a grueling contract where his body can be killed and resurrected again and again. Echoing Bong’s work on films like Snowpiercer and Okja, this provides the basis for a bleak yet absurd anti-capitalist satire. 


Ep. 315: Bong Joon Ho's Mickey 17

Claire and Gavia review William Friedkin's 1980 crime thriller Cruising, starring Al Pacino as a New York cop who goes undercover in local gay bars, searching for a serial killer who targets men in the leather community. Controversial at the time, this film has since become a cult classic, praised for its remarkable exploration of masculine identity and violence. 

Ep. 316: Cruising (1980)

Steffan and Gavia dig into the history and artistry of The Wicker Man (1973), starring Edward Woodward and Christopher Lee. Among other topics, this episode explores the film's influence on the folk horror genre, its relationship with the neo-Pagan movement, and its underrated nature as a musical.

Ep. 317: The Wicker Man

Overinvested is a weekly podcast from pop culture obsessives Gavia Baker-Whitelaw and Morgan Leigh Davies. Each episode, Gavia and Morgan dive into a film, TV show, or comic they just can't stop thinking about.

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