Listen to "never alone always many" by sortlegeme taken from "they are many" out on 16th February via Barkhausen

Pre-order: https://srtrecs.bandcamp.com/album/they-are-many

Following acclaimed underground releases on labels like Schacke’s imprint Moral Defeat, Katharsis and Perfect Aesthetics, Danish electronic musician Sortlegeme (the solo moniker of Jeppe Dalsgaard Andersen) returns with his most spellbinding work to date. “They Are Many” is an album of sprawling textures that like music in its most intuitive state captures the essence of the indescribable.

Built from polyrhythmic synth lines that surge towards sensory overload, “They Are Many” is equally full of subtle layers that emerge delicately from the foundations. In this ever-evolving sonic landscape, one senses the earthly, deliberate movements of tectonic plates colliding before settling into yet another million years of relentless grind. It's a soundscape that teeters on the edge of a total breaking point: a beautifully ominous foreshadowing of collapse.

Andersen reflects: “I was playing Starcraft at the time I made this music, and I think the Zerg was an inspiration and model for this kind of life. I was thinking about creeping and crawling things. The album reflects on the world humans might leave behind in our self-destruction and how opportunistic species might thrive in our absence, like weeds sprouting from the ashes of a forest fire. I was always big on post-rock, and this setup allowed me to do big buildups in that style.”

With “They Are Many,” Andersen fully embraces a departure from any rhythmic constraints in his music, allowing for expansive exploration throughout the album. While hope – or what is left of it – might seem sparse in the album's 45-minute journey, the music is punctuated by beautiful, voice-like melodies that are eventually overwhelmed by a noisy climax, leading to a profound numbness. The sensation is akin to synthesizers forging their way towards the void.

Andersen: “We as humans are often consumed by our knowledge, ethics, and complex systems, but sometimes it's important to remember that life's origin is pure survival. Our present culture is overly intellectual, and I find myself drawn to the instinctive, opportunistic aspects of life, much like a hive of smaller organisms operates, without conscious thought. We tend to view everything from our individualistic, single-body perspective, forgetting that the world's very essence is multiplicity.”

Links:
sortlegeme
https://soundcloud.com/sortlegeme
https://www.instagram.com/srtlgm
Barkhausen
https://barkhausenrecordings.bandcamp.com
https://www.instagram.com/barkhausenrecs
https://linktr.ee/barkhausenrecs

they are many

pre-order / bandcamp

[Premiere] sortlegeme - never alone always many (Barkhausen)

Mossambi makes his return to All Centre to follow up the stunning debut Resurf EP from the beginning of 2023. On The AI Told Me To, he delivers 3 more experimental techno exertions backed by a heavy-duty club remix from Holloway.

Reptate opens proceedings with otherworldly vocals stuttering over Mossambi’s distinctively inventive sound design. The track enters an off-kilter, compelling groove composed of deep kicks, growling subs and snippets of microtonal melodies, building up and playing out like an extra-dimensional take on dubstep.

The title track keeps up the momentum with deep kicks and shuffling hats, allowing a lush choral pad to stutter and proliferate amongst the percussive intricacies. The chord is manipulated, filtered and triggered in unpredictable patterns as the track progresses, keeping the listener on their toes whilst Mossambi holds down a transfixing groove.

Mossambi’s final track, Miscellaneous Vegetable Platter, slows things down to a hypnotic 110 bpm pace. A disorienting blend of scrambled vocals, fried digital synths and dubbed-out bass and chord hits are kept in check by steady drums, whilst a frenzied snare roll pushes and pulls at the track’s intensity as the track progresses, crafting an engrossing low-tempo workout.

Holloway translates Mossambi’s glitched vocals and heady sound design onto a ferocious four-to-the-floor groove. A warbling bassline bubbles underneath driving percussion, whilst a syncopated hard house siren brings the energy levels to a fever pitch.

The AI Told Me To

Mossambi - The AI Told Me To [ACEN056]

We’re thrilled to share with you the third volume of our beloved series ‘‘traversée’’ - a space for producers to explore their own versatility.

‘‘traversée 03’’ gather – once again – super talented artists who shape the vision of the label on a daily basis through the diversity of their musical background and origins.

Talking about musical process with artists is super important to us and sharing it to the world is even more significant : soon we'll share some ‘‘words behind the track’’ from artists themselves to dive deeper into their own reflexions: take a deep breathe in —

(:

releases March 13, 2024

credits
Artwork by Maureen Caron
Mastering by Daga Audio
Mastering of "royalbrut - Wäutformatplakat" by
Digital distribution by MusicDeli
vocals by sensuaii in “Chewlie - Good Feed”

Leese - Power [traverse]

Ｂａｄ Ｔｉｐｓ🔸https://linktr.ee/badtips
𝕽𝖊𝖖𝖚𝖊𝖘𝖙𝖘 👉🏾 badtipsaudio@gmail.com


⏬𝐁𝐔𝐘 𝐘𝐎𝐔𝐑 𝐌𝐔𝐒𝐈𝐂 𝐓𝐎 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐀𝐑𝐓𝐈𝐒𝐓𝐒 & 𝐋𝐀𝐁𝐄𝐋𝐒⏬



Griigg & 1.5L - GUN UNITED 04 : Griigg - Scorrobee
CLM x GUN, 2024
𝓑𝓾𝔂 👉🏾 https://linktr.ee/clmxgn

🔴 𝔽𝕠𝕝𝕝𝕠𝕨 𝔸𝕣𝕥𝕚𝕤𝕥
https://soundcloud.com/griigg/
https://www.instagram.com/griigg/

https://soundcloud.com/1virgule5litre

🔵 𝔽𝕠𝕝𝕝𝕠𝕨 𝕃𝕒𝕓𝕖𝕝
https://soundcloud.com/club-late-music
https://www.instagram.com/clublatemusic

https://soundcloud.com/globalurlnation
https://www.instagram.com/globalurlnation

YOUTUBE

𝖕𝖗𝖊𝖒𝖎𝖊𝖗𝖊#196 📢 Griigg & 1.5L - Chestburster [CLM x GUN]

Listen to "Plugs (feat. Quiet)" by Brain Rays taken from "Slime" out on 12th April via Acroplane Recordings digitally and on limited cassette

Pre-order: https://acroplanerecordings.bandcamp.com/album/slime

Brain Rays is part of queer collective, DOOMSCROLL, and Devon art & party crew, Bizarre Rituals. He is also a co-founder of Wrong Music alongside DJ Scotch Egg and Matt Lambert (Roger Species).

Known for his hectic, high pressure output with Quiet, and film soundtrack work (as part of Unknown Horrors) collaborating with director Dean Puckett (The Severed Sun, The Sermon, Satan's Bite) and Rhys Chapman (Wonderkid). As a DJ he has performed all over the world, including Transmediale Festival (Berlin), Today’s Art (Den Haag) and Boomtown Fair, as well as two live sessions at Radio 1's legendary Maida Vale Studios. As a producer he has garnered support from the likes of Mary Anne Hobbs, ETCH, Huw Stephens, Drumskull, Annie Mac, and Nikki Nair.

Links:
Brain Rays
https://soundcloud.com/brainrays
https://brainrays.bandcamp.com
Acroplane Recordings
https://soundcloud.com/acroplane
https://acroplanerecordings.bandcamp.com
https://www.facebook.com/acroplanerecordings/

Slime

[Premiere] Brain Rays - Plugs (feat. Quiet) (Acroplane Recordings)

Alec Pace - Spherae
Label: Infinite Machine
CAT#: IM110
Format: Digital
Release Date: May 3, 2024

‘Spherae’ marks the return to scenes of Turin-based producer and DJ Alec Pace landing now on Infinite Machine with a mind-melter EP aimed for the club.

Following a 2-year long hiatus from his latest original work ‘Future Now?’ and previous releases on acclaimed labels such as All Centre and Nous Disques, the Italian producer delivers a new psychedelic blend of post-grime and experimental-bass condensed into a powerful club-ready 4-tracker.

Opening track ‘Preemah’ is a dance-floor heater which plays with the alternation of perpetual crescendos and heavy kick-drops, the rhythmic session is based on a glitchy jersey-club beat while the melodic elements work with uplifting synthesizers and heavy manipulated field recordings.

The explorations continues into title track ‘Spherae’, a peak-time ‘ode to speed’ which twists elements and a rhythmic session borrowed from the D’n’B scene while mangling them with ‘pointillistic’ synthesizers and hyper-effected spooky vocals.

‘Khroma’ follows next, a dark and psychedelic roller which will bring the listener into more obscure sound landscapes which delivers robotic GQOM-inspired beats with overdriven-glitchy synthesizers and tribalesque chants.

The alien-shaped beats of ‘Qubo’ closes-down the release with its glitchy-old-skool-electro vibe, combining a rhythmic session which borrows elements from the old-skool electro with analog generated percussions and field recordings.

While touching GQOM-esque and post-grime atmospheres and both pushing BPM-speed limits forwards, ‘Spherae’ explores further into experimental-territories yet remaining true to its club nature.

Alec Pace - Khroma (IM110)

Site-██, deep snow and high-altitude mountainous conditions. “Maul Rheo” repair/destruction cycle is internalised but maintaining a safe distance was necessary to avoid triggering its violent programming.

“Maul Rheo” appears to possess an amorphous body capable of self-repair and self-modification. Discovered in the ███████ Mountains. The entity exhibits a perpetual cycle of self-inflicted violence, leading to continuous destruction and reconstruction of its form. This cycle is believed to be a result of its original programming, its behavior suggests a programmed directive, compelling Maul Rheo to engage in intuitive violent behaviors. Future research should endeavor to trace a genealogy of violence.

Body is composed of an unknown metallic alloy, showing properties of both high durability and malleability. During its self-destructive episodes, body parts can be observed to tear, split, and then reform. The process is accompanied by the expulsion of a black oil onto the white snow. This substance quickly solidifies in the ice.

Encounter with Ziyiz:

An interaction between Ziyiz was recorded on ██/██/████. Ziyiz attempted communication with “Maul Rheo” using a series of synthesized electromagnetic propagations. This interaction led to a temporary cessation of “Maul Rheo’s” violent behavior, but it’s internal directives could not be dissuaded. Further research into the effects of acoustic frequencies and speculative technologies on programming is recommended.

—————————————————————————————


REMADE004 is out digitally on 17/04/2024
Cover art by Rayan Elnayal.

Maul Rheo

Ziyiz - Slipd

Out now ⛮ https://links.paradoxeclub.fr/tell-me

@ToVanKao channels a mystical aura through hazy electro synths and enigmatic fragmented melodies, echoing precious early memories at the pagoda with her mother.

Written and produced by To Van Kao
Mastered by Le Dom
Artwork by Manuel Moreno Cortes

PRDXS010 - www.paradoxeclub.fr

Tell Me

To Van Kao - Tell Me

Musuama emerges from the aether onto NHS with 'Bailes Mudos'; being their first release and foray into the world of leftfield esoterica electronica. Hailing from Brazil with time spent in Mexico, Musuama’s exploration of synthetic sonics is fuelled by a healthy background in trained musical knowledge and an ever-present aura of genres like cumbia, reggaeton, guaguancó and festejo to name a few. The artist speaks further on this: ‘I was confronted by the constraints imposed by the timbral limitations of traditional instruments and recognized the transformative impact of technology on artistic expression. I believe that by embracing technological advancements across artistic fields, both the listener and the artist stand to gain by fostering an even deeper connection with creativity’.

The collection is transient in its collage of sound artefacts; a spaciousness encapsulates the artist's approach to their productions that is meshed with pulses of texture and an ephemeral fluctuation of echoes, delays and reverb; as if we are inserted into Musuama’s personal journey through cultures characterised by sound. Throughout, the release carries a sense of subtlety, hypnotised by a steady march that permeates through the homogenous story that is told via the EP.

@musuama

Artwork by Jiah Wells
Mastering by Fausto Mercier

Bailes Mudos

Buy NHS027

Musuama - Malecón

Burnt Offerings - Transmute [OMB010]

“The Overload flooded us. Consumed Us. Made us whole again”. As the time when "Transmute" was taking shape, so did the multiple global crisis. "Transmute" is an effort to represent the human spirit and its resiliency amidst the uncertainty, hopelessness and chaos of the current era.

Burnt Offerings is a duo consisting of Arthur Bdt (Incendie) and Andres Leon (Laopé). Their music oscillates from Drone to Cuban music, incorporating everything from traditional Latin instruments to modern sound design tools. These influences converge outside of their original contexts through heavy digital audio processing, deconstruction, and arrangement.  The sound can be best described as a disjointed yet symbiotic relationship between the past and the now.


All tracks producing & mixing by Burnt Offerings
Mastering by B E N N
Visual by ERRANTH

Transmute

Pre-order

Burnt Offerings - Aftermath

Klahrk & Roxas & KaTT X Ovid X KARAN!- ABADIR Hypertension Mashup

contact: overmybodytw@gmail.com
_
Next release:
Burnt Offerings - Transmute [OMB010]

Burnt Offerings - Aftermath

Over My Body

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