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Apex Union [SPLIT​-​01 x Club Late Music]

PRE-ORDER

PREMIERE : Branco - DEEBO (HEDO HYDR8 EDIT)

Listen to "In Between Car Parts" by Bungalovv taken from Bungalovv / Lujiachi "Apex Union" split EP released as collaboration between Club Late Music & Over My Body on 7th February.

Pre-order: https://clublatemusic.bandcamp.com/album/apex-union-split-01-x-over-my-body

Club Late Music & Over My Body team up for a joint release! Welcome Apex Union, a split EP featuring Bungalovv & Lujiachi with remixes by B E N N, Dj Animebby, DJ Würm & jondu.

The release initiates the new CLM collaborative series called SPLIT - a simple format where one member from the Global URL Nation shares an EP with an artist from another label or collective, and also marks the first official collaboration of young Taiwan-based Over My Body with another label! This joint collab is pretty straightforward : two artists, two tracks each and remixes by members of both collectives. 

Over the past few years, Bungalovv and Lujiachi have affirmed and cultivated unique sonic palettes that seduced local and international scenes alike. Their encounter on Apex Union initiates a dialog, a weaving of their extended footprints where throbbing basses intertwine with piercing noises, sharp percussions and spiraling voices - resulting in four tracks that will shred, tear and enchant the firmest minds and the stiffest bodies.

The original tracks are reinterpreted by B E N N & jondu from the Over My Body roster, as well as Dj Würm and Dj Animebby from the GUN community, extracting the core essence of the originals to infuse them with raw flavors, that will perfectly soundtrack the haziest cave raves and bleakest winter nightwalks.

Links & credits:

Tracks produced by Bungalovv, B E N N, Dj Animebby, DJ Würm, jondu, & Lujiachi

https://soundcloud.com/bungalovv
https://soundcloud.com/bedoublensound
https://soundcloud.com/djanimebby
https://soundcloud.com/djwurm
https://soundcloud.com/jondu-17841612
https://soundcloud.com/lujiachi

Cover & visual works by GaryChig0o & XTRUX
https://www.instagram.com/garychig0o
https://www.instagram.com/xtrux_official

Mastering by Bademjan

Apex Union

pre-order / bandcamp

[Premiere] Bungalovv - In Between Car Parts (Club Late Music & Over My Body)

Two of our favorite labels ➜ @club-late-music & @overmybodytw team up for a joint release! Welcome "Apex Union" a split EP featuring Berlin-based Argentinian artist @bungalovv & Taipei-based @lujiachi with remixes by B E N N, Dj Animebby, DJ Würm & jondu.

We are very happy to present you the single "Segmented Dream" by Lujiachi.

Read more in the article ➜ https://swinedaily.com/bungalovv-lujiachi-premiere/

/ ✦ /

[Swine Premiere] Lujiachi - Segmented Dream (CLM x Over My Body)

Bungalovv - Xylem

Lujiachi - Nerve

Bungalovv - In Between Car Parts (Dj Würm Remix)

µ-Ziq - HYPER DADDY (SLIKBACK REMIX)

On Escape from the Club, @alecpace makes his return to All Centre, following up his Absolute Pressure EP from 2019 with four wonky, breakneck techno cuts.

Opener Linea kicks off proceedings with a buoyant approach to electro. Encouraging shouts of “come on” are filtered through disorienting FX, usher in sliding synth lines. As the track progresses, the frenzied synths increase in intensity before giving way to a skeletal drum beat.

On the second track Drowning, throbbing kick drums pair with skizzed-out hi-hats. The track’s wonky, rolling groove builds up towards a propelling synthetic percussion onslaught with unique sound design to boot.

The title track increases the intensity with skewed acidic pronouncements leading into a lolloping 168bpm beat, embellished with Pace’s characteristic vocal sample disfigurations.

Finally the EP settles on its most frenetic excursion, False Claims. Hiking the BPM up to 148, high velocity drums which nod to UK Funky guide the listener towards ecstatic fervor that is hinted at throughout the proceeding tracks.

Escape from the Club is available on all digital platforms from October 18th.

Alec Pace - Escape from the Club [ACEN064] (PREVIEWS)

Sichuan General’s Command

Mun Sing - Frolic EP
ID009

https://munsing.bandcamp.com/album/frolic-ep

Mun Sing’s forthcoming ‘Frolic’ EP adopts the drama and intricacy of his productions to create a surreal, demented fairytale. In this world, fun and indulgence come at a price; a shadow of consequence is embodied in the form of a sinister blue faced scarecrow. He is a boogeyman of sorts, akin to the beasts scaring children into good-behaviour in bed time stories, but now finding his form in adulthood. The Scarecrow reminds us that everything comes at a price, and punishes those that have too much fun. He is the embodied voice of guilt after you choose one more drink, one more episode. He lays dormant, silently watching until it’s time to strike. Can we ever really escape this lurking figure? In the times we have succeeded, how long does it last?



‘Frolic’ follows a narrative that begins with indulgence and moves through to consequence; starting with euphoric melodies and big room drops ('Frolic', 'Didn’t Need U Anyway') and ending in moments of unravelling reflection ('Scrolling', 'The Hypocrite'). The Scarecrow reveals himself for the first time during the breakdown of the EP’s centrepiece ‘Somersault’; a theatrical club epic in which the scarecrow cackles the lines “You plead a pregnant passage yet frolic and frot without consequence!?” summarising the spirit of the EP succinctly. 



The concept of indulgence has fuelled the composition of ‘Frolic’ as a whole, where Mun Sing would lean into singalong melodies and satisfying drops using a more inclusive musical language in favour of the grief-inspired awkwardness of last years debut album ‘Inflatable Gravestone’ (Planet Mu). ‘Frolic’ is inspired by big stadium pop concerts for its large-scale storytelling and pantomime-esque audience participation. After years of navigating loss and spirituality, Mun Sing found the natural next step to be writing music which explores the dialogue of joy and escapism.

DOWNLOAD

Mun Sing - Somersault

Second edition of a compilation containing Polish productions inspired by Chicago's electronic music scene.

The goal of the release was to put Chicago Footwork as a central inspiration. To introduce it to some producers, to remind about this genre to others, and to create another opportunity for the Chicago's sound lovers to contribute with more trax.

All the money from this release will go to support Prince Jron and his family due to losing their home in fire.
https://www.gofundme.com/f/help-the-williams-and-boyd-family-rebuild-after-fire

Huge thank you for all the people contributing to the project and helping making it happen: $andro, amane:og, dj domo, Dj Dying, Ukokos, Gap1, haera, kamil, orcze, T.F.Grind, We Rob Rave, Oleslav, Malwinka, Ania Lalka, Ryfa Ri, Petar, Rimona, Adele, all the people who wanted to create trax but couldn't make it.

dj domo
https://www.instagram.com/dominikdudek_/
https://boomelant.bandcamp.com

Final master: instagram.com/oleslav_
Graphics: instagram.com/malwinka_literki

Poland, 2023-2024

dj domo - karolajna

Written and produced by @djdoublem94 ⚕
Mastering Le Dom le__dom.mix
Artwork Manuel Moreno Cortes POLA.AGENCE

PRDXS017 - www.paradoxeclub.fr

Dionysus Drums

Osheyack - Back In Kind
Artwork by Abraham Adams
Mastered by Raphael Valensi

Back In Kind

Start

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

Bring the 90s sound back

for dl plz message me

Hyper.dk

contact: overmybodytw@gmail.com
_
Next Release:
Griigg - Vessels of Chaos : Mercurial Blood [OMB014]

Lujiachi - Nerve

Over My Body

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