A P-Funk odyssey drives this dubbed out instrumental home.
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David Bowie - Fame (Mojo Filter Incognito Vinyl GOLD Dub)

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Japan - Ghosts (Mojo Filter Supernatural Kintsugi Gold Edit)

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John Martyn - Solid Air (Mojo Filter GOLD Edit)

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David Essex - Rock On (Mojo Filter GOLD Edit)

Coloured Dreams is a wigged-out kind of half-speed two-step, once again deftly marrying ‘60s psychedelia elements with the most contemporary of production techniques, sounds and rhythms, in the way that only Crane can. By no means a chill-out intro, Coloured Dreams is just as full of ambition and ideas as any of the other album tracks, leaving very little room for you to drift off as you run the gauntlet of giant synth stabs, squelching bassline, discordant guitar riffs and fizzing energy. 

Coloured Dreams

BOOM BOOM provides the perfect gateway into the heady universe of Escape Aid owing its provenance from a casual purchase of a cheap-as-chips DVD of prayer mantras some years ago, on one of Crane’s many jaunts to India. 

Once brought home and promptly fed through his mangle of unmistakable fizzing psychedelic electronica, Boom Boom was created just hours after he returned to the UK. It continues to open the album like a sprawling carpet, woven with intricate dreams and Eastern ideals, sat before you, inviting you seductively to walk up, open the giant door and see what lies beyond.

Boom Boom

With little hesitation, the LP wades in with the crunching beats, mischievous riffs and trippy carnival atmosphere typical of Mojo Filter’s effervescent DJ sets. Though peppered with idiosyncratic sorties into weird and wonderful territories, in this case even veering playfully into cosmic breakdance from time to time, Let’s Get Brutal’s intention is very clear. It rides a chunky slo-mo groove so infectious and familiar that it will scorch your pants.

Let's Get Brutal

OAKY TIMBRE is the greatest homage conceivable to the UK Comedy duo The Mighty Boosh and, fittingly, the Boosh boys themselves have personally endorsed the track, such is their appreciation of it. 

Reappropriating the monologue of Howard Moon discovering ‘Howard’s Note’ into a dance track, perfectly demonstrates Crane’s ever-present sense of humour, and ear for an opportunity. Oaky Timbre is an idea so absurd that it should never have worked, but it has defiantly proven to rock crowds and leave revellers sweaty and stunned, in a smiling daze, quite unsure what just happened.

Oaky Timbre

L.O.V.E. takes the positive feelings abundant in The Fullness of Time even further. In its sweet and innocent, feel-good groove, this is Escape Aid at its softest. Even vocal snippets of Sesame Street’s Elmo can be just about made out, murmuring through the track’s fuzzy warm glow, providing the most innocent of reminiscences, while the euphoric bed of warm guitars wails gently beneath. 

At its most unabashed L.O.V.E. explodes into a fluttering of flutes so joyful it’s hard to keep a smile from breaking through. 

L.O.V.E

In the Fullness of Time, Crane has found his melodic self and he grips on tightly, conjuring up a new romantic synth line so simple and catchy that it remains with you way after the initial listen. Time somehow persists in your mind with a melancholic and beautiful sort of nostalgia, evoking hazy memories of yore. It is a friendly embrace on an otherwise unpredictable journey and is perhaps the album’s most truly original composition, born simply out of an extended session with a borrowed Moog and no other preconceived plans.

In the Fullness of Time

SPELL ON YOU, a tripped out cover of the Screamin’ Jay Hawkins recording I Put a Spell on You, is one of the true show-pieces of Escape Aid, highlighting not only Crane’s production par excellence, but his trademark ability to conceive and effortlessly deliver a re-rub on an old track. 

The track was born from a collaboration with the infamous Artful Badger as an eerie soundtrack to their Wild Wolds theatre performance. The track also features on the 2015 Wilderness festival teaser.

Weighing in at almost nine minutes, Spell on You is a cosmic odyssey dense with original instrumentation and is no mere remix; it is a cover. And with its superlative female vocal delivery, it feels like a main stage festival anthem already.

Spell On You

WHITE RABBIT launches off with an Alice in Wonderland riddle so mystifying, it’s enough to make your brain trip over itself… and spend the next seven minutes in total free-fall throughout the buzzing, popping, thrilling carpet ride of surreal techno.  

The track’s unmistakeable 1960s vocal is a sweet tribute to an era, and a mindset, that has come to provide a road map to Mojo Filter’s own path through music making. But the imprint of the raves that he cut his teeth going to with his dad as a teenager is just as prominent in White Rabbit’s supremely high-tech production, nail-biting pace and fizzing atmosphere. 

It’s the perfect meeting of the old and the new that Mojo Filter has made his own idiosyncratic brand.

White Rabbit

Now that the party is in full swing, it’s time to get deep and exploratory. ALICE IN ACID LAND has a markedly slower, sleazier groove than its predecessor. 

It relies on a defiantly minimal melody, but it is rich with big room energy, as if reverberating around a huge disused factory populated with strange characters and UV lights.  This is the part of the night where you lose your mind… stumbling upon a small black and white television, glowing ominously in the corner of a room with no one else in it, showing an unsettling but scarily engrossing documentary on LSD.

Acid Land

Lifting the mood again comes HONEY BADGER. Sampling a legendary viral video clip that extols the virtues and badass-ness of the Honey Badger, Crane returns to his playful self in this exhilarating techno ride. 

Honey Badger is a tune worthy of soundtracking anyone’s defining I-never-want-to-go-home moment at Burning Man, or some outdoor party equally as apocalyptic and life affirming. 

Indeed, this track has become something of a theme tune for Mojo Filter’s sets headlining the magic woods stage at Secret Garden Party; the festival’s unique forest venue, which he curates every year.

The Inglorious Honey Badger

But, lest we never forget, THIS IS A SERIOUS PARTY.  These words have become Secret Garden Party’s official motto in honour of the late Vito Neo Reargo, who coined the phrase. Vito was thought of by many as SGP’s greatest fan and most eccentric personality, but he sadly took his life in 2013 after a long battle with depression. 

Vito, a good friend of Ben’s, is heard at the start of This is a Serious Party talking to Ben’s partner Abbey, in his inimitable meandering drawl, about the merits of smoking Pachanga, before the track unfurls into a stylishly low-key punk-funk groove. 

This is a Serious Party is unlike anything else on the LP; littered with loose handclaps, freakish vocals and lazy guitar riffs, it could easily be a lost (!) Chk Chk Chk classic.

This is a Serious Party

Mojo Filter has been traversing the boxes of D.J’s across the genres for some years now with his eccentric edits and remixes of 60’s and 70’s Rock & Psychedelia.. This comes as a departure from those cuts as he seeks to lay down a little  anthem for the underground music stage he curates in association with The Artful Badger at the Secret Garden Party in the woods – The Feral Fever Pit. 

The stage will feature respected underground artists from all-walks including Troxler, Freeland, Jamie Jones, James Lavelle, Max Cooper and Psychemagik whom will all bring the heat and liven-up pit to fever pitch making it one of the most exciting spots for electronic music this summer..

With tectonic precision, the original track pummels, wubs, drives and glitches an unrelenting groove until it peaks with the now infamous quote taken from the youtube viral; “Honey Badger don’t give a sh*t!”

The Cannons remix the beast in the traditional sense complementing the original but taking a decidedly deeper and even more organic excursion.

With early underground support from the likes of the Plumps, Freeland and Boy 8bit this is sett to be BIG.



Honey Badger (Loose Cannons' Artful Remix)

Mojo Filter has been traversing the boxes of D.J’s across the genres for some years now with his eccentric edits and remixes of 60’s and 70’s Rock & Psychedelia.. This comes as a departure from those cuts as he seeks to define an anthem for the underground music stage he curates in association with The Artful Badger at the Secret Garden Party in the woods – The Feral Fever Pit. 

The Pit will feature respected underground artists from all-walks including Troxler, Freeland, Jamie Jones, James Lavelle, Max Cooper and Psychemagik whom will all bring the heat and liven-up pit to fever pitch making it one of the most exciting spots for electronic music this summer..

With tectonic precision, the original track pummels, wubs, drives and glitches an unrelenting groove until it peaks with the now infamous quote taken from the youtube viral; “Honey Badger don’t give a sh*t!”

The Cannons remix the beast in the traditional sense complementing the original but taking a decidedly deeper and even more organic excursion.

With early underground support from the likes of the Plumps, Freeland and Boy 8bit this is sett to be BIG.



The Inglorious Honey Badger (Radio Edit)

Whoa-there!! After bombing the club-scene with the seminal Mighty Boosh and Iggy Pop remixes, Mojo Filter follows-up with this proper-epic, off-kilter techno exploration. Getting the vocal parts for Grace Slick’s timeless ‘White Rabbit’ meant it was always going to be interesting to say the least. Wonderfully, the track is totally immense, fizzing with enough psychoactive dancefloor weirdness to ensure this freaky-deaky anthem goes deep, deep down the rabbit hole in time for Burton’s Wonderland excursion.

With i.D.J recommending the tune with 9/10 and DMC Zzub charting it at #11 it’s seen massive feedback from around the globe including Rob Da Bank (Radio ONE & Bestival), John Kennedy (XFM) Sasha, Nick Warren, Jody Wisternoff (Way Out West) & Jon Carter amongst others. Imagine that?

Sunday Best wonderment, Fear of Theydon’s remix is a stunner too – pulsating, magnetic, low-keys grooves majestically transport the tune into a refined, spacious, back-room disco portal. Go figure. [S.I.C] Label Boss, D.K.S applies his own upfront, driving tech-house production to the mix, giving the vocal a new angle in the clubs. Finally, new fire Anarchy Rice delivers a dirty rave pounder to embarrass your mom with. It is actually pretty [s.i.c] too and has seen support from various top-ranked peddlers of dirt.

The record is deep, complex and timeless. That’s why we’re decided to get this promo out early – so that you can experiment with it before its release in Jan. 

Seriously? We’ve had some real crazy times on this tune and we hope you do too. Take the Red Pill? Take the blue pill? Wotever, take both and run a mile! Wiiiooow-whooo!!


White Rabbit (Anarchy Rice Rmx)

White Rabbit (D.K.S Remix)

White Rabbit (Radio Edit)

White Rabbit (Fear Of Theydon Remix)

To close the E.P we have stalwart and mega-mind DKS at the helm. DKS has been producing and mastering the greats for many moons. This production guru only ever remixes tracks that have been trialled by the fires of the great serpent and this remix is nothing short of an Aya trip through the deepest jungles of your mind. The driving groove and full-bodied pads will elevate your entire being into higher realms where you will face a breakdown that will drop you into a diamond light of dancefloor bliss. A quintessential remix nodding to the original but taking a whole new trip.

L.O.V.E Remix E.P

Mojo Filter ~ Acid Land (DKS Remix)

Lo-Fi agent of groove LEROY has turned the bad trip that is ACID LAND around to create a veritable feast of positive psychedelic brain food. The acoustic sampling is so charming and hypnotic that joining the cult is an easy option. The magic of this rework lies in its simplicity. It rolls and rides a sweeping rainbow synth that delivers pure sonic gold to the ears. Like nothing you have ever heard. Mojo has ever so slightly embellished this gem with some signature psychoacoustics to serenade you further down the rabbit hole.

Mojo Filter ~ Acid Land (LeRoy Remix - Mojo Filter Edit)

OLAF STUUT eeks a decidedly more ‘cave rave’ approach to BOOM BOOM with crumbling percussive stalactites and eerie reflective melodies advancing the journey underground into the depths of earthy techno. Olaf is one of the most creative minds in electronic music today. His intricate productions and confounding use of dynamics and harmonics put his work in another dimension. His rework of Boom Boom is an emotive and veering journey of pulsating, low-slung bass and dizzying pads that draw the listener into his world beyond worlds.

Mojo Filter ~ Boom Boom (Olaf Stuut Remix)

Uber hombre and esteemed fluff-slinger Tythe reincarnates this eastern trip into an elegant, lolloping, desert odyssey. His sound palette is a divine pastiche of sci-fi disco merged with ancient wisdom from above. Something truly remarkable that exudes mythical atmospheres designed for that special open air festival moment you waited your whole life for.

Mojo Filter ~ Boom Boom (Tythe Remix)

Acutely revered Mushrooms Project have gracefully submerged this album highlight into a psychedelic wonderland of liquid bongos, otherworldly chants and conjured a curious medieval synth line that quite literally transports you into another world.

An extended 12 minute version of this heady roller will also be released.

Mojo Filter ~ L.O.V.E (Mushrooms Project Radio Edit)

The original feel-good roller from the 'Escape Aid' album with it's tickling percussion, heady pads and addictive bass lines. Mojo delivers a radio edit that seems to just keep on giving.

But then that's the beauty of L.O.V.E!

Mojo Filter ~ L.O.V.E (Radio Edit)

The acutely revered MUSHROOM PROJECT have gracefully submerged this album highlight L.O.V.E into a psychedelic wonderland of liquid bongos, otherworldly chants and a curious medieval synth line that quite literally transports you into another world. Blinding stuff!

Mojo Filter ~ L.O.V.E (Mushrooms Project Extended Trip)

Sampling ‘Howard’s note’ as featured in The Mighty Boosh’s “The Priest & The Beast” welcome to the new age of comedy house.

Oaky Timbre (Loose Cannons Re-Flick)

Radio Edit for the shortened trip into your trousers of the past. Right?

Oaky Timbre (Radio Edit)

A quantum kaleidoscope of heady dance floor adventures honed and sculpted with the secret language of the universe. 



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