Ambient 2

Fast Fourier Transforms

electronic voyage

Terry Riley - démo

The piece is dedicated to John Michael Tresh.

Performed by Voce Chamber Choir (United Kingdom) and conducted by  Edward Watkins.  Recording by Linas Paulauskis

Nunc Dimittis

Live performance.
All artwork is from me (Intergalactic Classical.)

As I found structure to the piece, I could say that I had inspiration with each ad-lib key from all those dreamy scenes you would see from vintage grainy movies like that... In some of this song, I think of those lush atmospheric embroidered scenes that are glorious to get drawn into, at least in my own mind...~ This was performed on my ma's antique Piano that she received from hers.

Tree Crowns (Live)

Ecker & Meulyzer “Carbon” (SUB033)

Digital & CD: https://eckermeulyzer.bandcamp.com/album/carbon

Koenraad Ecker and Frederik Meulyzer make their Subtext debut with Carbon. 

Based on field recordings made at Norway’s Svalbard Global Seed Vault, a secure seed bank located on the island of Spitsbergen, Carbon grapples with the many contradictions that lie at the heart of our shift into the capitalocene. The project began in 2017, when Ecker and Meulyzer scored the performance “Frozen Songs,” a commission by Zero Visibility Dance Company led by Ina Christel Johannesen.

The Svalbard Global Seed Vault was conceived of as an effort to preserve copies of seeds from key crop varieties, ensuring their persistence in the event of large-scale crises. Yet the area is warming faster than anywhere else on earth, causing the permafrost to melt and putting the seed vault at risk. 

Across from the Seed Vault lie the decrepit remnants of Svalbard’s mining activities of the early 20th century; Carbon wrestles with the incongruities nestled in the town’s landscape. Reflecting on dissonances of stasis and change, closeness and distance, enclosure and expanse, as well as cynicism and hope, Ecker and Meulyzer consider the urgency of our situation while trying to sidestep all-too popular depictions of dystopia. In Ecker’s own words, “we don’t have the luxury to afford that kind of pessimism.” 

From close, supple sounds to cold, brutal sonics, Carbon meditates on the many challenging questions and contradictions raised by the Seed Vault and its surroundings—a landscape that embodies and makes visible the many intertwined phenomena that shape our current predicament.

Ecker and Meulyzer, formerly known as Stray Dogs, have released works such as Wasteland, recorded in deconsecrated church in Antwerp, and Kalkar, recorded in the cooling tower of a former power station in Germany. 

Koenraad Ecker works in the fields of electro-acoustic music, field recording, radio plays, stage performance and text. Together with Andrea Taeggi, he is part of the Opal Tapes-affiliated duo Lumisokea. His output encompasses studio albums, audiovisual installations, texts, performances, and sound design for film. 

Frederik Meulyzer is a percussionist active in projects including Belgian jazz band Hamster Axis of the One-Click Panther, contemporary music and theatre company Post uit Hessdalen, and experimental psych-krautrock band Slumberland.

The ecological impact of the production of this record will be compensated through a carbon offsetting program .

Bandcamp

Ecker & Meulyzer - Growth

'Vollemaankater' by Neugeborene Nachtmusik
Berlin 2019

Vollemaankater

from KR077 : die ANGEL - Utopien I . LP / DL out on april 24th 2020

Ilpo Väisänen : electronics & effects
Dirk Dresselhaus : electric guitar & effects
Oren Ambarchi : electric guitar & effects

die ANGEL -  Cargo Cult (feat. Oren Ambarchi)

Created in AUM using MiRack,Ripplemaker and Monono.

Fast Fourier Transforms I

The second of the Fast Fourier Transforms.  This features the iMini synth app from Arturia played through some Eventide effects.

Fast Fourier Transforms II

The third Fast Fourier Transforms piece. Recorded in AUM using the apps Fundamental and Mononoke and effects apps from Eventide and Bleass.

Fast Fourier Transforms III

Played in Bristol Cathedral (with earphones) usinf apps Ruismaker Noir and Ripplemaker and an app called Fundamental.

Fast Fourier Transforms IV

I started creating music on my old PC back in 2002 using DAWs such as Buzz, Fl Studio and Reason. As my artist name suggest I mostly compose tunes that have an ambient edge. My main passion is creating soundscapes, be they soft drifting drones/piano pieces/heavily synth driven, weirdly abstract and classical and orchestral pieces. I mainly compose using apps on my IPad but also make use of whatever instruments I have lying around such as my Pocket Operators, Modal Craftsynth, my favourite is an Early Learning Centre keyboard.

In the past my tracks have been played in BBC Radio Oxford and BBC 6 Music. Over the years I have collaborated with people from all over the world. Please message me if you would like to collaborate 😀

Fast Fourier Transforms I

TheOxfordAmbientCollective