Name: Liquid Times MixTape by OZMOTIC in p*dis sampler 2016.03
Duration: 4 min 35 s
Description: Liquid Times (2016 Folk Wisdom/SObject) by OZmotic feat. Christian, Fennesz, Frank Bretschneider, Senking

[p*dis] distribution sampler for March 2016

p*dis sampler 2016.03

Produced, Performed by Brad Ketchen. Drums by Tyler Drygas. Guitar by Calvin Hager. Cello by Katharine Shipley. Additional recording by Alphonse Lanza. 

In Support of Living

This original track was written with no intentions. It was simply about enjoying the music writing experience, and venturing out into different parts of the world to record whatever was around us. When it was finished we realised that this was exactly what the song was about; being present and seeing that there are no ordinary moments in life. To preview the making of here https://www.youtube.com/watch?v=QTlxBSD5rMc

#chillout #ambient #dub #relax #alexandyell #alex #peace #edm #industrial #experimental

download

Here

Silver Birch [for guitar]

ᒬᒦ◯ᓭᓰ◯⊶ᒣᒱᐲᗰᐿ  ⁶⁰⁷

Summer Maggots - Mokudamb

Theta - Out of Play

From the album EARS out April 1st on Western Vinyl

Order EARS
iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
March 	18 - London - Convergence Festival
March 	22 - Dublin - Button Factory w/ Battles
March 	24 - London - Electric Brixton w/ Battles
March 	25 - Paris - La Cigale w/ Battles
March 	26 - Reims - La Cartonnerie w/ Battles
March 	27 - Brussels - BRDCST Festival
March 	29 - Milan - Magazzini Generali w/ Battles
March 	30 - Rome - Spring Attitude Festival w/ Battles
March 	31 - Roncade - New Age Roncade w/ Battles
April 	01 - The Hague - Rewire Festival
April 	05 - Lausanne - Les Docks w/ Battles
April 	06 - Zurich - Rote Fabrik w/ Battles
April 	07 - Berlin - Kantine am Berghain
April 	12 - Belgrade - Resonate Festival
April 	13 - Berlin - Ableton User Group Meeting
April 	15 - Linz - Stadtwerkstatt / Kirchengasse 7
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Arthropoda"

Liquid Times (2016 Folk Wisdom/SObject) by OZmotic feat. Christian, Fennesz, Frank Bretschneider, Senking  


Liquid Times MixTape

From the album EARS released April 1st 2016 on Western Vinyl

iTunes: http://hyperurl.co/gz5pqt
Bandcamp: http://hyperurl.co/vo3n6n
Amazon: http://hyperurl.co/qypau1
WV: http://westernvinyl.com/shop/wv145

Artist Page http://westernvinyl.com/artists/kaitlyn-aurelia-smith
Website http://kaitlynaureliasmith.com/
Facebook https://www.facebook.com/kaitlynaurelia/
Twitter https://twitter.com/kaitlynaurelia
Instagram https://www.instagram.com/kaitlynaurelia/

TOUR DATES
April 	28 - Fayetteville, AR - George’s Majestic Lounge w/ Animal Collective
April 	29 - Austin, TX - Levitation
May 	01 - Tulsa, OK - Cains Ballroom w/ Animal Collective
May 	03 - St. Louis, MO - Pageant - St Louis, MO w/ Animal Collective
May 	04 - Royal Oak, MI - Royal Oak Music Theatre w/ Animal Collective
May 	06 - Nashville, TN - Marathon Music Works w/ Animal Collective
May 	07 - Atlanta, GA - Buckhead Theatre w/ Animal Collective
May 	08 - Asheville, NC - Orange Peel w/ Animal Collective
May 	10 - Washington, DC - 9:30 Club w/ Animal Collective
May 	13 - Wilmington, DE - World Café Live at The Queen w/ Animal Collective
May 	14 - Sayreville, NJ - Starland Ballroom - w/ Animal Collective

Listeners familiar with Kaitlyn Aurelia Smith's previous album Euclid (an album that prompted Dazed to call her "…one of the most pioneering musicians in the world.") will no doubt notice her heavier use of vocals on her new album EARS.  On all but one song, her gently ecstatic swells of vocals emerge to soar over a dense jungle of synths and woodwinds.

After initially composing on a Buchla analog synth, she wrote arrangements for a woodwind quintet, added vocals, and further refined the pieces with granular synthesis techniques she developed in her sound design work (she contributed sound design to Panda Bear's "Boys Latin" video, and handled sound design and original compositions for Brasilia co-written by and starring Reggie Watts).   

Kinetic arpeggios of synths pulse, often buoying her graceful vocal mantras, while woodwinds breathe and flutter, emulating the wildlife Smith observed while growing up on the West Coast (she even studied recordings of slowed down bird calls prior to composing these pieces).   Though some of her gestures echo the musical tropes used by early minimalist composers, the world she creates on EARS is uniquely hypnotic and full of life, not unlike Miyzaki's film Nausicaä, which she cites as an inspiration.

Kaitlyn Aurelia Smith - "Existence In The Unfurling"

2007-2008 / hakobune (SRCD055)

the straight road *sense of place (u-cover records)
pastoral 463 *sense of place (u-cover records)
waiting offshore *sense of place (u-cover records)
the july skies followed us here *wandering toward what was unsaid (u-cover records)
and the sunlight transcends *wandering toward what was unsaid (u-cover records)
realization at dusk *wandering toward what was unsaid (u-cover records)
melting reminiscence *melting reminiscence (waterscape records)
yukidaruma *melting reminiscence (waterscape records)
fleeting reference *we left the window open sometimes (symbolic interaction)
nullity and rumination *we left the window open sometimes (symbolic interaction)
sothis *split with david tagg (install)

produce : Takahiro Yorifuji
mastering : Ken'ichi Itoi
photo : Fábio Petry
art direction : Ken'ichi Itoi

the july skies followed us here / hakobune

Taken from the album Transliaciya, released on Preserved Sound April 1, 2016. Check out the album at: https://preservedsound.bandcamp.com/album/transliaciya

Twenty-six – Ales Tsurko

BIPL Estratto

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



OZMOTIC is a duo of electronic and instrumental music, inspired by contemporary sounds coming from classical music and ambient; soundscapes and concrete sounds are mixed with glitch music, IDM and noise.

Deeply fascinated by the dynamics of contemporary society, by architecture, cities and vast uncontaminated spaces, OZmotic creates world sounds characterized by an intense tonal variety and a refined rhythmic research.

Interaction between electronic music and digital visual art in real time is an essential trait of the aesthetics of the project; the link between sound material and visual-spatial dimension that emerges allows the creation of expression forms both spectacular and experimental.

OZMOTIC collaborates with artists of international fame such as Christian Fennesz (AirEffect and Liquid Times), Murcof (U235) and Senking (Liquid Times).

Liquid Times MixTape

OZMOTIC

Recent comments

Accumbens

Chris Pellnat

categolina

Related tracks