From N2Effect WNCI '06 package
They are also running cuts from TM EVO

Recorded from stream

WHBQ-FM Memphis Q107-5 - Legal ID 04/28/2023 - N2Effect

The 'autobahn' series continues with two dark and driving techno tracks: the new A3 crossing A66, which was originally released on trench. 

https://music.apple.com/album/1756832745
https://beatport.com/release/a3/4648451
https://deezer.com/album/614934032
https://www.junodownload.com/products/6698248-02
https://open.spotify.com/album/1xjj6MdUYhBpVYbdEtxSO4
https://tidal.com/album/376852037
https://traxsource.com/title/2315847
https://youtube.com/playlist?list=OLAK5uy_m5Ucy-mHZcOao0Oup2DJ5R6bSFw0btyi8

A3: https://soundcloud.com/deeptechindustry/wsm-a3

A66 in Various - Tekno & Trance for Old School Ravers:
https://beatport.com/release/tekno-trance-for-old-school-ravers-vol-1/4310424
https://www.junodownload.com/products/6357274-02
https://open.spotify.com/album/5e0I5BpJairmV04KYIuBmS
https://traxsource.com/title/2119497

All rights reserved (c) http://amsq.de 2024

Jasons Friday 13th Midnight hour

Since TONE dropped his debut album last year ‘So I Can See You’ on Rhythm Section INTL to prominent acclaim, he has entasked his musical community to remix the album - namely members of the CURL collective. Formed in 2016 by Micachu, Coby Sey, and Brother May, they have performed together and released compilations from the likes of Lol K, Bianca Scout, Raisa K and others, who all feature on the remix album. As the version LP has taken fruition, Tone has played SXSW, Cafe OTO and 180 Strand, and simultaneously continuing his journey as a hard-working family man. 

TONE’s debut was filled with an ariose spoken singing style, post-punk tones and a back-to-basics production style courtesy of his 8-track tape machine - perfect elements for any remixer. With no specific brief, artists indulged in their specific visions. Trevor Jackson’s industrial dub aesthetic is brought to ‘Move Now’, his first remix since working for deftones’ ‘White Pony’ deluxe reissue in 2020. Stay Lo contributes a tribute to the early 10s ‘dreamstep’ with tik-tok friendly ‘In & Out’ remix and meditative chug from ‘So I Can See You Pt. 2’ by Coby Sey and Tone himself. 

The ‘So I Can See You’ LP represented cause and effect between his relationship with his own creativity and the emergence of his daughter, from pregnancy and beyond, and thus the remix LP explores the wider sonic variety of Tone and his musical compatriots.

Buy/Stream

TONE - So I Can See You Pt 2. Ft Coby Sey [snippet]

Taken from OZON38 Frankie Bones - Unreleased Joints Vol. 5  (2023)

Facebook:
www.facebook.com/ozonerecordings/

Bandcamp:
ozonerecordings1.bandcamp.com/

YouTube:
www.youtube.com/channel/UC5Cke8fscYT_pJfWMuJTsDg

Merchandise:
www.customslipmats.co.uk/?s=Ozone+Recordings

Instagram:
www.instagram.com/ozonerecordings89/

Unreleased Joints Vol. 5

Just A Rush

OZON038 Frankie Bones - Just A Rush

Taken from OZON38 Frankie Bones - Unreleased Joints Vol. 5 (2023)

Facebook:
www.facebook.com/ozonerecordings/

Bandcamp:
ozonerecordings1.bandcamp.com/

YouTube:
www.youtube.com/channel/UC5Cke8fscYT_pJfWMuJTsDg

Merchandise:
www.customslipmats.co.uk/?s=Ozone+Recordings

Instagram:
www.instagram.com/ozonerecordings89/

Bassed On Future

OZON038 Frankie Bones - Bassed On Future

#day #bitch #break #loose #piano #melodic #edm #tech #bass #vocal #electronic #2024 #underground 

The Day The Bitch Break Loose

Boing

With “Right-Wing Friends EP”, Frank Snack delivers a four-track exploration into the darker, more hypnotic corners of the techno spectrum. 

Out now on Autektone Dark, the release blends raw drive, deep textures, and an unmistakable underground character that feels tailor-made for intimate warehouse floors and late-night festival stages.

“Right-Wing Friends EP” is a subtle yet powerful statement from Frank Snack. It’s not about massive drops or festival fireworks—it’s about deep immersion, hypnotic tension, and grooves that work their way into your head long after the night ends.

Pure Autektone Dark DNA.
For the real late-night believers

#onlybombs

Artist: Frank Snack
Title: Rave A Carmignan
Version: Original Mix
Release Date: 05/09/2025

For infos & Licensing contact:
info@autektone.com

Follow The Label:

http://www.autektone.com/store       (Buy the original #Onlybombs Merchandising)
https://www.facebook.com/Autektone
https://www.instagram.com/autektone/
https://twitter.com/autektone
https://soundcloud.com/autektone
https://linktr.ee/autektone

Right-Wing Friends Ep

Rave A Carmignan (Original Mix)

ATKD180 - Frank Snack "Rave A Carmignan"(Preview)(Autektone Dark)(Out 05/09/25)

[unreleased] - non official rework from John Tejada - "Paranoia"

Paranoia [Rodrigo Vilas Rework]

HJ002-VA – “Friction”

The second release on Hypnotic Journeys brings together emerging Georgian producers and celebrated names from the global techno scene, weaving a story of tension, resistance, and transcendence.

Batumi-based newcomer Grenuy opens the compilation with a debut ambient piece that feels both intimate and expansive, a slow-burning meditation on space and emotion. His work is reimagined by Van Morph, a revered producer and founder of Khoros Records, who drives the track into deeper territory with an old-school, hypnotic groove.

NFNM (formerly Kapa), a young yet distinctive voice in the Tbilisi underground, delivers a piece of textural techno rich with movement and raw emotion. The journey concludes with a powerful remix by Tsott, founder of the forward-thinking Spira Records, whose deep and cerebral approach brings the compilation full circle.

“Friction” is a testament to Hypnotic Journeys’ ethos: uniting generations, sounds, and visions through hypnotic techno as a futurist statement.

Mastered by Van Morph, Verbindung (Tsotne Tabatadze)
Artwork by Ozeki Gagamaru (Gegi Azarashvili))

Distributed by Triple Vision

FRICTION VA

NFNM - Friction Love (Tsott Remix)

Ozone Recordings was created in 1989 & stood alongside Warp Records in the development of the Sheffield bleep/techno sound.

OZON038 Frankie Bones - Bassed On Future

Ozone Recordings

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