*Fantastic* use of silence and aggression together.

Post Existence

« Ces mers qui se succédaient et devant lesquelles, autre nymphe, elle se détachait. »

On recopie cette phrase dans son carnet de bord, au-dessus d’un démon vert qu’on a gribouillé hier. Pas grave si la cohérence entre la nymphe et le démon n’est pas évidente. Pas grave, quand bien même ça suffit pour t'agacer.

On dévore les peaux mortes
de tes lèvres qui desquament.

https://fhauna.bandcamp.com/album/orpailles

catalogue : muzakorderEP0016

recording(s) : fhauna

mastering : Jean-Patrice Rémillard 

buy_on_BC

dramanee

Erfahrung 7

Delicate cluster

In comparable

Photo: Glasgow, Scotland. 2025.

Bit of an opus this one but builds nicely...

As ever, listen all the way through = good karma... thank you.

Drums: NI Kontakt and Ableton loops.
Bass: Sandberg Elektra 4-string with flats through NI Guitar Rig.
Guitars: Fender Telecaster into NI GuitarRig and Archetype Morgan Amps.
Keys: various VST from NI and Arturia.
Mastering: Ozone 11 Standard.
DAW: Ableton 12

Bandcamp

In That Quiet Moment

Culture Clash

Bay of Blood

A simple, slow melody, reduced one note at a time as it recycled. In the background is an ambient wash courtesy of my (B)Arp 2500 clone, which never ceases to confound and surprise me. The effects are minimal -- some real, analog,  spring reverb and  the "gong" amp via Hainbach's plug ins, only on the ambient drone in the background. The piano is the "Black Forest" plug in from Arturia. I played with the panning, which sped up as the notes from the piano were extracted. 

disquiet0728

a melody vanishes over time, then rhythm follows suit.

More on the 728th weekly Disquiet Junto project, Note Down — The Assignment: Delete a note at a time — at https://disquiet.com/0728/.

disquiet0728 how to disappear.wav

lp

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Equinox Deschanel (Joe McMahon)

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