It wasn't intentional but all the movies featured on Broken DVD Player so far have to deal with the relationship to womanhood and the construction of femininity, so it was only a matter of time before Marie-Antoinette would come into play 🎀

Angel @lapinocretino takes over the show this month with a tribute to Marie-Antoinette (2006) & The Rose of Versailles (1972), celebrating the current Sofia Coppola renaissance

LAPINOCRETINO - Marie-Antoinette 🍰🎀 [Broken DVD Player]

live set, TiempoReal en Casa Palacio 
07.11.2023 

dos círculos

𝙩𝙬𝙤 𝙬𝙖𝙩𝙚𝙧 𝙘𝙞𝙧𝙘𝙡𝙚𝙨 𝙖𝙣𝙙 𝙖 𝙨𝙖𝙡𝙩 𝙨𝙩𝙖𝙧 (Hybrid Live Set) TiempoReal 7.11.23

@vinessett 🌀🌀🌀
originally aired on @lyl_radio 13/01/24
artwork by @vinessett

VINESSETT (MiX 001)

, · ' ' , iels vécurent en feu

@jim_krutor

FR :
, ' ' · , sur les cendres est une compilation de 13 pistes qui explorent le thème de la reprise de rythme après l'euphorie de la reconstruction post-collapse (littérale ou métaphorique). Elle explore les nouveaux rituels, le quotidien et les façons de célébrer et pourrait être la bande-son de ce qui nait sur les cendres, embrassant les nouvelles expressions de joie et les rythmes de la résilience.

Troisième volet d'une trilogie de compiles sorties sur Olga Productions, après "DÉLITEMENT" et "Ruines", ", ' ' · , sur les cendres" clot le cycle et l'arc narratif des trois volets, qui reflète l'évolution de la décadence au renouveau, de la désolation à la redécouverte.

EN :
, ' ' · , sur les cendres is a 13-tracks compilation exploring the theme of life reclaiming its rhythm after the euphoria of reconstruction post-collapse (Literally or figuratively). We wanted to work around the new rituals, journeys, and ways of celebration—the soundtrack to emerging from the ashes and discovering fresh avenues for revelry and exploration, embracing the novel expressions of joy, the rhythms of resilience.

This release marks the end of a trilogy on Olga Productions, following "DÉLITEMENT" and "Ruines."
As the final installment in this cycle, ", ' ' · , sur les Cendres" completes the narrative arc, offering a musical journey that reflects the evolution from decay to renewal, from desolation to rediscovery.

Artwork : Amalia Jaulin
Mastering : Maxime Maurel (Studio Noir)
Production : Alice la Terreur, Alexandre Peron, Julien Faussillon

Jim Krutor - Apus apus

Written, Mixed & Performed: https://soundcloud.com/widityana-ayu-fardhila?ref=clipboard&p=i&c=1&si=C4EDAE81BDCB4022BFB1735341CBBC75&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Master: https://soundcloud.com/robodtz
Via: https://soundcloud.com/earflux-records
Artwork: Jacob Olynd / https://www.instagram.com/jacobolynd/

CULT PRIEST

Purchase

Cult Priest - Exile  [Premiere]

@6ideo - Professional Existing
[Dycentra-004]

Written and Produced by Gideo
Mix and Master by Diego Escriche
Artwork by Tristán Alcover

© 2024 Dycentra Records

Gideo - Value (ft. Loyalty XIX)

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.

Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all.

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann
Mastering by Rashad Becker

Pollution Opera

Pollution Opera - Bite

The most overtly techno-infused track on Airsongs, Dune Swirl hits with a driving 160 bpm beat right just as you start to get comfortable — firm, grounded, almost reassuring. But around it, chaos gathers. Scratchy, abrasive wind textures crash in from the edges, drawn from the same sonic world as Whirlwind but twisted into something darker. Themes resurface — stabs, swells — but this time they feel frayed and unstable.

At 6 minutes and 39 seconds, it’s a tightly coiled storm. Moments of clarity arrive when the chaos drops out and the beat stands alone, offering a false sense of safety. Then the winds return, jagged and unpredictable. The breath at the end — the hallmark of these Airsongs — is there, but it doesn’t get to finish. It cuts off, abruptly, like a gust caught mid-sigh.

Airsongs

Airsongs: Dune Swirl

I am always glad that you stop by and take the time to come.
Thank you as always.
A circle of peace.
Waves crashing on the shore. An unchanging loop.
When they are calm, they give a sense of security, and when they crash powerfully, they give courage!
Is the sea breeze whispering something? A repeating loop of peace!
As if inviting us, the waves scrape away the sand under our feet along with our memories of the past, urging us to focus on the present!

Loop of Peace

пустота_v2

VIDEOCLIP BY NIL FERNÀNDEZ PREMIERED ON @aqnb: https://youtu.be/wFvye8UzYEk

Bass guitar - Concrete Fantasies (@concretefantasies)
Additional violin and processing - Candlelight (@candlelight1)
Additional violin - Alma Seroussi

Art by Nil Fernàndez (IG: @nilfernandez)

Pre-order digital album / merch on Bandcamp: https://oottrroo.bandcamp.com/album/portuaria

'Portuaria' out 22/02/2021

Portuaria

Suburbia (Entering) ft. Candlelight, Concrete Fantasies & Alma Seroussi

*☆*★*☆* dreaming★*☆*★*☆*★

𝙩𝙬𝙤 𝙬𝙖𝙩𝙚𝙧 𝙘𝙞𝙧𝙘𝙡𝙚𝙨 𝙖𝙣𝙙 𝙖 𝙨𝙖𝙡𝙩 𝙨𝙩𝙖𝙧 (Hybrid Live Set) TiempoReal 7.11.23

⛧p0brediabla

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