Really beautiful work, very evocative and cinematic.

Détente, ça c'est une instrumentale qui s écoute sans voix 🥰

The winter comes through, fantastic creation!

A stunning mix. Haunting vibes of a white wonderland come to mind. This is special!

Nice introduction, thanks again. means allot.

Ladat’s Support Jan’25 vol.2

Mixed and mastered by A7 Recording Studio (@a7-recording-studio) 
Produced by Blaž Pavšič

Taking the risk to repeat myself, I am always amazed about the roots and triggers of inspiration in general and in music for me. Sometimes, it’s obvious, sometimes, it’s a mix of a thousands things. In any case, it’s not always easy to identify, but usually funny to recognize! For this song, here are some hints...

Of course, as you can guess from its name, first is the city of Montreux itself… beautifully nestled between steep Alps hills and peaceful lakeside of Lac Leman: local, exotic, relaxing and creative all together.

Then, still talking about this town, less about its landscape and more about its world famous July's Montreux Jazz Festival, it leads to the second inspiration: Deep Purple' Smoke on the Water. Yes, sure, you know the story. If not, you should!

Also, the style of this track has been greatly shaped upon the influence of fabulous @AcuteInflections: yes, I like that "velvety mix of Erykah Badu & Billie Holiday paired with the cool grooves of her 007 on bass" of those 2 New Yorkers!

And finally, regarding 18:20? I'm sure you will figure it out by yourself...

But, still, the path from the initial idea to the song you can hear now was long. The few basic tones crystallized from a small game I do play to warm up my fingers on the guitar, moving it from warming-guitar-tone-exercise to piano/contrabass based track was pretty fun, but it wasn’t enough. Something was missing and there I got help from Blaž Pavšič, who produced the final version of the track, supplementing it with awesome percussion.

Hope you will find the outcome of this collaboration as nice as I do. You better do, as I can promise it's won’t be the only one ;-)

▶MORE◀
Web: www.ladatinthebox.com/
Spotify: open.spotify.com/artist/2nX96XjXTUZvCoNWTNNun3
SoundCloud: @Ladat
Apple Music: music.apple.com/ch/artist/ladat/1465006973
Amazon Music: music.amazon.com/artists/B07S5HGR98
Deezer: www.deezer.com/artist/66111552
BandZone.cz: bandzone.cz/ladat
YouTube: www.youtube.com/Ladat77
FB: www.facebook.com/77Ladat

▶ARTWORK◀
MaKo: instagram.com/marketka1975

Montreux 18:20

I Want You feat FE4RLE$$ (prod by IOF)

bRAgadino "appearance by" DivineBeingBeingDivine-Scorpzilla

Angels in the airwaves F ft Braydon 10622 208
Angels in the airwaves G ft Braydon 220am 106
Angels in the airwaves G3 227am 10622
Angels in the airwaves adlibs B lowered Star
Angels in the airwaves adlibs C 10722 630pm

Angels In The Airwaves ft. Braydon [prod slashedgrim]

Hollywood Hills (Prod:mixedbythor)

Not all things fade by nature. Some are made to disappear.

Evanescent Frequency mirrors a world where decay is no longer organic but imposed, where lifespans—of objects, ideas, and even sound—are carefully engineered to be short-lived. In nature, resonance lingers, and silence comes gradually. But in an age of programmed obsolescence, disappearance is manufactured, ensuring that what was once essential is discarded before its time.

The music unfolds in this same manufactured cycle. It begins with fragments—small pulses of energy, scattered textures that gradually coalesce, gaining complexity and momentum. Harmonies expand, orchestration thickens, and layers accumulate, reflecting the illusion of permanence and progress.

At its peak, the structure begins to dissolve. But this is not destruction—it is an unraveling, an enforced stillness that overtakes what was once vibrant. The density of sound fades into weightlessness, harmonies drift apart, and resonance becomes ghostly, as if the music itself is slipping away into the unreachable. The frequencies do not end abruptly but instead dissolve into an ethereal quiet, mirroring the way things vanish from use yet never fully disappear.

Evanescent Frequency is a meditation on impermanence, on the forces that decide what is allowed to endure and what is designed to be forgotten. It asks us to listen—to what fades, to what remains, and to the silence left behind.

Evanescent Frequency for Orchestra (BBC Symphony Orchestra Virtual Library_Pre-Release)

Polvojack
Additional Artists
Composer - Guillaume Doyon
Lyricist - Guillaume Doyon
Record Label
Polvojack
Release Date
Jan. 06, 2025
Primary Genre
World
Secondary Genre
World
Primary Subgenre
Celtic
Secondary Subgenre
Drumming
Mood/Style
Mood: Seasonal
Album Language
English
Artist Location
Canada

Frost Peak

Storm Whispers

Life in constant motion
Not a chance to unwind
We Bury all emotion
Stay focused and aligned
This Life it moves so fast
And It’s a relentless race
But I can’t forget the magic
Of that old familiar place

They say you should never look back
But I can’t forget the good times

Holding on to moments 
Like precious grains of sand
Life in the hourglass
Is slipping through our hands
Faces disappearing 
into the flow of time
Never understanding that 
We were living in our prime

They say you should never look back
But I can’t forget the good times

I remember good good good good times
I remember good times 
Feels so long ago

And as the years press on
And the grievances grow
So much resentment from
A thousand years ago
All that has been forgotten 
And all you bet remains
Are the precious memories
Of my most cherished days

I remember good good good good times
I remember good times 

Remember the good times
It’s what makes life worth while
These times will make you smile
And keep your heart alive

Remember Good Times

Blind (Frank Zozky Cover)

Wake Me Up in April!

Cri du coeur d'habitants du nord de la France ...automne-hiver 24-25
Cry from the heart from the people of the north of France...autumn-winter 24-25

TRANSLATION (attempt)
Wake Me Up in April

Outside, it's too dirty, too grim
Sidewalks, men’s suits, fog and clouds
layers of gray all around
I'd rather stay hidden in here

Wake me up in April, but until then
Until then, give me a break
A break at home
Let me smooth out all my bumps
And regain  my strength
Dry out all my sorrow
Take back my human form 

I feel better under the quilt
Than on the pavement, the asphalt
I can smell scents of feathers
Forget the wind and the snowflakes

Wake me up in April, but until then
Until then, give me a break
A break at home
Let me smooth out all my bumps
And regain  my strength
Dry out all my sorrow
Take back my human form 

I’m just a little junk turtle 
When the sun tickles gently
The soft cotton of my sheets
I will slip out of my shell

Wake me up in April, but until then
Until then, give me a break
A break at home
Now I’ve smoothed all my bumps
And regained my strength
I shake out all my lace
I hear the bells ringing!

Réveillez-moi en avril (with translation)

There’s a place where the mountains sigh,
Where the rivers hum and the stars won’t die.
Dreams and memories blend as one,
Under skies that burn with an endless sun.

The wind carries songs of a life I’ve known,
Through fields I’ve sown and a love I’ve grown.
Every step I’ve taken, every path I’ve roamed,
Has led me here, to this place I call home.

A perfect world, where the wild runs free,
Built from the threads of my history.
No shadows fall, no storms arise,
Just endless skies where my heaven lies.

There’s a woman’s laugh in the summer air,
Her touch as light as the morning’s prayer.
Good horses graze where the meadows gleam,
And the peace I’ve found feels just like a dream.

A perfect world, where the wild runs free,
Built from the threads of my history.
No shadows fall, no storms arise,
Just endless skies where my heaven lies.

Time doesn’t matter; it drifts away,
Here, every sunrise feels like it stays.
Death had no fangs, it was soft and kind,
And it carried me here, where the stars align.

A perfect world, where the wild runs free,
Built from the threads of my history.
No shadows fall, no storms arise,
Just endless skies where my heaven lies.

If you wonder where I’ve gone to stay,
Follow the light at the break of day.
In the fields and skies where the wild runs high,
You’ll find me there, where my heaven lies.

Where My Heaven Lies

Just recorded this today, trying this out

Copyright 2025 Eliana Rachel
Recorded at Sylvafield Studios, Shaftesbury
Music/Instruments: Marcus Tettmar
Production: Marcus Tettmar & Ed Bersey
Engineering: Ed Bersey, Sylvafield Studios

Done With This Fight

Aeori (Epic Version)

The Last Sunset - Deep Emotional Trance and Heavenly Melodies
Feel the pulse of modern trance — progressive, melodic, and hypnotic. This collection blends underground energy with cinematic soundscapes, built for dreamers chasing the sunrise and believers moving to every beat. From deep buildups to euphoric highs, this is the sound of freedom on the dance floor.

For fans of: Andrew Rayel, Ruben de Ronde, MaRLo, and Giuseppe Ottaviani.

Morven Sky

👁️👁️👁️
You need to watch your nightmares for being able to watch your dreams. The synesthesia makes you unique.

Ladat, born Ladislav Tesar, is Litomerice (Czech republic) native, body and soul, who writes and composes his music in Chatel-St-Denis, Switzerland. Ladat is not a band in the true sense of the word, but rather a musical project that emerged in 2019 as an escape from reality, because things go better with music.

Ladat's musical odyssey defies conventional labels and freely blends elements of rock, folk, country, and jazz into a rich and genre-bending style that invites listeners to explore the diverse spectrum of influences that shape his emotional and diverse compositions.
As an experienced composer and lyricist, Ladat weaves stories that deeply resonate with audiences and offers a captivating and immersive musical experience, where each song is an expression of boundless passion, creativity, and an unapologetic celebration of musical diversity.

Since 2021, Ladat has been collaborating freely with the Slovenian A7 Recording Studio and musicians around guitarist and drummer Blaž Pavšič, such as Uroš Mohorič (guitar), Gregor Alič aka Hanson or Peter Beznec (bass), and singers Anton Premec, Kristina Jelić, Maja Štebih, Hana Pavšič or Oliver Neff aka Titanic Jack.

Frost Peak

Polvojack

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