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Here is a collection of some of my melodies based on the works of the Great Classics. Enjoy listening. I would be glad if you subscribe. Thank you. The link is below.👌👌👌🎹🎹🎹✔✔✔ https://onlypositive12.bandcamp.com/music

Johann Sebastian Bach Concerto for two violins in D minor, BWV 1043-1. Vivace

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Etude In C Sharp Minor, Opus 10 No.4 By Frederic Chopin - PIANO REMIX

More than any other composer, Beethoven's most popular works suffer the indignity of nicknames that he never approved. Some are mawkish and simplistic (the "Moonlight" and "Spring" Sonatas), while others seem at least moderately appropriate if superficial (the "Choral" Symphony has a chorus, the "Harp" Quartet has pizzicato passages). A few merely serve to perpetuate the name of their dedicatee (the "Waldstein" and "Kreutzer" Sonatas). 

In sending his final piano concerto to his publisher, Beethoven clearly admonished: "The Concerto will be dedicated to the Archduke Rudolph and has nothing in the title but Grand Concerto dedicated to Hs. Imp. Highness the Archduke Rudolph." And yet, at least in English-speaking countries, we call it the "Emperor," a label ascribed to Johann Baptist Cramer, a London-based pianist, composer and publisher who befriended and influenced Beethoven, and who presumably attached the title for marketing purposes. (A tale is that at the Vienna premiere a French soldier cried out "C'est l'empereur!" – so much for concert decorum! 

Yet a tribute to Napoleon seems dubious, given that Beethoven had renunciated Bonaparte, having gone so far as to have angrily revoked his initial dedication of the "Eroica" Symphony.) Even so, some commentators find the "Emperor" tag highly appropriate. Thus Chris Nelson asserts that the music is unquestionably imperious, regal and grandiose; "with its warlike rhythms, victory motifs, thrusting melodies and affirmative character" Alfred Einstein credited it as "the apotheosis of the military concept" in Beethoven's music; and for Irving Kolodin it "conjures up imperious force, regal power, lordly disdain for small ways of thought or easy solutions of technical difficulties.

Piano Concerto No. 5 In E-flat Major, Op. 73 Emperor II. Adagio un Poco Mosso Beethoven-Organ remix

Alessandro Marcello Oboe Concerto in D Major, SF.935, S.Z799 (later transcribed by J. S. Bach, BWV974)
TRUMPET and PIANO-REMIX
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Alessandro Marcello Oboe Concerto in D Major(J. S. Bach, BWV974) TRUMPET and PIANO-REMIX

Johann Sebastian Bach Invention in A minor, BWV 784-ORGAN REMIX

Mozart Serenade in G, K.525-Eine Kleine Nachtmusik-IV-Rondo-PIANO REMIX
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Mozart Serenade in G, K.525-Eine Kleine Nachtmusik-IV-Rondo-PIANO REMIX

Johann Sebastian Bach-Prelude and Fugue in E-flat major, BWV 552
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Johann Sebastian Bach-Prelude and Fugue in E-flat major, BWV 552

Wolfgang Amadeus Mozart classic in modern processing

Bach - Prelude - 2 Notebook for Anna Magdalena Bach-Classic in modern processing

Bach - Prelude - 2 Notebook for Anna Magdalena Bach

Wolfgang Amadeus Mozart - Concierto Para Piano N 21 En C Elvira Madigan K467 2Andante

Ludwig van Beethoven - Piano Sonata No.14, Op.27 No.2 Moonlight (1802)
I.Adagio sostenuto.Moonlight Sonata.Classic in modern processing.Organ.Remix.

History of creation

If there are difficulties regarding another most popular work of Beethoven's bagatelle "Fur Elise", when trying to find out who exactly it was dedicated to, then everything is extremely simple. Piano Sonata No14 in C-sharp minor, written in 1800-1801, was dedicated to Giulietta Guicciardi. The maestro was in love with her and dreamed of marriage.
It is worth noting that during this period the composer began to increasingly feel hearing impairment, but was still popular in Vienna and continued to give lessons in aristocratic circles. For the first time about this girl, his student, “who loves me and is loved by me,” he wrote in November 1801 to Franz Wegeler. The 17-year-old Countess Juliette Guicciardi and Beethoven met at the end of 1800. Beethoven taught her the art of music, and did not even take money for it. In gratitude, the girl embroidered shirts for him. It seemed that happiness awaits them, because their feelings are mutual. However, Beethoven's plans were not destined to come true: the young countess preferred to him a more noble person, the composer Wenzel Gallenberg.

Ludwig van Beethoven -Moonlight Sonata No.14, Op.27 No.2  I.Adagio sostenuto.Organ.Remix.

F.Chopin  Etude in C Minor, Op. 10 No. 12 Revolutionary Allegro con fuoco
classic in modern processing

F.Chopin  Etude In C Minor, Op. 10 No. 12 Revolutionary Allegro Con Fuoco

J.S. Bach-BWV 846 from the Well-Tempered Clavier--SYNT REMIX
classic in modern processing

J.S. Bach - BWV 846 From The Well - Tempered Clavier - -SYNT REMIX

Lord, I'm calling to You! Bach's prelude, performed in the film "Solaris"
The same chorale prelude, which is especially famous for Tarkovsky's film "Solaris". It sounds especially strong when you read the translation of the prayer that Johann Sebastian Bach put as the basis of his musical composition: 

I cry to You, Lord Jesus Christ! Please hear my pleas.  

Grant me Your grace. 

Don't let me lose heart /having lost/ of true faith, Lord, I pray. 

Grant me, O Lord, true faith. 

That I may live for You, help my neighbor, and carry Your word.

Chorale prelude in F minor BWV 639 for organ on the theme of the chorale “Ich ruf’ zu dir, Herr Jesu Christ” - from the "Organ Book". In it, the melody of the chorale is placed in the upper voice. The lower voice represents exactly running quarters (step rhythm). The middle voice is melodic figuration, in which the intonations of the "sigh" are distinguished - descending small seconds and descending thirds. This middle voice expresses the mood of the chorale text - begging. The main mood of the prelude is prayerful and sublime. The unhurried pace and harmony of the prelude serve to create a special atmosphere, as if a portal for communication with God.

This work, edited by Eduard Artemyev, sounds in the film "Solaris" by Andrei Tarkovsky...

Господи, к Тебе взываю! Прелюдия Баха, прозвучавшая в фильме "Солярис"
Та самая хоральная прелюдия, какая особенно известна по фильму Тарковского "Солярис". Особенно сильно звучит, когда читаешь перевод той молитвы, какую Иоганн Себастьян Бах положил в основу своего музыкального произведения: 

К Тебе взываю, Господи Иисусе Христе! Прошу, услышь мои мольбы.  

Даруй мне благодать Твою. 

Не дай мне пасть духом /лишившись/ веры истинной, Господи, молю. 

Даруй мне, Господи, веру истинную. 

Чтобы я жил для Тебя, помогал ближнему и нёс слово Твоё.

Хоральная прелюдия фа минор BWV 639 для органа на тему хорала “Ich ruf’ zu dir, Herr Jesu Christ” - из "Органной книжечки". В ней мелодия хорала помещена в верхний голос. Нижний голос представляет собой ровно идущие четверти (ритм шага). Средний голос - это мелодические фигурации, в которых выделяются интонации "вздоха" - нисходящие малые секунды и нисходящие терции. Этот средний голос выражает настроение текста хорала - просящее. Основное настроение прелюдии - молитвенное и возвышенное. Неторопливый темп и гармония прелюдии служат созданию особой атмосферы, как бы портала для общения с Богом.

Это произведение в обработке Эдуарда Артемьева звучит в фильме «Солярис» Андрея Тарковского...

J.S.Bach - BWV 639 Choral Prelude - Bells

Wolfgang Amadeus Mozart - Symphony No.25 In G - , K.183 -classic in modern processing
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Wolfgang Amadeus Mozart - Symphony No.25 In G - , K.183 -classic in modern processing

Frédéric François Chopin-Nocturne B-flat minor, Op. 9, No.1-classic in modern processing
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Frédéric François Chopin-Nocturne B-flat minor, Op. 9, No.1-classic in modern processing

Frédéric François Chopin-Nocturne Op.9 - No.2-classic in modern processing
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Frédéric François Chopin-Nocturne Op.9 - No.2-classic in modern processing

Johann Sebastian Bach-Invention No. 13 In A Minor BWV 784 -Accordion -REMIX
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Johann Sebastian Bach-Invention No. 13 In A Minor BWV 784 -Accordion -REMIX

Fryderyk Franciszek Chopin- Grande Valse Brillante Op.18 E Piano Remix
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Fryderyk Franciszek Chopin- Grande Valse Brillante Op.18 E Piano Remix

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Johann Sebastian Bach Cello Suite No.1 In G, BWV1007 - 1.Prelude -HARP REMIX

Wolfgang Amadeus Mozart Symphony No. 40 in G minor, K. 550-REMIX №1

Johann Sebastian Bach Little Fugue G Minor BWV 578 REMIX-Accordion EXPERIMENTAL
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Johann Sebastian Bach Little Fugue G Minor BWV 578 REMIX-Accordion EXPERIMENTAL

Johann Sebastian Bach-Invention No. 13 In A Minor BWV 784-REMIX-Nylon Guitars

Chopin Waltz In A Minor, B.150

Schubert - Schwanengesang, 957 Standhen (Serenade)-REMIX ACCORDION

Schubert - Schwanengesang, 957 Standhen (Serenade) -REMIX GUITAR

Classic,classic in modern processing-remix.
Synthesiser,electric piano,flute,organ and more.
Classics were given to us by God so that we could go through our life path more easily. It calms us when we are in despair and sadness, inspires us in moments of joy, gives us a divine state of mind that cannot be described in words.

BAHRUZ CAFAROV

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