09 More Than You Know

09 Blues For Esther

08 Say You Love Me Do

07 You And Me Baby

06 Passion And Grace

05 You Don't Know Me

04 Lonely Too Long

03 Let's Get It Together

02 Here And Now

01 All Tore Up

Let's Get It Together

Music by Paca Thomas and Robin LeMesurier
Lyrics by Paca Thomas

Julie's Wearing Blue

Music by Robin LeMesurier and Kevin Savigar
Lyrics by Paca Thomas


Tired

The score for the National Geographic Kids Book Trailer, "That's Creepy"

That's Creepy!

The score for the Vidlit, "The Arithmetic Of Nurses", a poem by Vanetta Masson

The Arithmetic Of Nurses

Score written for Crash! Crash! Crash!,  a What Was I Thinking VidLIt featuring Teri Garr.

Crash! Crash! Crash!

SkeeVeeGroov

Everyday Hero

Excerpt from America Roots Radio with Bernie Taupin Show #087 originally aired March 8, 2014. 
Taupin discussing the omission to date of Willie Dixon's admission into the Songwriters Hall Of Fame. 

ARR087 41  American Roots Radio - Your Host Bernie Taupin Edit

This composition is a Single Pass Recording of Rebekah, a large-scale Modular Synth owned by Paca Thomas and built by Roger Arrick and Crew at Synthesizers.Com. Eight Rebekah tracks were performed and recorded simultaneously along with four tracks of Drums produced by a Vermona DRM1 Mk4. There were no overdubs.
The composition is part sequenced (3 voices), part random melody production from 3 Sample and Hold modules whose pitch was then quantized to a minor scale. There is an undulating drone track and a MIDI arpeggiation track at the end of the piece.
Twenty-five Oscillators were utilized for Sound Production (20), Modulation (4) and Sequence Ratcheting (1). Three Sample and Hold Modules, Eight Filters, 3 Step Sequencers, a Ring Modulator and many other modules.

Rebekah Maiden Flight

This is a 60 minute composition created by Paca Thomas on The Mighty Rebekah, the large-scale Moog-style modular synthesizer built by Roger Arrick and Crew at Synthesizers.Com. It is a single-pass two-track recording, with 8 simultaneous synth parts. The recording was made with ProTools utilizing Universal Audio's Apollo Interface which allowed the eight tracks to be printed through its Unison preamps designed to accurately emulate vintage preamps, guitar amps and effects input stages. In this case, 6 of the tracks were recorded directly through their own Korg SDD-3000 Delay plugin, two used the UA 610A tube preamp plugin. Each of the 8 channels was then sent through its own Studer 800 Tape Machine instance and their sends to the AKG BX20 Spring Reverb plugin.  Final Master was done using the Ampex ATR-102 Mastering Tape Machine plugin.
The six overlapping melodic lines are randomly generated and non-repeating, but never stray from a C major modality. There are no hard transients or large dynamic range shifts and there is no discernible tempo. The resulting effect is an endlessly evolving music landscape that should engender a sense of calm and relaxation; it was created as aid for meditation.

Sheri's Meditation Pt. 1

This is a two-pass recording. The first pass is a simultaneous 15-track recording with 9 synth tracks produced by The Mighty Rebekah, the large-scale Moog-style modular synthesizer built for Paca Thomas by Roger Arrick and Crew at Synthesizers.Com. There are also 5 tracks of drums produced by a Vermona DRM1 MK2 driven by an Arturia Beatstep Pro and a Roland TR606 Drumatix,  along with an additional track provided by the Make Noise 0-Coast synth. All the sounds are analog.
The second pass was the solo, performed by Andrew Kesler on The Mighty Rebekah.

Paca Thomas

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