Name: Pablie - Exploration by Pablie
Duration: 4 min 18 s
Description: "Exploration" is a track that i made back in 2009 and had been locked somewhere on my cpu for ages. Now as a free download, enjoy! :)

darkness___would be perfect soundtrack for Lynch movies

This needs to be longer. Like an album, preferably 🙏 Precious

Free download

Jesus Mi Amigo is taken from Arlet's debut album - 'Clearing', available on Smugglers Records - http://arlet.bandcamp.com/album/clearing

Check out more music from https://soundcloud.com/arlet.

Arlet - Jesus Mi Amigo (Theoish Remix)

When Things Fall Apart

"Exploration" is a track that i made back in 2009 and had been locked somewhere on my cpu for ages. Now as a free download, enjoy! :)

Pablie - Exploration

Watch Rival Consoles go Against The Clock: http://www.factmag.com/2016/09/08/rival-consoles-against-the-clock/

Rival Consoles - Against The Clock

PURCHASE EP NOW - http://itunes.apple.com/us/album/acquiescence-ep/id510232868

A companion piece to the upcoming full-length debut ‘Inner Hue’ from Anenon (aka Non Projects founder Brian Allen Simon), ‘Acquiescence’ is a moment in time, frozen. It’s a diary of acceptance, of surrendering into your surroundings and not looking back. It feels unhurried and relaxed, yet was recorded in just under a week in Madrid, Spain at the Red Bull Music Academy, in which Brian was a participant. Production and arrangement took place back home in Los Angeles also in just under a week’s time. Strong yet vulnerable, the music on ‘Acquiescence’ moves with an air of confidence, but also feels tender and exposed - a deer caught in the headlights. A product of both extreme personal highs and lows, the music of ‘Acquiescence’ finds a delicate balance, grand piano and tenor saxophone up front with very minimal processing throughout. The sound of ‘Acquiescence’ uncovers an artist fearless of the tradition, yet fully capable of molding old technologies with new in ways that feel unquestionably modern, always looking deep inside and always moving forward.  

“Clairvoyance” sets the scene with delicately seductive dissonances between slowly repetitive piano chords on top of a curtain of saxophone drones. Harmonic staccato reed slaps from the saxophone arrive and build, polyrhythms budding against each other, a perfect compliment to what comes next. Arguably the standout of the EP, the title track is a push-and-pull dialogue between ivories, breathy and melodic saxophone playing, a string quartet and drum programming. One of Brian’s most cinematic pieces yet, the tension between all elements is palpable - polyphonic lines of highly melodic and reverb soaked saxophone coalescing into each other on top of a bed of stark piano chords and contrapuntal strings, technical yet physically human drum programming pushing each line forward into the ether. “Rites” closes out the set with an affectionate and upfront piano refrain over sequenced 909 kicks and blankets of piano decay and ambience – layers of an artist’s dreams and desires seeping through the speakers throughout.

Acquiescence

Haku

Watch Jack Offord's stunning video for ThirtySix here: https://vimeo.com/40538454

From Jewellers' second album 'Lakeswimmer' http://jewellers.bandcamp.com/album/lakeswimmer

ThirtySix

Taken from New Hymn To Freedom:
http://szunwaves.bandcamp.com/album/new-hymn-to-freedom

Szun Waves - Temple

from 'Polybrass' [CD|2xLP|DIGITAL]
Denovali Records · den309
available on all formats at http://denovali.com/elektroguzzi

A trio of guitar, bass and drums, Elektro Guzzi overcome the boundary between analogue versus digital, performing techno live with the drive of a machine and the sonic detail of an instrument – without any computers or loopers.

For their upcoming album Polybrass, Elektro Guzzi have drastically expanded their sonic repertoire: both in the studio and on stage, they are joined by an ensemble of three trombonists, opening up a whole new realm of possibilities. With Hilary Jeffrey, Daniel Riegler and Martin Ptak, the band are joined by three brass heavyweights, each of them well renowned for both their solo ventures as well as projects such as The Kilimanjaro Darkjazz Ensemble, Sand and Zeitkratzer.

By treating the three trombones not simply as a set of extra instruments but rather as one coherent body of sound on its own, Elektro Guzzi dissociate the brass instruments from their conventional use and repurpose them into something completely different: a modular synthesizer, with each trombone representing one oscillator.

In doing so, Elektro Guzzi add new layers of depth to their music, emphasizing a more cinematic side of their music: like the soundtrack for a movie, Polybrass is bigger, darker, more dramatic, more intimate. Warm and fuzzy textures float weightlessly above fragile soundscapes and complex sonic fragments. At the same time, the band’s signature sound runs distinctly through the entire album: solid percussive grooves, stripped down to the absolute minimum it takes to make your body move. Hypnotic repetition, building tension and suspense up to a point where the energy of the music gets so intense you feel like you can physically touch it with your hands, interlaced with organic patterns of sound, constantly changing and evolving, pulsating and oscillating.

Polybrass will be released on Denovali Records on October 26th, 2018.

Polybrass

Elektro Guzzi - Black Chamber

'Fear Of Floating' is the second single from Australian-born, Liverpool-based composer, saxophonist and founder of Immix Ensemble, Daniel Thorne. The track, taken from Daniel's solo debut 'Lines of Sight', is a grand, transposing soundscape that places Daniel’s saxophone front-and-centre, allowing the abstract beauty of his meandering and contorting melody to breathe, amongst the chaotic backdrop of spiralling undulating effects. 'Fear Of Floating' perfectly encapsulates the atmosphere of the record; equal parts magnificent, unnerving, mind-bending and deeply satisfying.     
 
"Although the album wasn't written to follow a specific narrative, I felt it should have the feeling of a journey, leaving a place of chaos and noise and arriving somewhere both serene and unfamiliar. As the final track on the album, I wanted 'Fear of Floating' to be to be the opposite of the album’s beginning ('From Inside, Looking Out') by being much sparser, eschewing large dense textures and instead focusing on a single melodic 'voice' that gets bashed about by its surroundings, before finally washing up somewhere peaceful and alone." — Daniel Thorne
 
Praise for Lines Of Sight, out March 15th on Erased Tapes:
 
“Dizzying compositions that thrive on chaos and control.” Self-titled  

“Analogue and digital, improvisatory and programmed, tactile and gaseous, this ripples between worlds.” DJ Mag
 
Deeply moving, full of otherworldly beauty and rapture, the album is alive, throbbing like a circulatory system, colourful and glowing. It literally dazzles – effectively capturing what the birth (or death) of a planet might sound like.

Every strand is fresh, vital and purposeful. The description ‘seamless’ might suggest a smooth, bland fusion, but here elements overlap in intermittent, undulating layers of mesh. Avant-garde, noise, electronics, ecclesiastical, classical and a touch of jazz come together, each occupying their own space while acquiescing with the whole.

Pre-order 'Lines of Sight' on LP/CD/DL: https://idol.lnk.to/LinesOfSight

Lines of Sight

Fear Of Floating

Daniel Thorne - Fear Of Floating

From the new Kettel & Secede album "When Can", released on Sending Orbs November 26th 2012.

Buy you copy of When Can on CD or in MP3/FLAC formats in our webshop: http://www.sendingorbs.com/products-page/artists/kettel-secede-when-can/

Buy this album

Kettel & Secede - Fullmoon (When Can)

Pablie is a rare instrumental hip-hop producer from Barcelona. 

Pablie - Exploration

Pablie

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