Nacimiento del color - for classical guitar

Emiliano Salvatore (gt.)
Premiere in Berlin at Werkhalle Wiesenburg
Oct. 1st 2022

Nacimiento del color (2021)

Trio AntiquaNova - Distat Terra Festival 2022

Bass Flute: Rosario Castillo
Bass Clarinet: Griselda Giannini 
Contrabass: Edgardo Vizioli

waning (2022)

Tim Brady - excerpt - Violin Concerto #2 - Cadenza and Tutti - Andrew Wan, solo violin, Orchestre symphonique de Montréal, Jordan de Souza, conductor.  Feb.9, 2023.

Vln. Con.no.2-fix-cut-3-min! mix

Holobiont
for ensemble and electronics (stereo version)

Ensemble Collettivo_21
https://www.collettivo21.com/

Lorenzo di Marco – flute
Lorenzo Moretto – saxophone
Alberto Anhaus – percussions
Daniele Nava – piano
Alessandro Mazzacane – cello
Luca Guidarini – electronics


Recorded at Casa della Musica San Michele 
https://www.cdmsanmichele.com/

Holobiont

Performed by Oerknal live at Gaudeamus Muziekwiek 2023.

conductor: Hardy Li
flute: Susanne Peters
clarinet: Daniel Boeke
percussion: Christian Smith
organ: Ivan Pavlov
violin 1: Raphaella Engelsberg
violin 2: Ruth Mareen
viola: Lidwine Dam
cello: Anna Litvinenko

Constellations (2023)

Un Camino Olvidado (2023)

"Metalloid" de William Dougherty

Grabádo en vivo en Roseti, Buenos Aires, Arg.
Octubre 2023

Pablo Boltshauser, Andrés Vaccarelli, Manuel Moreno y Ariel Elijovich

Metalloid - William Dougherty

Libro de estudios n°1: Seis cuerdas
Compositor: Juan Pablo Simoniello
interpretes: Nuntempe Ensamble

Esta obra forma parte del disco "String Machine" editado por Nuntempe Ensamble en el año 2012.

Nuntempe Ensamble - Seis Cuerdas (Juan Pablo Simoniello)

Cuarteto de cuerdas. De Leonardis. (compuesto en 2018). Grabado en Juli Record en 2018. Cuarteto de cuerdas Arkhé.

Cuarteto Breve

Performed by the Bowling Green Philharmonia, Alexander Popovici, conductor. 

The Location of Lines was inspired by the results of the conceptual compositional techniques of painter Sol LeWitt (1928-2007). I was amazed at LeWitt's early conceptual experiments with all drawing that would become his legacy. In several of these pieces, LeWitt prescribed fragile and delicate pencil lines to create a grand, yet understated design that becomes integrated with the architecture of the space. In this way, I have attempted to expand out from a single monophonic line across the orchestra. This line is never stated singularly, but is self-reinforcing and unfolds into orchestra, creating a larger architecture. The soft, understated dynamics, the blurred articulations, and kaleidoscopic harmonic language that is developed by this melodic line is intended to parallel LeWitt's prescriptions in a sonic environment. A sonification of space, here relates to the scale of LeWitt's work; where in scale, visual art becomes a temporal experience itself. The title of this piece is derived by a 1975 series of etchings by LeWitt of the same name (imaged here). This piece was partially written while i was artist in residence at Arts Letter & Numbers, and the Kimmel Harding Nelson Center for the Arts.

The Location Of Lines

Reescritura a partir de un fragmento del Libro 22 (“Los Enigmas”) del tratado musical "El Melopeo y Maestro" de Pietro Cerone (1613
de Santiago Villalba
para cuarteto de guitarras eléctricas y sintetizador modular.

Grabado en vivo en septiembre de 2019 en el Teatro Margarita Xirgu.
Buenos Aires. Argentina.

Reescritura a partir de un fragmento del "El Melopeo y Maestro" (Santiago Villalba)

¡Hola! ¿Cómo estás? Gracias por pasar a escuchar.
Soy Pablo. Soy guitarrista, docente y productor musical. 
Hago música la mayor parte de mi tiempo. Toco con Nuntempe Ensamble, que es un cuarteto de guitarras. Toco con Basura, un dúo audiovisual con Valentín Pelisch. Y toco solo guitarra clásica y guitarra eléctrica, a veces repertorio tradicional y la mayor parte del tiempo música nueva, 
También organizo unos conciertos que se llaman Mínimo un lunes junto a Ina y Valentín.
Voy ir compartiendo grabaciones de cosas que voy haciendo en mi estudio.
¡Que disfruten!
Saludos.

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Hello! How are you? Thanks for stopping by to listen.
I'm Pablo. I dedicate myself to playing the guitar and teaching. I make music most of my time. I play with the Nuntempe Ensemble, which is a guitar quartet. I play with Basura, an audiovisual duo with Valentín Pelisch. I play classical guitar and electric guitar, sometimes traditional repertoire and most of the time new music,
I organize some concerts called Mínimo Un Lunes together with Ina and Valentín.
I'm going to share recordings of things I'm doing alone in my Warnes studio.
Enjoy!
Greetings.

Nuntempe Ensamble - Seis Cuerdas (Juan Pablo Simoniello)

Pablo Boltshauser

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