Lo vuelvo a escuchar porque aparece en la play mientras leo. Este embrujo me sacó de las manos del otro

Un trabajo jugando con Stravinsky.

Interpreta:
Aliance
Ensamble de cámara

Giselle Tobares, piano
Nerina Álvarez, violín
Leandro Frana, clarinete en Bb

http://allianceensambledeca.wix.com/alliance

7 8 9 - Juego (2013)

Orquesta Sinfónica de la UNC.
Director: Juan Carlos Tolosa.
Guitarra solista: Mauricio Hernandez

la importancia de la maleza en el jardín

Movement 12th of the cantata "La Espera", for SATB soloists and instrumental ensemble. Performed by the AguaVa new music group. The text in this movement is from the poem 'Tankas' by Jorge Luis Borges.

La Espera: IX. Bajo la luna

Movement 4th of the cantata "La Espera" for SATB soloists including Countertenor and instrumental ensemble. Performed by the AguaVa new music group. The text of this movement is a Spanish translation of a prayer from the Navajo people, "Night Song".

La Espera: IV. Canto nocturno

Movement 11th of the cantata "La Espera", for SATB soloists and instrumental ensemble. Performed by the AguaVa new music group. This is the concluding movement and it features wordless vocalizations and the chamber ensemble including guitar and charango.

La Espera: XI. Movimiento final

proyecto[red]ensamble - Residencias Compositivas 2014 - Concierto de Invierno 

Adriana Tula - Saxo Soprano
Verónica Flores - Saxo Alto
Pablo Farías de la Torre - Fagot
Leandro Martinez - Trompeta
Manuel Pastrana - Trombón
Hernan Libro - Piano

Pablo Behm- Dirección

Hú! -proyecto[red]ensamble

debajo del silencio: danza triste, heroica

ensamble austero / 5 piezas Austeras de Oscar Bazán 

dirección musical: Claudio Bazán

trombón: Manu Pastrana
cello: Trini Bazán
violín: Paula Bazán
flauta: Victoria Suarez
guitarra eléctrica: Pablo Cécere
saxo: Daniela Tolosa
piano: Claudio Bazán

Grabado con  "MOTO X PLAY"

17 de Octubre  de 2016 - Auditorio del conservatorio superior de música de Córdoba

Austeras / concierto del 17 de octubre

Microvariations for large ensemble was composed in 2016 for Le Nouvel Ensemble Moderne. I revised the piece in 2017 and this is the revised version performed by the ensemble of the Société de musique contemporaine du Québec and conducted by Walter Boudreau.

In 1825, British conductor George Thomas Smart traveled across Europe and compared his A = 423.5hz tuning fork to the tuning of every musical group he could find. Some ensembles were perfectly in tune with his tuning fork, but others, especially around Vienna, were quite a bit higher and closer to today’s standard A = 440hz. Microvariations is a fast-forward and transcontinental sonic truncation and fantasy on Smart’s journey. Pieces that he probably heard, entire symphonies and sonatas of the common practice period, are distilled to their most skeletal, structural chord progressions and played at hyper speeds. Microvatiations begins with material similar to that in my string quartet Many Many Cadences: predictable tonal chord progressions recontextualized into fast cells that are constantly changing key. Microvariations situates the cadences in two different groups (“towns”) playing a quarter tone apart from one another, at first distinct and eventually congealing and blurring.

Microvariations (revised)

Amy Petrongelli, soprano; Clare Longendyke, piano. Performed at the Music in Bloom Festival 2019.

I Am A Girl (MiB 2019)

Para flauta sola.
Interpretada por Ale Pittis.
Grabada en Estudio Maya.
2013.
Foto: Matías Vercelli

debajo del silencio: danza triste, heroica

pablo cécere

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