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Made with FL Studio 20 and Cool Edit Pro 2.
Made in 2021.

Aphex Twin - Bit 4 (CEP2plet's Second Re-Edit)

A WALTZ FOR THE EXCITEMENT OF THE FEMALE'S DESCENT FROM PAVILLION INTO  KOMODO GARDEN...

FOURTH WORLD MAGAZINE VOL. 2: " PINHEAD IN FANTASIA - FEMALE CENOBYTE'S DESCENT INTO KOMODO GARDEN

Celestial Drift [Cut Off]

THROUGH GLASS
by MAX DEVEREAUX & KAZUYA ISHIGAMI

released July 15, 2025

Digital Album  $2 USD  or more
edition of 25 Cassette  $6 USD or more 

1.FRIED GRASSHOPPERS 03:53
2.GALVANIZED STEEL TUB 03:10
3.PARTICULATES 04:33
4.SHED FESTIVAL 05:03
5.RIVER OF RAZORS 02:17
6.CORRUPT WIND-UP 04:48
7.THROUGH GLASS 05:54
8.THE LOWEST CHAMBER 05:29
9.WORKING TO RETURN 06:09

Side A : 1-5
Side B : 6-9


Through Glass is the result of a deeply collaborative and cross-continental experiment between Japanese electroacoustic composer Kazuya Ishigami and American multidisciplinary artist Max Devereaux. Rooted in contrasting yet complementary approaches, the project unfolds as a dialogue between structured sound design and spontaneous sonic exploration.

The process began with Kazuya Ishigami, who created a series of intricate sound materials, merging electroacoustic textures, noise fragments, and ambient field recordings. These materials were then sent to Max Devereaux, who layered, reinterpreted, and expanded upon them through improvisation, using field recordings, found objects, contact microphones, and modular synthesizers. Max's additions reflect his tactile and often textural approach, combining environmental sounds and lo-fi textures with gestures that evoke both intimacy and sweeping activity.

The recordings passed once more into Ishigami's hands, where he carefully deconstructed and reassembled the sound elements into finished compositions. His final edits shaped the album into a cohesive whole, blending raw improvisation with composed electroacoustic precision. He also oversaw the mastering process.

The album’s title was chosen by Devereaux, reflecting a feeling he has carried for much of his life as an artist, especially one working within the avant-garde. To him, creating art often feels like living behind glass: present but removed, able to observe and reflect the world with clarity, yet never fully immersed in it. This invisible barrier separates the artist from society, allowing vision without contact, insight without belonging. The music on the album, with its delicate, translucent textures and fleeting glimpses of human presence, seemed to embody this sensation perfectly, like watching life unfold just beyond reach.


SHED FESTIVAL

Varg - Under Beige Nylon

Some old track that emerged from the limbo of my computer

Disturbed Childhood (Old Track)

Sunken Cheek "Always Present, Arms Open"

TARZANA -DEEP OCEAN IBEX ARENA

from Portland expanded (SL12) cassette out now on Santé Loisirs
order:
https://santeloisirs.com/sl12.php

@freretuck

[FR]
“ Bienvenue dans la bande son d’un animé imaginaire! Dans cette errance mystérieuse qui fait parler ce qui l’entoure, les atomes discutent et se complimentent timidement, puis le temps se dérègle. Chaque épisode devient une énigme, un jeu, un haïku généreux. Le marécage magique respire, rigole et puis s’endort pour un moment. À la surface de cette potion flottent des lotus qui communiquent par télépathie avec une mangrove. Celle ci souriante et décomplexée leurs raconte ses souvenirs les plus précieux avec des kanjis. Juste à côté dans les herbes tricotées, un criquet somnambule habillé en sorcier rêve de bitcoin. Au loin, les falaises buccales postillonnent de pierres brillantes le marécage, et du bruit des multiples ricochets apparaît une mélodie, harmonieuse et organique. Dans l’invisible les spectres sillonnent les lieux en nous murmurant des mots d’un dialecte inconnu. “
- Loto Retina


[EN]
“ Welcome to the soundtrack of a notional anime! It’s a wandering that gives the floor to what’s around. Atoms are timidly discussing and complimenting each other, time goes out of control. Each episode is a riddle, a game. The swamp is breathing, it laughs and then falls asleep for a while. On the surface of this potion, lotus flowers float, they are doing telepathy with a mangrove nearby. The mangrove smiles and tells its most precious memories without complexes using kanjis. Right next to the swamp, in knitted plants, a sleepwalking cricket dressed as a wizard is dreaming of bitcoins. Far off the mouth cliffs splutters shining stones, the sounds of the many rebounds are generating a melody. Ghosts furrows the scene, murmuring us words of an unknown dialect in the invisible. “
- Loto Retina

frere tuck - dofus (SL12)

taken from MOTOR CITY CS [Not Not Fun, 2012] 

White Sand

@yage0k
The body is nothing but a machine. If the physical limitations of the body restrict mankind's evolution, it would be as if the fall of the species called "man" ... Had already been decided by a God that doesn't even exist. The information etched inside humans isn't only that which they themselves have acquired as individuals. This species called man is connected to his predecessors, and information has accumulated within him. If that information isn't shared, it's meaningless. Mere data. Mankind can evolve. Evolve by their own power. But to do that, they must first know what they truly are. What do you think you are?

FOURTH WORLD MAGAZINE VOL. 2: " PINHEAD IN FANTASIA - FEMALE CENOBYTE'S DESCENT INTO KOMODO GARDEN

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