yeowwwza this is mighty fine if i do say so myself

Rhythms Of The Pacific Vol. 3

Across the board sounds from London via LA to Ibiza... 

https://www.instagram.com/apiento 
https://www.soundcloud.com/test_pressing 

Apiento @ The Lot Radio 10-17-2025

https://www.instagram.com/private.panther


PRIVATE PLEASURE with Private Panther @ The Lot Radio 10-20-2025

Collector John Gómez brightens up Mondays with some music from different times and different places.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-3rd-november-2025

Soup To Nuts w/ John Gómez 031125

Up next in the series is Johnny Sais Quoi (@johnny_sait_quoi) who just released his dancefloor-focused pop debut album 'Love On Ice' with us last month. Interview (excerpt) below.

www.musicfrommemory.com

MFM: So, who is Johnny Sais Quoi and where does he (and it's name) come from?

JSQ: Johnny Sais Quoi is my new French identity, I felt that France needed another Johnny after the passing of Hallyday. I live in Marseille now, but I’m from the UK.

MFM: Your debut LP 'Love On Ice' just got released a few weeks ago. Do you remember the first
steps or moment that eventually led to it becoming a full record?

JSQ: Not so much.. I write quite consistently, so they were made over a long period of time. During that period I was trying to find my ‘sound’ and trying lots of new ideas, so I suppose it was when I had enough tracks that I could make a selection that felt good to me.

MFM: The music on the LP somewhat reminds to the sound of the '80s, like New Wave, Pop and Italo but with it's own new identity. Would you agree? In what way did the '80s have an influence on you as an artist?

JSQ: Yeah I love 80s music. I love the production, emotion and romance of it, it’s always been such an inspiration for me musically and culturally. I love how the production seemed to go a bit crazy and people were really pushing the way music, even pop music, could sound. Also the advent of home recording and the seemingly endless supply of people at home who were trying to be their own variation of Wham! or Depeche Mode. These days I’m really interested in finding ways to borrow from this epoch but still sound contemporary. I find that hard sometimes, but always more rewarding.

MFM: Although the music is all yours, it's easy to imagine a full band on stage. Do you have a
background in playing in bands? And do you have any desire to bring it out on stage at one point, alone or with band?

JSQ: I started playing bass when I was 12 and then in bands from around 18. My history in bands was short and I miss it - I would love to join a band to play bass or synths or drums. Then I was part of a duo with my brother, we had a band for a while but now it’s just me. I’m beginning to work on the live show for this project which I’ll do alone to begin with, then maybe bring in some other instruments as I go, we’ll see.

MFM: Does writing new music come easy to you or...? What comes first, the instrumental part or the lyrics?

JSQ: I say that I’m working on the live show but in reality every time I try to work on it I end up making new songs. Making the music often comes very easy and is normally first. I’ve realised recently that writing lyrics is a very different process for me - the instrumental often comes very fast and I work fast, but I often forget that I need to slow down and work in a different way for the lyrics. I’m still learning how I work.

MFM: Tell us about your mix!

JSQ: I made it in Bretagne whilst I was doing some work there this summer, in the peace of the countryside. I wanted it to be a wide mix of things that I’ve listened to since I wrote Love on Ice. New inspirations and some classics, maybe a taste of what’s to come next. 

MFM Mix 056: Johnny Sais Quoi

I am excited to present a guest mix this month from fellow Ice Cream resident and all-round legend Marco Boogie aka Rus Williamson. He’s got an excellent ear for a tune, and as he proves here he can play across many styles. This mix gives a nod to the traditional balearic sound but also keeps things modern. Enjoy!

Balearic Sunrise w Marco Boogie 7-11-25 [Voices Radio]

Low, slow and sleazy sounds with babyschön, in the studio for the early afternoon shift...  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-babyschon/episodes/soup-to-nuts-babyschon-6th-november-2025

Soup To Nuts w/ babyschön 061125

🌹Bed of Roses🌹 @bed_of_roses-1
www.bedofroses.club

🔹Hiatt DB🔹 @hiattdb @mysteryzonerecords
https://www.instagram.com/hiatt_db/

This mix comes courtesy of wildstyle DJ, producer, and label-head at Mystery Zone Records Hiatt DB. Recorded live at the legendary Sunday Sunday in Mexico City, Hiatt stepped up to soundtrack his most revered timeslot, the Sunset. With eccentric style and a genre-agnostic approach, Hiatt never fails to surprise and delight. This mix is no exception!

Mix Page

Bed of Roses Mix XCVIII - Hiatt DB - Live from Sunday Sunday

Slam City FM is back on air! Today with a guest mix by Vienna-based DJ and Tropical Thunder member Felix Wolfshöfer. Expect a 2 hours journey into fine South African Kwaito music (first 30 min with Rhode & Brown) 🇿🇦

Slam City FM 59 I w/ Felix Wolfshöfer + Rhode & Brown I via Radio 80000

Collector John Gómez brightens up Mondays with some music from different times and different places.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-john-gomez-17th-november-2025

Soup To Nuts w/ John Gómez 171125

@orpheuthewizard moves through a realm suspended between concrete and moss, where rusted fire escapes chime like wind bells and forgotten records hum with dormant spirits.

Shaped by the open-windowed chaos of Amsterdam, a city where stone, water, and sky collide in restless dialogue, His sound is a portal to a world perched on the trembling boundary between the organic and the urban, mirroring the city's raw, ever-shifting architecture while channeling his own timeless, cosmic stillness. 

Yet for all his singularity, he is no hermit-wizard. His magic flows through others, nourished by the community around him. 

Orpheu stands as one of Amsterdam's vital pillars: a connector, a cultural catalyst, a gardener of scenes. His mission extends far beyond his own spellcraft, to carve space for voices yet unheard, to create platforms where others may shine. 

This devotion took shape in the founding of Red Light Radio, a beacon that redefined the city's underground mythology, and later in his stewardship of Het HEM, Oudekerkamsterdam and nestruimte musical curation, where he nurtured a thriving ecosystem of artists, ideas, and sonic constellations.

He has also been a vital part of the dkmntl and rushhourmusic families, further amplifying his impact on Amsterdam's and the world's underground music landscape through music and graphic design. 

While so many are drawn toward narrow specialization, his work as a curator celebrates eclecticism and interdisciplinarity, connecting music, performance, and art into a single, living experience that defies boundaries and expectation.

Collective Memory w/ Orpheu The Wizard (Radio Alhara 24.11.2025)

Available worldwide November, 2016

Distributed by Honest Jon's

A2 - Slim Media Player - Pink Hues, Bad News

A1 - Slim Media Player - Dappled Love

Facilitating dance opportunities and releasing music in Vancouver, B.C since 2013. Founded by @derekdee & @stayearly.

For distribution inquiries contact: distribution@rubadub.co.uk

Bookings, greetings and everything else: info@pacificrhythm.org

A1 - Slim Media Player - Dappled Love

Pacific Rhythm

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