KHARI KILL PICTURE OF SELASSIE DJ SYKES

Capleton- Stay Suh -(Hot Steel Riddim)produced by DigitalVibez - 

Capleton - Stay Suh (Hot Steel Riddim)

Sitting here wondering what's next
Just knowing it's not on our time, God's time is best 
Why do you run around frantic and full of worry 
You know those people got you thinking we ought to be sorry

Oh, oh, oh yeah,  Stand up in righteousness, let the words of the Bible ring true
Oh, ooh, oh yeah, Running that race is a venomous sting sometimes and can leave you blue
Ooh, oh, oh yeah, what can you do but lean on Jesus 
Oh, yeah, You know He's here for us always, faithful, true, and just

Let the fate of the world with music be turned up loud 
Let our destiny be told, to the king of kings we bow
The Digital chains of darkness begin to break 
The way of Jesus, no fate but what we make
So break free from the chains of sin's condemnation 
And live a new life reborn through revaluation 

Oh, oh, oh yeah,  Stand up in righteousness, let the words of the Bible ring true
Oh, ooh, oh yeah, Running that race is a venomous sting sometimes and can leave you blue
Ooh, oh, oh yeah, what can you do but lean on Jesus 
Oh, yeah, You know He's here for us always, faithful, true, and just

Oh, oh, oh yeah,  Stand up in righteousness, let the words of the Bible ring true
Oh, ooh, oh yeah, Running that race is a venomous sting sometimes and can leave you blue
Ooh, oh, oh yeah, what can you do but lean on Jesus 
Oh, yeah, You know He's here for us always, faithful, true, and just

There's no other way to live
Just open your hearts and give
The Kingdom of God inside 
In the arms of Jesus peace we find

Oh, oh, oh yeah,  Stand up in righteousness, let the words of the Bible ring true
Oh, ooh, oh yeah, Running that race is a venomous sting sometimes and can leave you blue
Ooh, oh, oh yeah, what can you do but lean on Jesus 
Oh, yeah, You know He's here for us always, faithful, true, and just







Sitting Here, Wondering What's Next (Standing Up)

Sizzla Kalonji - Gwaan Like Dem Real - High Stakes Records - April 2016

BRAND NEW RIDDIM 
1.) CAPLETON - PREE DEM 
2.)LUTAN FYAH -KNIFE IN MY BACK
3.)FANTON MOJAH- NO WAY 
4.) VIJAHN -MASH DOWN ROME 
5.)DEVA BRATT-JAH JAH 
6.)SPRING WATA -MODERN DAY SLAVERY 
7.)HARRY CHAPMANN- BLACK PEOPLE
8.)ROCKAZ ELEMENT -RIGHTEOUS WAY 
NANA-GEL RIDDIM  
Release March 10th 2017 
 Produced By Mango Tree Entertainment 
DISTRIBUTED BY  ZOJAK WORLDWIDE 

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--

Capleton - Energy (NaNa-Gel Riddim)Produced by MangoTree Ent

THIS MIX IS FOR PROMOTIONAL PURPOSES ONLY, NO COPYRIGHT INTENDED //(If Any Copyright -Link My Email)-(1974stoneweir@gmail.com) (Promo Mix )  NANA-GEL RIDDIM   /   MANGO TREE ENTERTAINMENT 2017  /  TRACKLIST:   /  1. CAPLETON – ENERGY  /  2. LUTAN FYAH – KNIFE IN MY BACK  /  3. FANTON MOJAH – NO WAY  /  4. VIJAHN – MASH DOWN ROME  /  5. DEVA BRATT – JAH JAH  /  6. SPRING WATA – MODERN DAY SLAVERY  /  7. ROCKAZ ELEMENTS – RIGHTEOUS WAY  /  8. HARRY CHAPMAN – BLACK RACE  /  9. MANGO TREE ENTERTAINMENT – GEL RIDDIM INSTRUMENTAL

NANA GEL RIDDIM (Mix-Mar 2017 ) MANGO TREE ENTERTAINMENT

WEED MAN (HARMONIOUS Riddim)
Artiste: CAPLETON
Produced by: Kirk Koolface Ford of Matao Muzic
Written by CAPLETON
Mixed and Mastered by : Romel Marshall of R.O.M Productions

CAPLETON - WEEDMAN - RAW

Capleton - jah jah city dub

Cease All War

QUEEN IFRICA - CEASE ALL WAR

Sizzla Kalonji, or simply Sizzla (was born Miguel Orlando Collins, April 17, 1976, Kingston, Jamaica) is one of the most commercially and critically successful contemporary reggae artists and is well-known for his above-average prolificacy.

Sizzla was born in Kingston in 1976 to devout Rastafari movement parents. Like them Sizzla subscribes to the Bobo Ashanti branch of the Rastafari movement. He was raised in August Town, Kingston Jamaica where he studied mechanical engineering at Dunoon High School.

The 1980s witnessed a dancehall explosion, and with the music came the lifestyle: drugs, guns, and "slackness" (vulgarity). Formally adopting the Rastafari faith, with its advocacy of repatriation to Africa, he joined the ranks of the Bobo Ashanti in the mid-1990s.

Sizzla began to develop his own style whilst serving his musical apprenticeship with the Caveman Hi-Fi sound system. He has used his music as a vehicle for his message, kickstarting his recording career in 1995 with a release through the Zagalou label, he then teamed up with "Bobby Digital" Dixon for a series of singles. Extensive touring with fellow roots and culture artist Luciano followed, earning Sizzla notability. 
Homer Harris, the same man who named and mentored Buju Banton got him his first break, introduced Sizzla to top Jamaican saxophonist Dean Fraser, the musical director for Philip "Fatis" Burrell's Xterminator Family. 1996 marked an important turning point for Sizzla when he began working with Fatis. This union led to a run of successful singles and the release of Sizzla's debut album, Burning Up. 
The two allied again a year later with the follow-up, Praise Ye Jah (JetStar). Praise Ye Jah was quickly trumped by his release of the Dixon-produced Black Woman &amp; Child that same year. The title track was a smash hit and became something of a cultural reggae anthem. Sizzla scored several more hits during 1997, including "Like Mountain," "Babylon Cowboy," "Kings of the Earth," and the Luciano duet "Build a Better World." This hot streak kicked off an enormously productive recording binge that lasted over the next several years, with much of his output still done for Burrell.

Along with universal praise came Sizzla's first nomination for Best International Reggae Artist of the Year at the 1998 MOBO Awards and a place in various magazines' top 100 albums of the year. Sizzla has since released several dozen albums, including 1998's Kalonji and Royal Son of Ethiopia from 1999. 1999 also saw him receive his second MOBO nomination. Sizzla remains a constant presence in the reggae charts worldwide. Currently, Sizzla has 21 albums that have made it onto the Billboard's Top Reggae Albums music chart, the highest Words of Truth, reaching the peak position of #5.

Sizzla Kalonji has released over 45 solo albums and over fifteen combination albums, crossing different genres of Reggae. He has started his own record company, Kalonji Records; which in a joint venture with Damon Dash Music Group and Koch Records, released the album, The Overstanding, in November 2006. This was his third album released through Kalonji Records; as well as Black History and Life.

Sizzla, along with reggae recording artists such as Capleton, Buju Banton, and Anthony B, are credited with leading a movement toward a re-embracement of Rastafarian values in contemporary reggae music by recording material which is concerned primarily with spirituality and social consciousness, explores common themes, such as Babylon's corrupting influence, the disenfranchisement of ghetto youth, oppression of the black nation and Sizzla's abiding faith in Jah and resistance against perceived agents of oppression.

Sizzla's 2008 effort, Ghetto Youth-ology, is produced by the Firehouse Crew, the same who produced Sizzla's debut, Burning Up.

Sizzla - Rise To The Occasion and Humble Thought medley (Long Time Riddim)

Ras Shiloh - Unto Zion

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Capleton - jah jah city dub

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