Name: NEW GHOST by Palace Winter
Duration: 4 min 16 s
Description: Taken from the EP "Medication" out on vinyl on Nov 13th, 2015 via Tambourhinoceros.

Nice work. One of the best bands in Copenhagen these days. I'm waiting for my vinyl.

First we take Copenhagen, then Berlin -Lenny

Order the 7in via Small Plates Records 

http://smallplates.bigcartel.com/product/night-panther-delta-fire-7-spr017b

Purchase the full length here

itunes.apple.com/us/album/night-p…ther/id672568056

Stream it here

play.spotify.com/album/3STrkAVHJOLUyZKRH4zyPc


Delta

SHAZAM this track for a FREE DOWNLOAD of 'The 1975' remix of 'Heavy Crown'

https://soundcloud.com/ydotodotu/you-heavy-crown-the-1975-remix

Heavy Crown

Cape Town, South Africa.

http://www.indieshuffle.com/booklub-western-hours/

Booklub - Western Hours

After spending two years living on opposite coasts and pursuing their own creative projects, Ivan Howard and Kelly Crisp came back together last spring to set to work on the sixth full-length album from the Rosebuds. Joining up with Bon Iver frontman Justin Vernon (a friend and former bandmate who, in a 2011 interview, noted that the Rosebuds make “some of the most important music in the world”), the North Carolina-bred duo spent a week in Vernon’s studio teasing out a batch of songs that effortlessly weave the hooky songcraft of classic jangle-pop, the cagey romanticism of new wave, and a refined yet full-hearted sensibility all their own. Featuring Vernon on guitar and synths—as well as Bon Iver drummer Matt McCaughan and Sylvan Esso's Nick Sanborn on bass, both longtime pals and cohorts of the Rosebuds—the resulting Sand + Silence radiates both a graceful intensity and the loose, joyful energy that comes from making music with friends.

Extracting brilliance from easy collaboration is old hat to the Rosebuds, who formed in 2001 and carried out their first live shows as performance-art pieces that turned the stage into a replica of their own living room. “From the beginning we knew we weren’t going to be a regular band, that we wanted to keep it fun and creative, like an ongoing art project,” says Crisp. With their most recent releases including collections of original Christmas and Halloween songs and a record of Sade covers, the Rosebuds catalog reveals the restlessness of their creative appetites by shifting from the acoustic balladry of 2005’s Birds Make Good Neighbors to the dark synth-pop of 2007’s Night of the Furies to the dreamy indie-rock of 2011’s Loud Planes Fly Low. “One of the main things that’s kept this band going is we have no rules about what kind of music we should record or who can help us record it” says Howard. “We’ve always kept it free and open, and never been scared to go in strange directions. The songs themselves, whatever they want to become, are always first.” But despite the anything-goes approach, the Rosebuds invariably stay true to a melody-centric musicality that’s driven by their singular chemistry, delicately crafted songwriting, and untamable excitement about the possibilities in making art.

Co-produced by the Rosebuds, Vernon, and BJ Burton, Sand + Silence began when Howard (who had recently launched a solo project under the name Howard Ivans) came to New York in early 2013 to work with Crisp (who had newly entered Columbia University’s graduate program for fiction writing). While their original intention was to revamp a number of songs cut from Loud Planes Fly Low and turn those tracks into an EP, Howard ended up sitting down at a piano in the studio and sketching out a whole new series of songs. “I decided to quit trying to force the older songs into something that worked for us, and instead write some new ideas and just see what happened without any pretense,” he says. “Right away it just felt really good and sounded like a new Rosebuds record to me—the tone and melodies reminded me of the lightness of the early Rosebuds days, with this feeling of the music being new and inspiring but still so simple that almost anybody could play it.” Once they settled into Vernon’s April Base Studio in Eau Claire, Wisconsin, the Rosebuds devoted a week to bringing those new songs to life by recording live (a previously unexplored tactic for the band). “Everyone in the room we were working with is such a great musician, so we’d hit record and the whole thing would just sail,” says Crisp. “Everything would get done in just one or two takes, and the songs all ended up having this buoyancy to them.”

The Rosebuds - In My Teeth

Von Sell - EP

Ivan

Debut track released june 2015 - watch the video: https://youtu.be/OuXqKS-WcuI

Spotify: http://spoti.fi/1GsI06q
iTunes: http://apple.co/1NAWoPP
Amazon: http://amzn.to/1N84ZXk
TIDAL: http://tidal.com/album/48009710

Ricochet

2nd single from the EP "Medication" (out on Oct 2, 2015).
Cover photo by Glenn  http://bit.ly/1DXEnrt

Produced by Palace Winter
Mixed and mastered by Caspar Hesselager


Buy the EP

MENTON

Taken from the EP "Medication" out on vinyl on Nov 13th, 2015 via Tambourhinoceros.

Buy EP

NEW GHOST

'Misantropé' available to buy and stream: https://lnk.to/Misantrope

Facebook: www.facebook.com/westermanmusicuk
Soundcloud: @westermanmusicuk
Twitter: twitter.com/westermanmusic
Instagram: www.instagram.com/westermanmusic
YouTube: https://youtu.be/2pwE6evQblw

Misantropé

Electric Intervention

Memory House

Over Sands - Memory House

Label: Tambourhinoceros, info@tambourhinoceros.net

Booking: 
UK/EU: Oliver Ward / United Talent Agency
oliver.ward@unitedtalent.com

Denmark: Tom Spray - Smash!Bang!Pow!
tom@smashbangpow.dk
Palace Winter are Copenhagen-based Australian Carl Coleman and Dane Caspar Hesselager. The duo’s sophomore album Nowadays is released on May 4, 2018 via Tambourhinoceros. Built around floating keys, rhythm guitar and an insisting beat, Nowadays is a bright and moody album that further develops the group’s unique sound.

Arriving in adulthood is a bitter-sweet experience. Abandoned childhood fascinations make way for tough life lessons. But also the hope and potential that comes with taking charge – of both your life and others’.These are the central themes in Nowadays, the second full-length album from Palace Winter.

Having played in bands separately for years, a mutual respect for each other’s styles encouraged them to start writing together. Carl coming from a song-writing background. Caspar, a producer and classically trained pianist. Both, however, appreciate a strong melody, which is evident throughout the atmospheric dark-pop they create.

Their debut single was released in 2015, followed by the EP Medication and in the summer of 2016, their debut album, “Waiting for the World to Turn” had arrived. All released via Copenhagen-based label Tambourhinoceros.

The support that followed was widespread. Number 1 on Hype Machine and overwhelming reviews from heavy hitters like The Guardian, NME and Line of Best Fit. Radio support came from Guy Garvey, Lauren Laverne and Tom Ravenscroft at BBC 6 Music, KCRW, KEXP, Norway’s P3 and Denmark’s P6.

The band have successfully brought their cinematic psych-pop to the stage. With an increasing number of sold out live shows under their belts, fans have not been left disappointed by their hypnotic and mind-blowing live sets.

NEW GHOST

Palace Winter

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