full broadcast

http://m50.net/playlists/2025.02.14.html

@glovedhands...
Pondlicker - Lick
John Roberts - Lens
Psalm Star Electric - January
Bibio - Brograve
Bibio - Spider Bridge
U.e. - Drawing Of Me
Mark McGuire - (I Can) Only Imagine
Sam Amidon - Ask The Elephant
Gloved Hands - Unreleased
Zero Key - Zero Key 02
Funky Doodle - A1
Bill Orcutt - Requiem in Dust

@m50... (1h 2m)
Funki Porcini : Belisha Beacon : Incredible Vinyl : Ampoule
Chateau Flight & Bertrand Burgalat : Les Antipodes (Bertrand Clicky Organ Dub) : Les Antipodes - Versions Speciales : Versatile
Funkstorung : Funktionsstörung : Funkenstort : Compost
Rezzett : Boshly : Boshly : The Trilogy Tapes
Nondi : Nondi Shadow : Flood City Trax : Planet Mu
Winsome : Who : Tab : Tanum
Keppel : Stanley Knife : The Brooke : Well Street
Winsome : Tab : Tab : Tanum
Dr. Octagon : Bear Witness : Dr Octagonecologyst : 75 Ark
Jaq : Komsyn : Futur II : Giegling
The Black Dog : Nommo : Spanners : WARP
The Black Dog : Further Harm : Spanners : WARP
Cahl Sel : Wishbone : Blue : Reflective
Jimmy Winkles : Multicoloured Plasticine Universe
David Newlyn : 17th Out Of 19 : Encouraged To Lose : Sound In Silence
The Black Dog : Bolt7 : Spanners : WARP
The Black Dog : Bolt2 : Spanners : WARP
A New Line (Related) : Calapsis : A Quarterly Update On The Sadness : Sound in Silence
Jarr : Sine : All These Past Lives : Sound In Silence
The Black Dog : Bolt6 : Spanners : WARP
Panoptique Electrical : For Spaces : For Years : Sound in Silence
J. Albert : Give : Good Music Mixtape Vol 4 : J Albert
J. Albert : Stone(d)iagetic : Good Music Mixtape Vol 4 : J Albert
KW : Lastmin_Res : Altgr : Ilian Tape
Paul Hester : See The Light : Beautiful World : Paper
Unfinished Portraits : [untitled] : [untitled] : Blundar
Nicholas Szczepanik : : We Make Life Sad : WeMe
Lord Of The Isles : Last Day : My Noise Is Nothing : AD 93
Tupilaq : Muna : Fnaise : Audio Pollution
The Black Dog : Chase The Manhattan : Spanners : WARP
A New Line (Related) : 3AM Worry Sessions : A Quarterly Update On The Sadness : Sound in Silence
Quiem : Shout : Sentiment Series Vol 11 : Shaw Cuts
PLO Man : Fig. 003 : Anonymousmaterial : Acting Press
Ludvig Cimbrelius : Lifted Into Wonder : Here : Sound in Silence
Jimmy Winkles : Semi Stretches
The Black Dog : Chase The Manhattan: Spanners : WARP
The Black Dog : Bolt1 : Spanners : WARP
J. Albert : Periodico Cantado : Good Music Mixtape Vol. 3 : J Albert
Bochum Welt : Over Time : Module 2 : BMG
Air : J'ai dormi sous l'eau (Live BBC 1998) : Moon Safari Rarities : Parlophone
A New Line (Related) : The Ballad Of Billy Kee : A Quarterly Update On The Sadness : Sound in Silence
Ludvig Cimbrelius : These Flames I Gently Let : Here : Sound in Silence
The Black Dog : Bolt4 : Spanners : WARP
J. Albert : untzxz2 : Good Music Mixtape Vol 4 : J Albert
Panoptique Electrical : For Ruins : For Years : Sound in Silence
Jarr : Darker Sooner : All These Past Lives : Sound In Silence
The Black Dog : Bolt5 : Spanners : WARP
Jarr : Cartographer Maps a Way : All These Past Lives : Sound In Silence
Bochum Welt : Avtomaticesk : Module 2 : Rephlex

streamed on:
@datafruits
@sphere_radio
Wax n' Cats

Gloved Hands + m50 @ etc 2025.02.14

[Excerpt no.10: Diary entry -Polina-]
Saturday, June 21, 2025.
Yesterday was the senior prom, supposedly the joyful conclusion to our high school adventures. Well… that’s how it goes in the teen movies. The girl seen as kind of average, quiet, who turns out to have a different kind of beauty and gets asked out either by the cool guy or the weird one. There are twists and turns. In the end, they’re together, and it’s all good.
We’ve deconstructed that model since. Elsa didn’t have a date and didn’t want to go. Neither did Andreas, of course. So they decided to rebel with Cecilia, and I had no choice but to follow; they’re the most precious people I have.
But I wanted to go to prom, in my beautiful plum-colored dress, and dance among half-deflated balloons to Perfect by Ed Sheeran, lost in Andreas’s eyes.
I didn’t want to know their plan. I thought we’d just be drinking warm beers again on the old bridge (the canal’s still flooded, and our hideout is underwater).
In the end, Elsa, who we hadn’t seen all day, led us to an abandoned Wildlife Protection cabin. God only knows how she found that place. Inside, she had set a table for five, with each person’s favorite food, no mistakes. That’s why she’d been pestering me last week about what Andreas liked to eat.
She’d cut up a tablecloth, made garlands by hand, and hung storm lanterns from the ceiling. She’d also brought a speaker and a bunch of objects she’d found or made: a carved stick crowned with feathers, a pile of books with doodled covers, a coat rack.
Strangely, I felt completely at home.
And we danced, and partied like we were the last people on Earth, like the immortals we were.

👍
http://palanga.live
This teenage drama is brought to you by @elveesh

I ELSA AND ALL THE OTHERS TOGETHER #10

Audio by HARZ (Album Version)
Artwork by YOMA and HARZ

Bandcamp

15-3919

Nothing Here Now w/ Zohar & P. Cain (model home) - 03 Septembre 2025

https://erfrecordings.bandcamp.com/album/burn-perf000

Burn is the second YS album and written as a direct follow-up album to Brutal Flowers. If their first album was an exercise in the incremental, a construction of poise and patience, Burn, should be taken way the fuck at it’s word: it quite literally finds catharsis in twisted reverse. Birthed out the malignant kick found in deconstruction and chaos. Evil twin, psychotic younger sibling, call it what the hell you like. It might take you a moment to get the lay of the land in this darkly mutated world. Like a bug eye’d native first confronted with a zippo, the hit is radical and instant: a new way for the world to go up in smoke.

Splice the Seattle slacker scene with the spliffhead soundsystem culture of the '90s Bristol trip-hop scene, then cross-breed that with the DIY optimism and glee in creation found in the cut-and-paste worlds of skate, graffiti and hiphop, now run that through the skitzo basement mind of John.T. Gast and you’re close to the kind of scorched earth and spiked suburbia that birthed Burn.

Dunno quite what YS have been ingesting of late, but this massively twisted LP touches on a host of gloriously fucked totemic underground sources while not sounding much like any of them. It has the ballsy swagger and hard flipping of the script as Massive Attack’s seminal Blue Lines. Indeed, the eponymous album tracks sound similar - the opener ‘Burn’ is like a hard-nosed, jammed-out redux of ‘Blue Lines’. Getting into a kind of slow-spinning overdubbed maximal euphoria ending with mumbled downer vocals, struggling to conceal their tongues in their cheeks, there’s an air of paranoia and proto-conspiracy theory. It’ll leave you scratching your head, feeling like you’ve stepped into a New World Order governed by a cacophony of dropouts, dope fiends, and apocalyptic stoners. A cracked-out world somewhere between Richard Linklater’s movie Slacker (1990) and Marc Singer’s Dark Days (2001).

The rest of the album parts like a tongue on a wine glass: Smith and Mighty, Bandulu, ambient Luke Slater records, Wah Wah Wino, Nurse with Wound, Land of the Loops, Placid Angels, Adrian Sherwood, Urban Tribe and DJ Shadow can all be heard in momentary splatters - but Burn like other works by YS, is its own ritual beast. ‘Moth’, a track that has been circulating the underground DJ circuit for many moons, is a raw, chopped, and screwed slice of stoner erotica that reeks of obsession and unrequited desire. Elsewhere, on tracks like ‘Switch’, ‘Trying’, and ‘Drift’, the throughline from Brutal Flowers can be heard. Underneath the driving heavy gravity, the trademark emotional intimacies of YS linger: eternal recurrence, ghosts of static and shortwave, worn memories of the playful and painful sort. The brief moments when flashes of orchestral ambience emerge from beneath the swagger are so pure, personal, and unguarded that, for a moment, they leave you completely alone. In the album’s closer ‘End’, you can hear the fleeting promise and DIY possibilities of an analogue world and embers of ash that flutter in its wake: where it seemed, for a brief moment, that collective of DJs, engineers, rappers, graffiti artists and skate crews were emerging from the streets, giving the middle fingers to the system, before just as quickly disappearing back to the doldrums of obscurity. ‘End’ is a bittersweet ode to early soundsystem culture, MCs and pirate radio - an out of step time where for a moment the underdogs and weirdos seemed to be kicking on the door of something bigger.

A veritable teenage doof suite dosed with desire, claustrophobia, and deviance. Burn is a good old howl at the moon: lonely, raw, and out for blood; basement style exegesis at its best. A thump to the gut, a stud through your blood. A dubbed-to-death classic straight out of the annals of nowhere. A perfect postcard from oblivion. A bleak, bold, and personally ferocious vision of tomorrow and tomorrow and tomorrow.

PREMIERE | YS - Moth [PERF000]

Perrine presents her idea of musical vertigo, going through all range of electronic music, experimental and field recordings from a wide range of international artists. 


Werden w/ Perrine (18.09.2025)

Alessio Natalizia is Not Waving. Take the plunge with his monthly hour of fucked-up left techno, leftfield electronics, brain-twisting oddball pop and post-punk, dub offshoots and other diversions. 

[ecstaticrecordings.com](https://www.ecstaticrecordings.com/) 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/not-waving/episodes/not-waving-25th-september-2025

Not Waving 250925

Stepping Stoned



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I ELSA AND ALL THE OTHERS TOGETHER #10

Palanga Street Radio

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