Name: Axel Boman - Not So Much by Pampa Records in Electro mix
Duration: 4 min 6 s
Description: Axel Boman - Not So Much - Taken from PAMPA004 - OUT AUG.30/2010

Electro mix

Scented Trip

Morning Shift

BP008: Max In The World & Kroba - Excursions

Purchase:
https://blisspointsound.bandcamp.com/album/excursions

Stream:
https://tr.ee/ioVQUOml0M

A1. Max In The World & Kroba - Don The Don

Jesse Bru - Dream Warrior

The Tourist - Tour-Maubourg Remix

The Tourist (Tour-Maubourg Remix)

Jaded (Remixes)

Late Night Caller (Retromigration Remix)

Moomin - Loop No 1

Alkalino - Ghetto Blues

Pain

♫ Read more ♫:
http://www.deephouseamsterdam.com/full-premiere-chaos-in-the-cbd-phantom-melodies-original-mix/

After a successful summer of Church White releases gathering support from Session Victim, Move D, Galcher Lustwerk and a host of others, Church returns with it’s next offering from Peckham via Auckland brothers Chaos In The CBD.

Fresh off the back of the Juno number one seller EP 'Midnight In Peckham' on Rhythm Section, they delve into deeper territory with emotive title track ‘Constraints Of Time Travel’. The B-side is a more familiar affair with trademark swingy percussion and expert use of samples providing a deep warm house sound we’ve come to expect from the pair.

Constraints Of Time Travel is out on 13th of November on vinyl and on digital from November 27th.

Constraints Of Time Travel

Chaos In The CBD - Phantom Melodies (Original Mix)

♫ Read more ♫

Full Premiere: Chaos In The CBD - Phantom Melodies (Original Mix)

Jungle

Son Of A Gun

JUNGLE - Son of a Gun (Oliver Ferdinand Edit)

Please don't forget that this edit is only a way to promote our world as DJs.

Songs mixed on this set is to discover music. If you're an artist or copyright holder and if you want remove something because you don't want to be a part of it send an e-mail. If you're happy that we don't forget you, send an e-mail too!

If you love the tracks inside the remix; buy it!

"Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."

FREE DOWNLOAD

JUNGLE - Son Of A Gun (Oliver Ferdinand Edit)

Calore EP

African Food

Mena & Melgado - African Food (low quality cut)

Sweet Life

‘Leave, If not I will kill you’

In early 1978, Vincent Ahehehinnou left the Orchestre Poly-Rythmo de Cotonou without explanation. He had been one of their principal vocalist since 1968 and had helped transform them from a hard-charging nightclub band into a musical powerhouse and Africa-wide sensation. By the end of 1977, after an explosive performance at the pan-African arts and culture festival (Festac77) in Lagos, the band had reached the very pinnacle of their success.

For nearly forty years, the reasons behind Vincent’s sudden departure have remained a mystery. Until now.

In an interview included with Analog Africa’s new reissue of Best Woman – Vincent’s first post-Poly-Rythmo album, which has been out-of-print for close to four decades and nearly impossible to find outside West Africa – the great singer finally breaks his silence. He didn’t leave … he was pushed.

Poly-Rythmo were already popular in their native Benin but, in the aftermath of Festac ’77, the band were poised for break-out success throughout Africa. One of the people who stood to benefit most was the band’s manager Adissa Seidou, whose label Albarika Store had released most of the band’s recordings. However Adissa’s vision for Poly-Rythmo didn’t always line up with that of the musicians and, more often than not, it was Vincent who spoke up for the band.

The two men grew increasingly estranged until one day – at the funeral for Adissa’s father no less – Adissa gave Vincent an ultimatum of sorts. In Vincent’s own words: ‘I asked him if there is a way we could sort out our differences to which he replied that the only solution was for me to leave the band, adding, “if not I will kill you”’.

And so Vincent found himself forced out of the band he had helped build. He tried his hand at various business ventures, but soon realised that the pull of music was too strong. On a business trip to Nigeria, Vincent met with Ignace de Souza of Benin’s Black Santiago band, who agreed to arrange Vincent’s songs, assemble musicians, and book a session at the legendary Decca Studios in Lagos. 

With everything in place Vincent returned to Cotonou, gathered together all the money he had saved over the years and set out again for Lagos. But the simple bus journey to Nigeria turned into a nightmarish odyssey of military corruption … and  had it not been for the random kindness of an unknown woman on the bus, this album – along with Vincent’s subsequent solo career – might never have existed. Vincent tells the full story in the liner notes to this LP.

But Vincent did make it to Lagos and the sessions went ahead. The nine-piece band, handpicked by de Souza, learned the songs and set them to tape in the span of only a week … but the results are as timeless and essential as anything to emerge from West Africa in the late 1970s.

Vincent’s afrobeat credentials are in full evidence on opening track ‘Best Woman’ (English) whose driving beat, focussed horns and intricate vocal melody recall the raucous intensity of Poly-Rythmo. But the deep funk of the title track turns out to be only a warm-up for album-highlight ‘Maimouna Cherie’ (French), a moving expression of love and longing which kicks off with a hi-hat and wah-wah guitar workout but shifts gears mid-way into a more concentrated and contemplative groove. 

The funk and afrobeat gems on Best Woman are balanced by songs that draw upon Sato, one of the many Vodoun rhythms of Vincent’s native Benin. Side one concludes with ‘Vi Deka’ (Mina), an epic slow-burner propelled by some of the record’s most soulful vocals, while album closer ‘Wa Do Verite Ton Noumi’ (Fon) all but dares you not to lose yourself in its sublime hypnotic trance.

Ahehehinnou Vincent Vol.1

Get the Record

Best Woman - Vicent Ahehehinnou

laurence Guy - claudi

Axel Boman - Not So Much - Taken from PAMPA004 - OUT AUG.30/2010

Axel Boman - Not So Much

Pampa Records is a independent record label dedicated to releasing music that's seriously danceable without recourse to the tried and tested ingredients. A home for tunes that will conquer hearts and take root there forever, music that's brave and not afraid to break with convention. The record label is owned by DJ Koze.

Pampa is happy to receive demos at demo(at)pamparecords.com. If we like your music we'll be in touch. But if you don’t hear from us, it doesn't mean that the music isn't good, it just means that it doesn't suit to us and our plans. Thanks for sharing!

Axel Boman - Not So Much

Pampa Records

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