from here starts one of the most powerful track endings I've ever heard

She’s makes me craaaaaaaaazzzzzyyy ! 💥💥💥😎😎😎

The end of this track is the apotheosis of DJ Koze’s craziness: the chaos’s anthology!

Kollektiv Turmstrasse is a Hamburg based duo, for indoors and for open air, for the soul and for the dance floor, for you and for me. They have released on Connaisseur, Diynamic, Cocoon, Ostwind, and have also been working on their own label, Musik Gewinnt Freunde, which they started in 2006. 


Ordinary - [ Kollektiv Turmstrasse ]

Isla Mex

DJ Koze's 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. La Duquesa' was the album's dreamy single standout, a journey into deep, tropical ecstasy. XTC' begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. Many people are experimenting with the drug Ecstasy,' it says, ...is the drug like the lie and meditation the truth Or am I missing something that could really help me". XTC' then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze's signature percussive quirks, it drives towards the track's final pay off: an undeniable, all-consuming, irresistible high. Knee On Belly' recalls Koze at his most tongue-in-cheek and overt, it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. Knee on Belly' recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.

Pampa024A DJ Koze -  XTC

Lora (Robag Wruhme Remix)

Title track from my new EP on Live At Robert Johnson out Jan 15th!

Vinyl here : http://bit.ly/1mNYtgA.

Secrets & Lies

Hyenah - Soak It (Andre Lodemann Remix) - Objektivity

taken from PampaCD011

pre-order here:
www.pamparecords.com

Roman Flügel - 9 Years (DJ Koze Remix)

This is a remix I did for Jamie Lloyd, one of Sydney's most talented musician. 
                  The track came out in January 08 on Future Classic, backed up with a Soultourist remix of "You're Out or In?". In other words, it's a Drumpoet release in disguise. The virus keeps spreading ;-)
                  Concerning my remix, I wanted something with more "ooomph" than my previous tracks...judge it for yourself, but I think this one is on a rave tip!

Buy on Bandcamp

Jamie Lloyd / May I? (Quarion RMX)

ORDER HERE: 
https://pampa.lnk.to/InYourEyes
https://pamparecords.com/products/pampa032-me-in-your-eyes

Do you know what time it is? It’s debut o’clock. Emitting his first material for Pampa, it’s &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene’s central characters for a good amount of years now and one of the main figures of Berlin’s Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is “In Your Eyes”, the name lending A side to this EP, showcasing a rather pensive mood. It’s just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you’ll have the main ingredients to this – in every sense of the word – floor-moving tune. Accordingly, the arrangement won’t aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, “As Above So Below” on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that’s suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune’s centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: “As Above So Below” - this tune works on every level.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Pampa032

Get it here

Pampa032A - &ME - In Your Eyes

Rework on Ressurrection by The Temper Trap

Tennis - The Temper Resurrection

Release date 12”: July 5th, 2019 - ORDER NOW: 
https://pampa-records.lnk.to/venqtolepEP
https://pamparecords.com/products/pampa035-nata-alma-e-p

Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!

Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!

Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.

Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!

And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.

Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.

Pampa035

Pampa035A - Robag Wruhme -  Nata Alma (Club Smash Hit Version)

Pampa Records is a independent record label dedicated to releasing music that's seriously danceable without recourse to the tried and tested ingredients. A home for tunes that will conquer hearts and take root there forever, music that's brave and not afraid to break with convention. The record label is owned by DJ Koze.

Pampa is happy to receive demos at demo(at)pamparecords.com. If we like your music we'll be in touch. But if you don’t hear from us, it doesn't mean that the music isn't good, it just means that it doesn't suit to us and our plans. Thanks for sharing!

Pampa024A DJ Koze - XTC

Pampa Records

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