“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes)

Pass This On

Flavien Berger - Bleu Sous - Marin

allaroundme

Mansfield.TYA - "La fin des temps"
Album "Corpo Inferno" (Sept. 2015 - Vicious Circle)

Digital : https://IDOL.lnk.to/CorpoInferno
CD/LP : http://bit.ly/MansfieldTYA_records

*La fin des temps*
(lyrics : Jérémie Grandsenne / Music : Mansfield.TYA)
Amis, nous repartons ce soir 
Vers les demeures inexistantes 
Nous irons panser nos blessures 
Encore, auprès d’une innocente 
Et ce sera toujours un matin ou 
Un soir 
C’est la fin du monde, on attend

Corpo Inferno

Julia Lanoe, Carla Pallone

Mansfield.TYA - La fin des temps

Music to hump to #2. A weekly foray into tracks to make love to your old lady (or dude) to.

This week, a homage to 90's messed up 6am humping.


DEATH IN VEGAS - Your Loft My Acid (Fearless Trans-House Mix)

It's unfortunate that when we feel a storm
We can roll ourselves over 'cause we're uncomfortable
Oh well, the devil makes us sin
But we like it when we're spinning in his grip

Love is like a sin, my love,
For the ones that feel it the most
Look at her with her eyes like a flame
She will love you like a fly will never love you again

It's unfortunate that when we feel a storm
We can roll ourselves over when we're uncomfortable
Oh well, the devil makes us sin
But we like it when we're spinning in his grip

Love is like a sin, my love,
For the one that feels it the most
Look at her with a smile like a flame
She will love you like a fly will never love you again 

Massive Attack - Paradise Circus

Now on Youtube:

https://youtu.be/jgtQyx7_Rr0

Royksopp - So Easy (Outro Mini Edit)

Your steps around my throat (Feat. Death In Vegas)

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Curiosa (Bande originale du film)

Arnaud Rebotini - Curiosa

My unofficial remix for Roxy Music - In Every Dream Home A Heartache.
[FREE DOWNLOAD!] 
WAV!

Roxy Music - In Every Dream Home A Heartache (Roland Cortante Unofficial Remix) [FREE DOWNLOAD] WAV!

Pan European Recording est un label de musique indépendant créé en 2007 et basé à Paris.
✯ Aqua Nebula Oscillator
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✯ Juan Trip'
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✯ Kill For Total Peace
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✯ Poni Hoax
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Flavien Berger - Bleu Sous - Marin

Pan European Recording

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