think about me

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Eterna & Amalcrossing, 'Coffee Eyes' (2021). Courtesy unseelie, New York.

Croatian Amor - LA Hills Burn At The Peak Of Winter

Square Heart

PSYCHICTORRENT

A cover of Bloody Tears from the Castlevania series.

Bloody Tears

https://perfecthairforever.bandcamp.com/
9MM OUT NOW D/L FOR FREE OR $$$$$$$

the boys allowed to run around
and i just sit here on the ground 
you probably never knew that i was one of them
and when i think of you now i just think of men

QUEEN

being around you everyday 
and hearing all the shit you say 
you probably always knew that i was one of them
and when i think of you yeah you were never men 

QUEEN

all of the times i thought of you
and everytime it made me blue 
you probably never knew that i was one of them
and when i think of you i think of you back then 

QUEEN

QUEEN (ft. clairo)

V/A - mono no aware もののあわれ

Format: 2xLP / Digital
Label: PAN
Cat.No: PAN 77
Release Date: 17 March 2017

http://p-a-n.org/

purchase:
site: http://bit.ly/2mQN5AO
bandcamp: http://bit.ly/2n9ToSm

mono no aware (もののあわれ) is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists.

Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called ’ambient’, to incorporating wider variations that fall under the term.

“Mono no aware”, ‘the pathos of things’, also translates as “an empathy toward things", or "a sensitivity to ephemera”. A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life's transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present.

The album is mastered and cut by Rashad Becker at D&M, featuring photography by Molly Matalon and design by Bill Kouligas. A limited version of 100 copies will be released as a special art edition in collaboration with Mount Analog for the LA Art Book Fair 2017, before going on general release.

mono no aware

2. Malibu - Held (PAN 77)

[NEXT GIG W CREAMCAKE 12TH MAY @ BERGHAIN]

Whose boughs are bent with thick-set fruit

Loop II

The World

LA Hills Burn At The Peak Of Winter

♡♡ released on unseelie by Drumloop @daffyscanlan ♡♡

https://www.youtube.com/watch?v=8Bgi3z4M-Mo

- inspired by The Sopranos S06E02: "It depicts Tony’s second life he lives in his subconscious whilst in a coma after being shot"

where were you when i was lonesome
locked away in this freezing cold
someone flying, only stolen,
i can't tell, this night's so old,
i don't want to swim the ocean,
i don't want to fight the tide,
i don't want to swim forever,
when its cold i'd like to die.
what was that, my sweet sweet nothing
i can't hear you through the fog
if i holler let me go
if i falter let me know
i don't want to swim the ocean,
i don't want to fight the tide,
i don't want to swim forever,
when its cold i'd like to die.
i don't want to swim forever,
i don't want to fight the tide,
i don't want to swim the ocean,
when its cold I'd like to die.

artwork by Drumloop

When Its Cold I'd Like To Die

Drumloop - When Its Cold I'd Like To Die (Moby) [UNSL002]

A triad makes up the title of Soho Rezanejad’s second full-length LP, Honesty Without Compassion is Brutality, and throughout the album we witness the singer and composer arranging, wading into terrains of each piece of that title statement. Honesty, however, feels like the central ethos, what animates the album like a spirit or lit candle. We become acquainted with Rezanejad’s voice in its many registers, sometimes pitch-shifted down into an unwavering masculine mouthpiece, at other points so close-mic’d that we hear her voice cracking, and soaring in a song like “Love’s a Raging Prey”, as single vowels are stretched vast across chromatic steps. But it’s not just the singer’s voice considered as a channel for honesty – the album is populated with birdcall, stumbling trumpet lines, robotic preset voice mailbox messages, a toddler’s utterances. All vocality is taken into account, which is compassion enacted. Whereas Rezanejad’s last album Six Archetypes delved into the elemental characters constituting our psyche, this collection of songs rings with greater concern for the external world – a terrain defined by piles of obsolete telephones in a landfill just as much as waves falling upon primordial beaches. Imminent catastrophe is no stranger to us in 2019, and these compositions take all kinds of apocalypse into account – be it biblical, interpersonal, or an ever-unfolding result of the systemic degradation of our planet’s climate. The urgency of compassion underlies the album, almost a tonal foundation: as Rezanejad sings, “Animal, you do not fool me / I would remind you, that you’re no stranger than me”. In compassion’s absence, brutality is all we can expect, and we hear a number of sonic landscapes on the album that seem to peer, honestly, into a future of exterminated life and machinated waste. But as a call to arms, or a celebration of love’s unmistakable pulse, or an admission of terror, Rezanejad’s brutal honesty can also be heard as radical compassion.

- Nat Marcus, TABLOID Publications

Honesty Without Compassion is Brutality is released in two volumes,
Volume 1, 20 December 2019
Volume 2, 20 January 2020

Produced with Miccel Mohr
Mastered by Malthe Fischer

Digital LP - Cat. No. SR010
Silicone Records 2020

2. Malibu - Held (PAN 77)

PAN

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