ima kiss errorsmith cuz he cute (^з^)-☆Chu!!

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Atlas Dubb

Music by: Cabasa (Belgium)
Mixed by: Steve Allard (Belgium)
Master/cut: Beau @ Ten Eight Seven (UK)
Distribution: Rubadub (SCO)
Manufacturing: Handle With Care + Intakt (GER)
Design: Studio Taquin (BE)
Font: Ribosoma by Studio Triple (FR)
Release date: June 2023
~
300x12" + Digital

Cabasa - Oody Fnk

Taken from 'Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999' (MFM072)
Buy Vinyl: https://www.musicfrommemory.com/
Buy Digital: https://music-from-memory.bandcamp.com/
© 2024 Music From Memory

Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999

1969

D3. Drawing Future Life - 1969

Tomás Urquieta, born in Chile and based in New York City, creates a unique fusion of bass music and techno. His sonic style is consistently powerful and structurally unconventional, yet immensely danceable. ‘Ai Ferri Corti’, his third album, is packed with high-energy club tracks that showcase his innovative take on techno, seamlessly incorporating Latin American rhythmic influences. The record, set for release on Herrensauna on March 7, 2025, unfolds a narrative on the fragility of logic, the unveiling of hidden truths, and the collapse of established structures. Throughout ‘Ai Ferri Corti’, Urquieta explores chaos and the mind, with the tension between order and disorder, between reason and abstraction, forming the central axis. Each of the track titles, infused with philosophical undertones and technological references, reinforces this conceptual complexity and evokes reflections on the nature of being, perception, chaos, and logic—shaping a seven-track experience that challenges conventional thinking.
credits
released March 7, 2025

Dedicated with love to Perla Zuñiga

All programming and sequencing by Tomás Urquieta
Artwork and label management by Mauro Ventura
Photography by Phillipe Gerlach
Layout by Dominique Saiegh
Mastering by Imaabs

Herrensauna © 2025

Tomás Urquieta - Aletheia

KILL YOUR LOCAL RAPIST TYPE BEAT

Pete Shredz-Watch Out

Le Circuit du Rêve

Artist: Errorsmith
Album: Superlative Fatigue 
Format: 2xLP / Digital
Cat.No: PAN 81 
Release Date: 20 October 2017
@errorsmith

https://errorsmithpan.bandcamp.com/album/superlative-fatigue

Returning with his first album in 13 years, Errorsmith’s ‘Superlative Fatigue’ long-awaited release on PAN arrives as his perhaps most optimistic record yet.

Placing a strong emphasis on spectral exploration, the tracks tell an inherent story and span a musical arc with his recognisable synthesised tones, computerised vocal effects and timbral changes in motion.

In comparison to his previous productions, Errorsmith (Erik Wiegand) sees the release as less abstract, harsh or aggressive: “I would say it is rather accessible and cheerful; at times ridiculously cheerful but still very sincere and emotional.” He suggests. “I find it touching when this little android raises its pitch at the end of ‘Lightspeed’ or the android catching its breath in ‘My Party’ for instance.”

The album title, ‘Superlative Fatigue’ reflects this tension between an over-the-top, hysterical emotion, against more deeply felt expressions or realness.

Besides collaborating with the likes of Mark Fell, to Berghain resident Fiedel as MMM, and Soundstream as Smith N Hack, Wiegand has released a string of seminal dancefloor tracks. Building his own instruments using modular software synthesizers is a large part of his work. Where almost all the sounds in the LP were created with his synth, ‘Razor’, (a synthesizer plug-in he developed for Native instruments, released in 2011) or slightly modified versions of it.

Premiered at Unsound Festival last year, this new material he has developed since has finally taken form in this epic full-length.

The album is mastered by Rashad Becker, featuring artwork by James Hoff and layout by Bill Kouligas.

Errorsmith - Retired Low-level Internal Server (PAN 81)

PAN

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