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Music for The Barbican's 𝐎𝐮𝐫 𝐓𝐢𝐦𝐞 𝐨𝐧 𝐄𝐚𝐫𝐭𝐡: "𝐒𝐡𝐚𝐫𝐢𝐧𝐠 𝐏𝐫𝐨𝐬𝐩𝐞𝐫𝐢𝐭𝐲" Interactive Installation by DVTK

Music by Salamanda
Artwork and interactive installation by DVTK

Follow DVTK
Website: https://dvtk.us
IG: @d_v_t_k

Sharing Prosperity

ra.co/events/1538443

btw if you are in London 1st of July im putting on a party with a curated set of upcoming djs and a live act from Akiko Haruna

TAJR024

in the image, you see an ex-lover who came to visit me last year
but the track is about my fear of flying

Buy <<<<<<

A Grove Box Inside A Black Box

Inkjet / Fluo

Fluo

Taken from "Dulce Compañia", an LP from DJ Python (INC-001)

Vinyl: https://www.rubadub.co.uk/records/dj-python-dulce-compania
Digital: https://djpythonnyc.bandcamp.com/album/dulce-compa-ia

DJ Python - Cuál [INC-001]

Artist: Errorsmith
Album: Superlative Fatigue 
Format: 2xLP / Digital
Cat.No: PAN 81 
Release Date: 20 October 2017
@errorsmith

https://errorsmithpan.bandcamp.com/album/superlative-fatigue

Returning with his first album in 13 years, Errorsmith’s ‘Superlative Fatigue’ long-awaited release on PAN arrives as his perhaps most optimistic record yet.

Placing a strong emphasis on spectral exploration, the tracks tell an inherent story and span a musical arc with his recognisable synthesised tones, computerised vocal effects and timbral changes in motion.

In comparison to his previous productions, Errorsmith (Erik Wiegand) sees the release as less abstract, harsh or aggressive: “I would say it is rather accessible and cheerful; at times ridiculously cheerful but still very sincere and emotional.” He suggests. “I find it touching when this little android raises its pitch at the end of ‘Lightspeed’ or the android catching its breath in ‘My Party’ for instance.”

The album title, ‘Superlative Fatigue’ reflects this tension between an over-the-top, hysterical emotion, against more deeply felt expressions or realness.

Besides collaborating with the likes of Mark Fell, to Berghain resident Fiedel as MMM, and Soundstream as Smith N Hack, Wiegand has released a string of seminal dancefloor tracks. Building his own instruments using modular software synthesizers is a large part of his work. Where almost all the sounds in the LP were created with his synth, ‘Razor’, (a synthesizer plug-in he developed for Native instruments, released in 2011) or slightly modified versions of it.

Premiered at Unsound Festival last year, this new material he has developed since has finally taken form in this epic full-length.

The album is mastered by Rashad Becker, featuring artwork by James Hoff and layout by Bill Kouligas.

Superlative Fatigue

Errorsmith - My Party (PAN 81)

London duo watching Airplanes deliver genre-bending futurism on a joint release between Banlieue and Peur Bleue.

'Psyop' is out March 30th as a joint release between Banlieue and Peur Bleue.

Pre-order: bit.ly/2ubiJRD

@watching-airplanes
@banlieuerecords
@thisispeurbleue

Psyop

Premiere: Watching Airplanes – All Seeing I [Banlieue x Peur Bleue]

SKEE MASK - 50 EURO TO BREAK BOOST

Objekt — Cocoon Crush
Format: 2xLP / CD / Digital
Cat.No. PAN 97
Release Date: 9 November 2018 
Pre-order album: bit.ly/2xhO0kR / bit.ly/2OvxYuv

PAN welcomes back Objekt for Cocoon Crush, his first LP since 2014’s Flatland. Over the past four years Objekt has continued to challenge conventions with his club output (the Objekt #4 single release and the Kern Vol. 3 mix CD for Tresor), while maintaining his reputation as a DJ who deploys impeccable technical finesse in crafting elaborate narratives from a diverse and challenging palette of electronic music.

Written between 2014 and 2018 in Berlin and on the road, Cocoon Crush once again sees the producer jettisoning the functional requirements of the dancefloor. Marking a further evolution from the youthful exuberance of Flatland, Cocoon Crush explores a more introspective side, with themes of human interaction resonating throughout the record as it ruminates on a spectrum of complex moods rooted in 4 years of sometimes turbulent personal experience.

Cocoon Crush represents an aesthetic departure from Flatland’s largely synthetic tonality, drawing from organic source material and natural textures to illustrate perplexing and unfamiliar sceneries in photorealistic detail. In Cocoon Crush, Objekt diverges further still from his musical influences to craft the purest manifestation of his own musical personality to date: an intriguing and enigmatic album whose reference points are hard to pin down, in which ghostly synth passages weave through mind-bending, weighty drums, and ASMR-triggering foley collages scrape and sparkle. Through meticulous sculpting, Objekt traces a rich and impressionistic journey through claustrophobia, hope, guilt, anxiety and joy, nested in layers of sonic detail which reward with every listen.

The album is mastered by Rashad Becker, featuring photography by Kasia Zacharko, and layout by Bill Kouligas.

@keinobjekt
http://p-a-n.org

Cocoon Crush

Objekt - Lost and Found (Found Mix)(PAN 97)

Released exclusively alongside a limited woven blanket available on http://luckyme.net, http://jacquesgreene.com or jacquesgreene.bandcamp.com 

Design by Hassan Rahim. Hand-numbered and limited to x30 world-wide.

Errorsmith - My Party (PAN 81)

PAN

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