No way im the only person to hear this gem

Listened to this at Berghain... I can't get over it...

6G is the child of a hollow moon, unwritten histories of permaculture deities in the levant, pagan conspiracies about haunted birthrights, texts buried in lunatic obscurity, communication with the evil smile of a goddess, bells designed to be wrung three times in the night, childish blood games, farmers with occult crops.

The duo of Oxhy and Susu Laroche have chosen the name The Fertile Crescent, evoking one of the cradles of human civilization as much as a (un)healthy devotion to the power of the lunar cycle. Musically, it reeks of post-industrial folklore ripe with solemn tones and conflicting bits, combined via the mocking dream logic of a trickster spirit. A skeletal presence of melody in a sparse, ceremonial ambiance that can even welcome thunderous rolls of breakbeat, like tapping from the energy of every ritual that has scarred the land in time. Following the record is like attempting at drawing a psychic topography of those same rituals, manifestations, tragedies and games, it’s like mistaking the broadband network for the Ley lines but still succeeding in conquering its occult power.

Written & Produced by Fertile Crescent
Mastered by Tapewave

All profits go to: www.islamic-relief.org.uk/afghanistan-emergency-appeal/


https://soundcloud.com/oxhy
https://soundcloud.com/tsvsvnami

the fertile crescent - cant let you live again

From the album 'What Dreams May Come' http://whatdreamsmayco.me

"No Ceiling" written, arranged, produced by Rabit 
Vocals by Embaci (@embaci)
Instrumentation by Maxwell Sterling (@sehnsuchtsounds)
Guitar by Victoria Wright
additional vocals by Cecilia (@babiaudi)
Mixed by Rabit
Mastered by Heba Kadry
Art direction Lane Stewart & Rabit
Artwork by Nicola Tirabasso, Lane Stewart & Collin Fletcher

Buy Rabit Merch
https://shop.halcyonveil.com

Follow Rabit 
Instagram https://www.instagram.com/rabitwhatdreamsmaycome/
Twitter https://twitter.com/RabitMusic
Facebook https://facebook.com/rabitmusic
Spotify https://open.spotify.com/artist/2X3e2rDdxibDfJGv0CwS7A
Apple Music https://music.apple.com/us/artist/rabit/1499159282
Soundcloud https://soundcloud.com/halcyon-veil

#WhatDreamsMayCome #Rabit

What Dreams May Come

No Ceiling

More

Rabit - No Ceiling (feat. Embaci)

Amnesia Scanner & Freeka Tet - Ride
Label: PAN
Cat.No.: PAN 139S
Release Date: 27 April 2023
Purchase: PAN.lnk.to/Ride

Amnesia Scanner and Freeka Tet share 'Ride', the first single from the upcoming full-length album 'STROBE.RIP' out via PAN on June 16th.

Written by Amnesia Scanner
Produced by Amnesia Scanner & Freeka Tet
Mastered by Enyang Urbiks

Amnesia Scanner & Freeka Tet - Ride (PAN 139S)

Amnesia Scanner & Freeka Tet - Ledge
Label: PAN
Cat.No.: PAN 139S2
Release Date: 01 June 2023
Purchase: PAN.lnk.to/Ledge
Pre-Order Album: PAN.lnk.to/STROBE.RIP

Amnesia Scanner and Freeka Tet share 'Ledge', the second single from the upcoming full-length album 'STROBE.RIP' out via PAN on June 16th.

Written by Amnesia Scanner
Produced by Amnesia Scanner & Freeka Tet
Mastered by Enyang Urbiks

Amnesia Scanner & Freeka Tet - Ledge (PAN 139S2)

Amnesia Scanner & Freeka Tet - STROBE.RIP
Label: PAN
Cat.No.: PAN 139
Release Date: 16 June 2023
Purchase: PAN.lnk.to/STROBE.RIP

Amnesia Scanner’s third full-length album titled STROBE.RIP is a collaboration with the artist and musician Freeka Tet, who joins the album and associated live performances as a vocalist and creative collaborator.

Released by PAN records, STROBE.RIP is part of a broader series of live performances, installations, videos and physical products created by the group.

Since its inception in 2014, Ville Haimala and Martti Kalliala have continued to evolve and redefine Amnesia Scanner through experimentation across online and IRL realms. This album brings them a step closer to the latter.

With French-born, New York City-based Freeka Tet on board, STROBE.RIP acquires a new array of influences that draw from the multidisciplinary artist’s hacker mindset, shaping the sound into new forms. As a programmer and technologist, Freeka Tet’s work straddles commerce and art, combining intuitive and performative modes of expression with emergent technology and creative coding. Much like Amnesia Scanner, Tet draws from online vernacular and techno-magic to create satirical, uncanny work – artificially augmented, and highly engineered sounds, textures, images and ideas that translate memes and code into a more human and affective language.

Haimala and Kalliala say, “Amnesia Scanner is now living in the world it has built,” signaling a sincere commitment to the act. The human dimension in STROBE.RIP is chaotic: a reverse hero’s journey that merges deep-fried baroque with the quasi-angelic into a psychotic megamix of tropes, lyrics, genres, and sonic palettes that are both disorienting and deeply resonant.

The opening track Tongue Demons perfectly summarizes this, with blaring synth stabs and frenetic drum patterns paving the way for a broken melody arranged through a digital brass chord progression. Giggle and Bounds follow right after: two outstanding pieces of introspection signaling the melodic turn of the album, with the latter almost posing as a weirdo 2-step ballad filled with deep pads and pitched-up and down vocals.

The 160bpm, 4-to-4 pulsing kicks of Ledge and the palm-muted chords of Disperse serve as a perfect build-up to Ride, right in the middle of the tracklist: a summer hit from hell, a crooked saxophone-graced tune carried by a crusty, Balearic acoustic arpeggio. The alt acoustics continue with Damon, or at least before the track turns from Nirvana’s Unplugged to Slayer’s double kick drum pedals and becomes thrashtronica with Tet on screamo duties.

Things get softer with Clown, specifically in the chanted refrain, and even more aetherial in the almost trip-hop timbres of abandoned.club, where chopped-and-screwed vocals sing “I lost myself in the club.” Scorpions, Bats & Spiders is the abstract gem declaring the death of Deconstructed Club Music—a genre created by journalists and pioneered by the duo, among others. The words “deconstructed,” “club,” and “panel discussion” are spelled out in a vortex throughout the track as if they were to be carved on the genre’s imaginary gravestone. Closing the album, the saw bass of Cat serves Euro-electro à la Benny Benassi’s Satisfaction, while the doomed outro Merge closes the album in a triumphant aggregation of noise and pixelated drums that render the image of a crust-punk ensemble.

Written by Amnesia Scanner
Produced by Amnesia Scanner & Freeka Tet
Mastered by Enyang Urbiks

Amnesia Scanner & Freeka Tet - Abandoned.club (PAN 139)

Amnesia Scanner & Freeka Tet - Bounds (PAN 139)

Amnesia Scanner & Freeka Tet - Giggle (PAN 139)

June - inside [prod.niji]

original: https://www.youtube.com/watch?v=E935Od_J4fw

Physically Sick

My Sorrow Is Luminous

Soho Rezanejad & Frederik Valentin - The Emperor

First single from @avastarr's EP "Angels In the Sand" forthcoming 05/02/21 on @slagwerk.

Mastering: @jesseosbornelanthier
Artwork: @amalcrossing

Angels In the Sand

PREMIERE: ava* - Return to Shore [SLA07]

Label based in Berlin, est. 2008. http://www.p-a-n.org

Amnesia Scanner & Freeka Tet - Giggle (PAN 139)

PAN

Recent comments

𝙊𝙐𝙏𝙎𝙄𝘿𝙀𝙍

ACHTUNG

Array Access

Diesel Pisser

Related tracks