https://embalminglately.bandcamp.com/album/backward-el-egy

proceeds will be sent to www.spilka.link , a local (brooklyn/new york city) relief fund supporting the people of Ukraine

backward el.egy

Pamela_ and her sons - Wandering Days

Blaze

H2god

https://soundcloud.com/shoka-sunflower
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speedbumps w/ SHOKA SUNFLOWER

J.G. Biberkopf
'Fountain Of Meaning' EP
DN010
Format: vinyl / digital
Release Date: 8 December 2017
Mastered by Rashad Becker at D&M
@jgb-k


Fountain of Meaning is a new sonic fiction from sound artist J.G. Biberkopf following last year’s Ecologies II: Ecosystems of Excess released on Knives. Emerging out of a situation of overflow, the record burrows deeper into his practice of palpable audio theater with a study of object and relations across space-time specific sounds. 

The Fountain as a theme reflects a spouting and spilling of information, an erotic gushing of imagined aural history. “The Fountain was the source of water in the public space in cities,” J.G. Biberkopf explains. “Now it’s pretty much a sexualised architectural gesture of both beautification and the spectacle of dominant ideologies.” 

The western classical musical canon, much like the perpetual coming of the fountain, flush the headphone space with stimuli. Reflex and memory guides the listener through a semiotic architecture of processed recordings of masses in Catholic churches and contemporary performances of pre-medieval music. A liquidity of structure has an anxious influence and is a closed system approach to form and imagination. When water flows, it fills every space, then spills over to claim more. History is equally abundant and alive. We have never had as much history as we have now. We have never been able to see ourselves as we can now. 

A knowledge of a grander architecture of knowing and recalling oppress the ecologies of human decision-making.The nature of the archive has  transformed into a total and panoptic intelligence. A life is a gamble as the inventory of the world overflows into the production of a spectral third, an other, a confrontation. Fountain of Meaning offers a dynamic tension and release. A molecular tragedy, our abject recovery into a collaborative reimagining of a trauma long forgotten. 

What can be gleaned from this overflow?

DN010 - Fountain of Meaning

Fountain Of Meaning

J.G. Biberkopf - Delirium

Picking up from where she left off with last years successful Tools of My Purpose, E-Saggila has returned to BANK employing a more sublime and immersive electronic document. Previously leaning toward noisier and distorted rhythms, she has incorporated more sophisticated elements into writing and production. Dedicated to Sublimity is a product of growth and progression but still reflects the raw elements we’ve heard in her early recordings. Lush and atmospheric elements coincide with the brutality of her live sets and play off one another as a cohesive representation of the E-Saggila project.

Dedicated to Sublimity

Glass Wing

E-Saggila - Glass Wing (BNK-015)

Scandinavian Star "Solas" LP 
Posh Isolation 214

The story of the passenger liner MS Scandinavian Star stays adrift. Tragic and complex, the details are out there in the electronic ozone, still yet to find closure. From sea port to Ethernet port, Malthe Fischer's project navigates the themes of the narrative that unfolds to this day. His debut album 'SOLAS' makes this journey with a series of heart-wrenching affairs in crisp detail.

Appearing on Posh Isolation's recent compilation 'I Could Go Anywhere But Again I Go With You', Fischer's Scandinavian Star project here marked a long-anticipated return. Since his self-titled and widely loved cassette for Ascetic House, Fischer has been most prominent in the band Lust For Youth. His hand is also across much of Posh Isolation, having mixed and mastered a number of releases. 'SOLAS' shares some of the floaty, melodramatic electronics of Lust For Youth's most elegant moments, but it's a different flavour of heartbreak and intrigue being pushed by Fischer in his solo work.

A symphony of disembodied voices trail across 'SOLAS'. Gesturing toward longing and hope, and occasionally struggling to get out of the misty collage of stumbling rhythms, it's as if we are listening to a form of wonder being mechanized before us. The surface of Fischer's work is dense in detail, but falling for and fixating on the smallest thing often blossoms the most treasured effects. Minor acoustic instrumentation is precariously balanced against thickets of cut-up recordings and samples, the hybrid charge of the synthesizers holds everything together without letting anything recede.

As soft as 'SOLAS' feels, it stays sharp and bites at times, even through four-to-the-floor whispers. There's a memory of something communal in it all, and this is what holds on.

       Tracklist:

A1 - Candi
A2 - Alang
A3 - Marpol
A4 - Santosh
B1 - Relic
B2 - Gas Cutter
B3 - SOLAS
B4 - Regal V

Posh Isolation 214

14 12 2018

Scandinavian Star - Gas Cutter

Amnesia Scanner & Bill Kouligas
Format: LP / Digital
Cat.No: PAN 83
Release Date: 5 April 2019
Buy: https://bit.ly/2OMcSsJ / https://bit.ly/2UivhmG

Lexachast is an ongoing collaborative work by Amnesia Scanner, Bill Kouligas & Harm van den Dorpel.

Initially birthed as a joint, improvised performance between Amnesia Scanner and Kouligas at the ICA, London in 2015, it was later recreated and extended with visual artist van den Dorpel into a 15-minute online-only audiovisual work – known simply as Lexachast.

Since then, it has expanded into a live show that has been performed at Transmediale, CTM Festival, Unsound Krakow & Adelaide, Next and LEV Festival and during Paris Fashion Week in collaboration with the brand Ottolinger. Now to be released on PAN, is a new document of Lexachast in its current, full-grown form.

Whilst broadly inspired by the experience derived from and exposure to algorithmic patterns as generated by visual artist Harm van den Dorpel’s specially-devised program, the work is a sonic reference to the fallouts of avant-EDM and cyberdrone. This in turn is simultaneously mirrored by the perturbing visuals, created by a unique algorithm that sources and blends various filtered imagery from DeviantArt and Flickr in real time – with a bias towards the NSFW, extreme banality, and ornamental melancholia. The results were a perfect fit for the deliberate intention of non-intent, an anti-video of sorts, which ended up as a defining element for the project.

The artwork is created with Harm van den Dorpel’s ever-evolving, image-sourcing algorithm and it is mastered by Rashad Becker at D&M, Berlin

Lexachast

Amnesia Scanner & Bill Kouligas - Lexachast I (PAN 83)

@thoo-m @infinite-machine
Read more: pw-magazine.com/2020/premiere-thoom-left-hand-crane-e-saggila-remix

Left Hand Crane

Left Hand Crane (E-Saggila Remix)

Premiere: Thoom »Left Hand Crane (E-Saggila Remix)« [Infinite Machine]

Silver-plated tracks that will make you feel like a slowly emerging cobra snake - courtesy of PA based artist Mall Prowler. DL available at buy link.

Mall Prowler - Theater Creep / Strange Drink

Carrier Bag Music is a new series of sonic fictions inspired by Ursula K. Le Guin’s Carrier Bag Theory of Fiction. Reimagining the mixtape as container, medicine bundle and chronometer telling the time on another world, artists and producers explore Le Guin's articulations of holding, gathering and caring. With Laurel Halo, Elysia Crampton, Jenna Sutela and Victoria Sin.

Week Three: Jenna Sutela
 
The third episode of Carrier Bag Music by Jenna Sutela is a mixed bag of sounds and music by humans and non-humans. A proposal for interspecies symbiosis, this otherworldly mix gathers collaborators including slime mould, space bacteria, artificial intelligence and yeast cells.
 
“Mine is a mixed bag, containing original material from Many-Headed Reading (2016), Nam-Gut (the microbial breakdown of language) (2017), Holobiont (2018), nimiia seance (2019) and nnother (2020), with Elvia Wilk, as well as some music from my desktop: Most Holy Redeemer by Ocarina Orchestra; Guts theme from Berserk by Susumu Hirasawa; Oração (Pense & Dance) by Lechuga Zafiro Ft. Linn da Quebrada; Finnish lullaby Nuku Nuku; Amniotic Life by Tomoko Sauvage; Exit by Bendik Giske; and Arca from @@@@@. Voices by Jessica Edwards, Clara Jo, Emily Jones, Ming Lin, Colin Self, and yeast cells sonified by Jim Gimzewski at 22, 26 and 30 Celsius.” — Jenna Sutela
 
“Go on, say I, wandering off towards the wild oats, with Oo Oo in the sling and little Oom carrying the basket.” — Ursula K. Le Guin
 
“I evolved as a vessel for others to proliferate. Bacteria, babies. Germs, parasites. Both organic and synthetic. Love and want. Not merely eye to eye, but eye to mouth, mouth to ear.” — Jenna Sutela and Elvia Wilk: nnother, 2020
 
Jenna Sutela works with words, sounds, and other living media, such as Bacillus subtilis nattō bacteria and the “many-headed” slime mold Physarum polycephalum. Her audiovisual pieces, sculptures, and performances seek to identify and react to precarious social and material moments, often in relation to technology. Sutela's work has been presented at museums and art contexts internationally, including Guggenheim Bilbao, Moderna Museet, and Serpentine Galleries. She is a Visiting Artist at The MIT Center for Art, Science & Technology (CAST) in 2019-20.

Curated by Ignota in partnership with Camden Art Centre and Haus Kulturen der Welt. Carrier Bag Music is part of Carrier Bag Fictions, a project by HKW and Ignota.

The Carrier Bag Theory of Fiction is published by Ignota with an Introduction by Donna Haraway and Images by Lee Bul https://ignota.org/blogs/news/carrier-bag-music

Carrier Bag Music: Jenna Sutela

Frederik Valentin "0011000" 
Posh Isolation 252 
Feb 19th, 2021

Frederik Valentin - Tears Ft. Soho Rezanejad

Label based in Berlin, est. 2008. http://www.p-a-n.org

Amnesia Scanner & Bill Kouligas - Lexachast I (PAN 83)

PAN

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