"Folia" by @benedictemusic is the latest track from @causalchainclub 's upcoming various artist compilation out on the 4th of June

Read More: https://soulfeederweb.com/premieres/premiere-benedicte-folia/

[Premiere] Bénédicte - Folia

Taken from Ludwig Wandinger's sophomore album 'Spiritual Decay' (G&P022), out September 2022

The name of many talents - Ludwig Wandinger - has been echoing in the experimental scene for quite some time. This comes as no surprise, as the already renowned Berlin based polymath channels his full-time effort partly into playing live drums, producing his and other people’s music and creating multidisciplinary visual art. Following multifaceted solo projects on labels Average Negative/Alpha Pup Records and Orange Milk Records, Gin&Platonic are delighted to present Ludwig's exceptional sophomore full-length album 'Spiritual Decay'.

Written & produced by Ludwig Wandinger (@ludwig-wandinger)
ludwigwandinger.com

Mastered by Rashad Becker

Photo by Sophie Klock

G&P022 💀

Spiritual Decay

Bandcamp

Ludwig Wandinger - In

Lala &ce, Jäde, Low Jack - Debout 
Label: PAN
Cat.No. AN 129S
Format: DL
Release Date: 15 September 2022
Purchase: https://PAN.lnk.to/Debout

LALA &CE, JÄDE and LOW JACK share 'DEBOUT', the first single from the upcoming full-length album 'Baiser Mortel' out via PAN.

PAN presents the first single 'Debout' of the upcoming album 'Baiser Mortel'. It is the original soundtrack to the acclaimed theatrical performance of the same name. Commissioned, produced, and staged at the Bourse de Commerce – Pinault Collection over four days last October, the original production – collaboratively realized by composer and director Low Jack, composer and rapper Lala &ce, choreographer Cecilia Bengolea with costumes designed by Marine Serre and Oriana Bekka as creative director and co-director of the performance – merged ballet and urban folklore; sound art and soap opera. A modern-day danse macabre, Baiser Mortel (trans. “The Kiss of Death”) cast Lala &ce in the title role. Unfolding over thirteen songs, the musical narrative follows Death as she navigates the realm of the living, and the encounters – desire, romance, spiritual awakening, and adventure – which validate the human experience.

“I brought in people who are close to me personally and musically in order to tell a story that speaks to humanity,” Lala &ce says. Performers Jäde, Rad Cartier, BabySolo33, and Le Diouck joined Lala &ce on stage and in the booth at La Place – Centre Culturel Hip Hop in Paris, where the official soundtrack was recorded.

Imagined as a sound fiction by electronic music producer Low Jack and rapper/composer Lala &ce, the first single 'Debout' transports us to the heart of an unhealthy relationship with Jäde on one hand, naive, sincere, and blinded by the love she feels for Lala who, for her part, takes advantage of it and plays with her admirer's weaknesses.

As a theatrical production, Baiser Mortel represents a departure for both artists. A veteran of Parisian subculture, Low Jack’s collaboration with Lala &ce represents a new model of artistic mentorship based not on age but on experience, with each artist leaving a distinct signature on the work. 

Composed and Written by Low Jack and Lala &ce
Vocals by Jäde
Mixed by Malo Rodolphe / Studio Rod2r
Mastered by William Duvet
Cover Art by Jim C. Nedd

Lala &ce, Jäde, Low Jack - Debout (PAN 129S)

HAJJ HEAVEN'S CALAMITY 2 ON NOODS RADIO (13.09.22)

@visi00, AKA Nicola Tirabasso, skirts the periphery of baroque aesthetic, hauntology and electronic abstraction. A recent Haunter Records debutant, the London based musician and visual artist repurposes classical imagery to his own beguiling design. 

‘Privacy Angels’ placed a glitched-out approach to baroque classicism in the same abstract space that most HR releases reside. It calls to mind the folk inflected interzones of Wojciech Rusin, and hot on the heels of its release, Tirabasso contributes to our podcast series with a typically mind-bending mix.

“It’s a slow, ethereal, dark, colourful and bright selection, fading into nostalgic tunes and stretching the present toward an hallucinatory dream-state.” – VISIO

Tracklist:

David Toop - Sea Slug
City & i.o - Bomb-blasted Stack (with vvilms)
J. Carter - A Few Freed Memories That Lay Bare (ft. Kelby Clark)
Current 93 - The Darkly Splendid World
mea0u - closer
SSIEGE - Unreleased 
Bvdub & Loscil - Moirai
Leo - Unreleased
Ghost Lemurs Of Madagascar - Gorilla Glue
ssaliva - terrain
Lizzitsky - Unreleased
QOW - Morr
Adios Adios - In Mud, And Mud, And Mud
Remigio Ducros - Magia Del Calcio
BIG GAY IDIOT dj - TF RIH FACEWASH 'D
OOBE - SFTCR XX
Polvo - Enemy Insects
Racine - Mon amour je ne guéris jamais
Torus - Sound Of The Drums
angelo harmsworth - Drip Motion
Dis Fig - Landslide [LOST ALONE]
Nuno Canavarro - Untitled

Discover More

If-Only Podcast #114: VISIO

[surf034]

https://soundcloud.com/opalbeau

artwork by usof (linktr.ee/usofusofusofusof)

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

opal beau ~ No-One To Talk To

@penttt - Section 5, Insert 1 off of 29 Speedway: Channel Plus

Full compilation featuring trax by Xen Model, tofudj, Dekalb Works, AshTreJinkins, pent, K Wata, Ex Wiish, Special Guest DJ, LXV, Cajm, btw, J. Albert, Windowseeker, Opheliaxz, Axine M, Relaxer, and Ben Bondy

mastered by @ex-wiish

tap in

cassette / download

pent - section5, insert1

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'There's a Ghost in the Lantern
Accordion – Dis Fig
Guzheng – KIM KHAN

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.


"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.


"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Preorder

TRANCE BAND - There’s a Ghost in the Lantern

sometimes u come in from the club at 7am and need all the music to be MORE AMBIENT so u have to make your own

a lot of my friends have been tryna escape recently , hopefully this and a spot of 30 degree mancunian sun will help

p . s. pls excuse my vv vapor artwork , i think i might have sunstroke

filton [ dissociative edit ]

See here for more info: bit.ly/35sC9lO

Support AQNB with a monthly subscription to our Patreon: www.patreon.com/aqnb

Lala &ce, Jäde, Low Jack - Debout (PAN 129S)

PAN

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